20.07.2013 Views

The phonology and morphology of Filomeno Mata Totonac

The phonology and morphology of Filomeno Mata Totonac

The phonology and morphology of Filomeno Mata Totonac

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

4.8.1.2 Second person subject. Second person subject inflection in FM <strong>Totonac</strong> is somewhat<br />

complex, being marked by affixes, realizational <strong>morphology</strong> <strong>and</strong> suppletion <strong>of</strong> certain roots <strong>and</strong><br />

inflectional <strong>and</strong> derivational morphemes.<br />

<strong>The</strong> second person singular marker has two allomorphs, the suffix –ti" <strong>and</strong> a floating constricted<br />

glottis feature that attaches to the final consonant <strong>of</strong> the verb stem. <strong>The</strong> -ti" allomorph is<br />

associated with stress two syllables preceding itself, the [cg] allomorph with stress one syllable<br />

before itself. (Primary stress on all multimorphemic words in FM <strong>Totonac</strong> is determined by the<br />

final suffixal construction; for a discussion, see §2.7.2.) <strong>The</strong> choice <strong>of</strong> allomorph is made by the<br />

<strong>phonology</strong>: -ti" cannot appear immediately following an unstressed vowel; in such contexts, [cg]<br />

is the required marker. Since the syllable preceding the 2SUB.sg morpheme must be unstressed<br />

due to the associated antepenult stress pattern, this means that the –ti" allomorph is found only<br />

with stems ending in a closed syllable. <strong>The</strong> one exception occurs with verbs in the progressive<br />

aspect; the –ti" allomorph is selected immediately following the second person progressive suffix<br />

–paa, as in example 70. Given the phonological forms <strong>of</strong> the four major aspect markers, the<br />

result is that the 2 nd person subject in the perfective <strong>and</strong> progressive is marked by –ti", <strong>and</strong> in the<br />

imperfective <strong>and</strong> perfect by the constricted glottis feature.<br />

In other <strong>Totonac</strong> varieties –ti" <strong>and</strong> –li", both with an associated antepenult stress pattern, mark the<br />

perfective aspect in verbs with 2 nd <strong>and</strong> 1 st /3 rd subjects respectively.<br />

67) naqa"íy’a&<br />

/na-qa#i-aa-[cg]/<br />

FUT-have-IMPF-2SUB.sg<br />

“you will have it’<br />

68) tapaaníit’a&<br />

/ta-paa-niita-[cg]/<br />

MID-lying2-PFT-2SUB.sg<br />

‘you have lain down’<br />

69) tanc%íc%inti&<br />

/tan-c"ic"in-ti&/<br />

REAR-heat- 2SUB.sg<br />

‘you burned your tail’<br />

70) taaskúxpaati&<br />

/taa-skux-paa-ti&/<br />

COM-work-PROG2-2SUB.sg<br />

‘you are working’<br />

! "#,!

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!