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Timeless Rapture: Inspired Verse from the Shangpa Masters

Timeless Rapture: Inspired Verse from the Shangpa Masters

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The <strong>Shangpa</strong> <strong>Masters</strong> and Their Lineage 291<br />

tice for one’s entire life. The reader might assume <strong>from</strong> this and <strong>the</strong> absence<br />

of details of his active life that Sangyé Tönpa had few students. Not so; two<br />

supplementary biographies by his disciples reveal that he had students<br />

“<strong>from</strong> <strong>the</strong> seas of China to Jalandhara in India.” One hundred eight disciples<br />

were “hidden adepts” foretold by Niguma when she visited Sangyé<br />

Tönpa and gave him a string of prayer beads made of 108 pearls. This was<br />

her reassurance that he could teach widely, that her secrets could finally be<br />

told to more than one chosen heir. The fact that Niguma calls <strong>the</strong> 108<br />

“hidden” refers not to antisocial behavior but to <strong>the</strong> discipline of silence<br />

in relation to one’s spiritual life. I believe that she did not envision <strong>the</strong>m<br />

as public, active teachers, just as discreet meditators, content to practice<br />

ra<strong>the</strong>r than to preach.<br />

Sangyé Tönpa confesses to some pride during his extraordinary exercises<br />

in control of lucid dreams, but he points out that as soon as his pride<br />

arose, his experience faded until he had rid himself of that stultifying attitude.<br />

Even <strong>the</strong> thought during lucid dreams that his offerings and elaborate<br />

dream creations were positive proved <strong>the</strong> occasion for a warning <strong>from</strong><br />

an anonymous dakini that attachment to things as positive was a golden<br />

chain he could well do without.<br />

Like his spiritual master, Sangyé Tönpa was a monk, although unlike<br />

Sangyé Nyentön, he adhered closely to <strong>the</strong> external appearance of discipline.<br />

Never<strong>the</strong>less, he too had to urge his disciples to look beyond his<br />

physical state. He reports that sickness troubled him most of his life, infirmity<br />

he blamed on doubts that he had entertained during a past life in<br />

India concerning tantra’s third empowerment (that of wisdom engendered<br />

by an embodiment of transcendent knowledge). Sangyé Tönpa claimed to<br />

be an invalid by day and a buddha by night. He exercised extraordinary<br />

control during lucid dreams and in <strong>the</strong> clear light of deep sleep. His autobiography<br />

also provides vivid testimony to <strong>the</strong> strength of his devotion to<br />

his teacher. Never<strong>the</strong>less, he does not give any indication that he busied<br />

himself with institutions. He taught many disciples but did not found a<br />

monastery of his own. Close to <strong>the</strong> end of his life, he paid a short visit to<br />

Shang Monastery, <strong>the</strong> first of <strong>the</strong> <strong>Shangpa</strong> masters to do so since Rinchen<br />

Tsöndru’s meeting <strong>the</strong>re with Kyungpo Naljor.<br />

In <strong>the</strong> <strong>Shangpa</strong> tradition, Sangyé Tönpa’s life had been foretold for generations<br />

and he was designated repeatedly during his lifetime as <strong>the</strong> one<br />

who would take Niguma’s teaching to <strong>the</strong> world. His qualifications for that<br />

task define <strong>the</strong> <strong>Shangpa</strong> tradition: perfect renunciation, outward discretion

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