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White paper on creativity - ebla center

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Chapter 2Chapter 2The Italian model of <strong>creativity</strong> and internati<strong>on</strong>al positi<strong>on</strong>ing2.1. Italy’s positi<strong>on</strong> inEurope and in the worldPossessing distinctive features bothmarks out differences and assigns anindependent positi<strong>on</strong>. In the case ofnati<strong>on</strong>al states, the positi<strong>on</strong> a countryachieves in a given field turns out to bepolitically significant because it willattract alliances and c<strong>on</strong>tribute to asubjective sense of identity.In the field of <strong>creativity</strong>, the model of<strong>creativity</strong> for social quality positi<strong>on</strong>sItaly <strong>on</strong> the internati<strong>on</strong>al sceneal<strong>on</strong>gside those countries who valuethe use of culture and <strong>creativity</strong> inimproving the quality of individual andcollective life.By c<strong>on</strong>trast, in Italy the c<strong>on</strong>cept of<strong>creativity</strong> as a phenomen<strong>on</strong> totallydriven by the impetus of technologicalinnovati<strong>on</strong>s is weaker.Since Italy is <strong>on</strong>e of the majorindustrialised nati<strong>on</strong>s, we must have apositive view of the comp<strong>on</strong>ent oftechnological <strong>creativity</strong> – certainly alsoa feature of the country but which <strong>on</strong>lypartially identifies its c<strong>on</strong>tent.The two models – <strong>creativity</strong> forinnovati<strong>on</strong> and <strong>creativity</strong> for socialquality – are also an example of theNorth-South geographical divide of thecreative issue which features <strong>on</strong> theinternati<strong>on</strong>al agenda. In fact, whereasthe model of <strong>creativity</strong> for innovati<strong>on</strong> andits insistence <strong>on</strong> technological aspectsis typical of North European andNorth American countries, the modelof <strong>creativity</strong> for social quality and itsreference to culture, territory, society,cultural districts and creative citiesseems to interpret better the trend ofcreative processes in Mediterranean,African, Latin American and Asiancountries. In this divisi<strong>on</strong> of the worldaccording to models of <strong>creativity</strong>, Italyhas an interesting bridging positi<strong>on</strong>between those who aspire to move thecutting edge of technologicalinnovati<strong>on</strong> towards even greatersuccess and those who want theprogress of <strong>creativity</strong> to be c<strong>on</strong>stantlyinformed by ethics, the aesthetic andsocial quality of collective life.Lastly, both models acknowledge thepotential of the creative ec<strong>on</strong>omy togenerate ec<strong>on</strong>omic development,income, exports and jobs.WHITE PAPER ON CREATIVITY 41

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