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CATULLUS 68 - Scuola Normale Superiore

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the previous and the following distichs add a new subject to sitis felices, the et qui introducing this highly<br />

corrupt couplet should not do the same.<br />

Out of the conjectures that have been proposed, te tradidit Anser is the most plausible. There are good<br />

reasons, however, not to put this into the text, especially not into a detailed critical edition. Since the<br />

principal MSS’ reading terram dedit aufert consists of correct Latin words and is metrical (though<br />

ungrammatical), the corruption appears to have been non-mechanical, so that it is not clear how far the<br />

transmitted text has departed from the original reading. What Catullus wrote may have been quite different<br />

from what we read in the MSS. Worse yet, the corruption appears to have obliterated the sole reference to a<br />

person who is not mentioned in the rest of the poem; and the transmitted text does not enable us to identify<br />

him. We are short of indications regarding the form as well as the contents of these words. te tradidit Anser<br />

would constitute a perfectly satisfactory emendation – but other emendations may be possible. On the other<br />

hand, such a text would introduce a very significant new element into our understanding of the poems of<br />

Catullus: it would make him a contemporary and a close friend of the poet Anser; and we cannot be sure that<br />

he was either of these. In view of all these uncertainties it is best to leave te tradidit Anser in the apparatus.<br />

158 The principal MSS write this verse as a quo sunt primo omnia nata bono. There are two problems with<br />

this: the hiatus after primo, and the strange accumulation of adjectives in a quo … primo … bono. The latter<br />

defect is easily mended if one accepts a Renaissance conjecture and writes bono; this is confirmed by omnia<br />

… bona in the same position within the distich at 77.4. The hiatus is a more complicated question.<br />

It has been a matter of controversy whether hiatus could be admitted in Catullus’ text, in general and also at<br />

the caesura of the pentameter. It was already doubted by Haupt (1837: 85f.); Levens (1954: 296) thought that<br />

11 occurrences of hiatus in the principal MSS were genuine; Goold (1958: 106-111) argued with<br />

characteristic zeal that in all these cases the text is corrupt and that in fact Catullus never admitted hiatus;<br />

Zicàri (1964) defended the position of Levens; finally Goold (1969: 186-193) re-stated his original case with<br />

the help of new arguments. However, the Qaṣr Ibrîm fragment of Cornelius Gallus has an instance of hiatus<br />

in the line Fata mihi, Caesar, tum ¦ erunt mihi dulcia, quom tu ... (frg. 3.1 FPL 3 ). Lyne proposed to remove<br />

the hiatus by writing tum, Caesar, erunt – but this is unlikely, not only because it results in an unattractive<br />

text (the bland tum becomes awkwardly exposed), but also because the papyrus was written in the life-time<br />

of the author, it was owned by someone in his entourage, and it is hard to imagine that under these<br />

circumstances a major metrical error could have found its way into the text and stayed in it. On the other<br />

hand, Hollis (2007: 245) suggested that tum ¦ erunt “should perhaps be considered not a ‘hiatus’ but rather<br />

the survival of an old licence whereby –m was not always disregarded before an open vowel” (he refers to<br />

Priscian GL 2.30, and a number of passages where such a licence is observed, such as Ennius Ann. 330<br />

Skutsch). On this account, Gallus’ fragment would demonstrate the existence not of a licence for hiatus in<br />

general, but of a licence for ‘prosodic hiatus’ involving words ending in -m followed by an open vowel. In<br />

fact, Lucretius admits hiatus not only in such a context, but also after a long vowel or diphthong at 3.374<br />

animae ¦ elementa minora and at 6.755 sed natura loci ¦ opus effficit. Hiatus is also well attested in the<br />

259

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