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White paper on creativity - ebla center

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Chapter 8Local broadcasters, moreover, like localpublishers, with a few excepti<strong>on</strong>s, seemto have been left <strong>on</strong>ly marginal markets.N<strong>on</strong>e of the larger groups in thesesectors, apart from Sky, which is theItalian subsidiary of the Murdoch group,operates as a cross-border businesscompeting <strong>on</strong> a larger – not to sayglobal or even European – market(except for <strong>on</strong>e Spanish network in theMediaset group). This may look a wisedecisi<strong>on</strong> given the fate in the last 20years of the various European mediagroups who have attempted to competedirectly with the US giants (with thepartial excepti<strong>on</strong> of the BertelsmannGroup). As far as the major Italiantelevisi<strong>on</strong> and publishing group (againMediaset) is c<strong>on</strong>cerned, the decisi<strong>on</strong> waslinked to a choice dating around 15years ago and outside the scope of this<str<strong>on</strong>g>paper</str<strong>on</strong>g>: the owner’ decisi<strong>on</strong> to go intopolitics, which – according to his critics– may have favoured his fortunes in thecountry, but certainly made his groupdifferent from other companiesoperating <strong>on</strong> this very delicate marketand, as dem<strong>on</strong>strated by the events afterbankruptcy of the German Kirschgroup, may have made acceptance of hispotential investments problematic formany foreign governments.What applies to Mediaset in particularcan be extended to the sectors ofpublishing, televisi<strong>on</strong> and radio ingeneral: operati<strong>on</strong>s are almost whollyfocused <strong>on</strong> the domestic market andthere is great difficulty in going bey<strong>on</strong>dits horiz<strong>on</strong> as regards strategicinitiatives. This is also due to an obviousbut often overlooked fact. Bookpublishing, televisi<strong>on</strong> broadcasting andthat part of radio broadcasting whichdoes not <strong>on</strong>ly feature music (and whenit does, it is usually imported music) aredependent <strong>on</strong> the nati<strong>on</strong>al language,Italian, which is, of course, differentfrom the languages in neighbouringcountries. This essential factor ofidentity for our citizens impliesdifferences and problems of mutualcomprehensi<strong>on</strong> with others. Theproblem does not affect <strong>on</strong>ly ourcountry. We can c<strong>on</strong>sider it <strong>on</strong>e of themajor limits (both objective andotherwise) for any European culturalpolicy. In fact the diversity of languagesand the rejecti<strong>on</strong> of any attempts tostandardise – proudly andunderstandably protected – traditi<strong>on</strong>sand identities is a major insuperabledifficulty with the USA, but also withthe emerging superpower, China(characterised by the clear-cutdominance of a relatively uniformmajority ethnic group over all theothers).The problem, however, is particularlyserious for Italy. Italian is spoken by lessthan 1% of the world populati<strong>on</strong>,entirely c<strong>on</strong>centrated in Italy and <strong>on</strong>eSwiss cant<strong>on</strong>. This is a much lowerfigure than for the languages of all theother European powers of similar sizein terms of populati<strong>on</strong> and ec<strong>on</strong>omicimportance. This is the case with Franceor Spain or even Portugal, which hadl<strong>on</strong>g-standing col<strong>on</strong>ial empires and cancount <strong>on</strong> much larger linguisticallyuniform populati<strong>on</strong>s. This is the casewith Germany, since German is spoken,beside the great numers of Germancitizens, also by by most of thepopulati<strong>on</strong> in Austria, nearly all theSwiss Cant<strong>on</strong>s and an Italianaut<strong>on</strong>omous province.WHITE PAPER ON CREATIVITY 196

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