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White paper on creativity - ebla center

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Chapter 1414.9 C<strong>on</strong>cluding remarks:some simple acti<strong>on</strong>measuresTo c<strong>on</strong>clude, we would like to menti<strong>on</strong>what we believe could be the initialelements in an impact therapy for theItalian c<strong>on</strong>temporary art system. Theseacti<strong>on</strong>s are not meant to replace thepatient work of c<strong>on</strong>structing a l<strong>on</strong>gtermstrategy but as an eloquent andcredible sign of real change. Themeasures will be illustrated in greaterdetail in the Final Recommendati<strong>on</strong>s.Here we will outline and highlight theirinterdependent character. Rather thanworking <strong>on</strong> broad issues and structuralproblems which are difficult to solve, itseemed more useful and practical tobegin with the intermediate issues forartists and operators in the sector.These acti<strong>on</strong> measures should beaccompanied by a more in-depthcomplex study <strong>on</strong> the themes andplayers discussed in the previous pages.1. Set up internati<strong>on</strong>al programmesoffering foreign curators the chance tospend time studying in Italy2. Include Italian artists in thenetworks of the most interestinginternati<strong>on</strong>al artist-in-residenceprogrammes3. Accustom artists to presenting anddiscussing their own work4. Support artists invited to majorforeign instituti<strong>on</strong>s, not <strong>on</strong>ly in theearly days of their career, but especiallyduring the crucial stages ofc<strong>on</strong>solidating their internati<strong>on</strong>alreputati<strong>on</strong>s5. Develop the DARC (GeneralDepartment for C<strong>on</strong>temporaryArchitecture and Art in the Ministry ofCulture) with suitable funding andmake it functi<strong>on</strong> as an agency ofc<strong>on</strong>temporary art6. Introduce a fair tax system forItalian galleries, enabling them todevelop their business and compete <strong>on</strong>equal terms with galleries in othercountries.This is an ambitious but feasible acti<strong>on</strong>programme, as has been dem<strong>on</strong>stratedby experiences in many European andother countries which have madeawareness of c<strong>on</strong>temporary art a toppriority in cultural policy. There is noreas<strong>on</strong> why Italy cannot do likewise.WHITE PAPER ON CREATIVITY 338

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