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White paper on creativity - ebla center

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Chapter 5Chapter 5Fashi<strong>on</strong> True excellence and great internati<strong>on</strong>al visibilityItalian fashi<strong>on</strong> is a remarkably successful sector which has attracted a huge variety ofstakeholders – stylists, creators, dressmakers, couturiers, entrepreneurs, the businessworld, journalists, image makers, advertisers, semiologists, sociologists of dress andbehaviour, ec<strong>on</strong>omists of culture and industry – and c<strong>on</strong>sumers in search of dreams,quality and distincti<strong>on</strong>. The explanati<strong>on</strong> for all this interest lies in the complexity offashi<strong>on</strong> goods and their all-pervasive social presence. We have just outlined a theory ofmaterial culture goods and we can argue that all the models menti<strong>on</strong>ed in that case canalso be applied to the world of fashi<strong>on</strong> and its products. We <strong>on</strong>ly have to look at dailylife to grasp how much social anchoring there is in the phenomen<strong>on</strong> of fashi<strong>on</strong>.Fashi<strong>on</strong> is developing so fast and internati<strong>on</strong>ally that it no l<strong>on</strong>ger goes <strong>on</strong> a linearsequence in which <strong>on</strong>e trend follows another, but many styles simultaneously crowd<strong>on</strong>to a very lively scene. Illustrating the main features of this world in a relatively shortchapter is an impossible undertaking. We will thus menti<strong>on</strong> the most significant aspectsfor the purposes of this <str<strong>on</strong>g>White</str<strong>on</strong>g> Paper5.1 Fashi<strong>on</strong> as a system ofsystemsFashi<strong>on</strong> is a phenomen<strong>on</strong> whichoccurs at the crossroads of twosystems: a system of material needs,c<strong>on</strong>sumpti<strong>on</strong> and producti<strong>on</strong> (Barrèreand Santagata, 2005) and a symbolicintangible system of <strong>creativity</strong>, signs(Barthes, 1967) and identity.The fashi<strong>on</strong> system must relate toboth the producti<strong>on</strong> system and thecreative symbolic system present in agiven local regi<strong>on</strong> and c<strong>on</strong>sequentlyhas a twofold missi<strong>on</strong>:• Supply a service to industry interms of style, the creati<strong>on</strong> ofcollective images and internati<strong>on</strong>alreputati<strong>on</strong>, archive assistance,experimentati<strong>on</strong> with lowentrepreneurial risks and training ofspecialised professi<strong>on</strong>al figures.Fashi<strong>on</strong> is a symbolic image of thetextile industry, clothes making andaccessories. Fashi<strong>on</strong> shapes the marketof supply and demand and drives theproduct renewal.• Offer an input of <strong>creativity</strong> andcollective identity to a local area withec<strong>on</strong>omic spin-offs in terms ofpromoti<strong>on</strong> and cultural developmentWHITE PAPER ON CREATIVITY 114

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