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The phonology and morphology of Filomeno Mata Totonac

The phonology and morphology of Filomeno Mata Totonac

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Chapter 2 <strong>The</strong> <strong>phonology</strong> <strong>of</strong> <strong>Filomeno</strong> <strong>Mata</strong> <strong>Totonac</strong><br />

2.1 Introduction. This chapter presents an overview <strong>of</strong> the <strong>phonology</strong> <strong>of</strong> <strong>Filomeno</strong> <strong>Mata</strong><br />

<strong>Totonac</strong>, including the phoneme inventory <strong>of</strong> the language; the allomorphs <strong>and</strong> distribution <strong>of</strong><br />

each phoneme; phonotactics <strong>and</strong> syllable structure; general phonological constraints; the stress<br />

system; sound symbolism; <strong>and</strong> Spanish loanwords. A large number <strong>of</strong> phonological processes<br />

are morphologically conditioned. While it is difficult to separate the interactions <strong>of</strong> the two<br />

components <strong>of</strong> the grammar, the phonological aspects <strong>of</strong> each are briefly covered in this chapter,<br />

with further discussion <strong>of</strong> the morphological details provided in Chapters 4 (inflection) <strong>and</strong> 5<br />

(derivation). First, I will describe the notation conventions used <strong>and</strong> define the word in this<br />

language.<br />

2.1.1 Notation conventions. Throughout this dissertation I will transcribe <strong>Totonac</strong> words with<br />

the Americanist version <strong>of</strong> the IPA, which differs from the latter in the symbols # instead <strong>of</strong> #; $<br />

for t#; <strong>and</strong> the apostrophe ’ rather than $. I have chosen to represent long vowels by repeating the<br />

vowel symbol, for example, aa. Except when specifically marked within square brackets [ ] for<br />

narrow phonetic transcriptions, or within slash marks / / for phonemic transcriptions, my<br />

renderings will show an intermediate level <strong>of</strong> phonetic representation. This level <strong>of</strong> transcription<br />

generally fails to note: vowel centralization; velar <strong>and</strong> uvular nasal place assimilation; optional<br />

voicing <strong>of</strong> obstruents intervocalically; <strong>and</strong> aspiration <strong>of</strong> consonants. Note that the Πallophone<br />

cannot take an accent mark because <strong>of</strong> computer limitations. Since it only occurs under stress, its<br />

presence indicates the location <strong>of</strong> primary stress in the word.<br />

Some <strong>of</strong> the examples include the source <strong>of</strong> the information cited, with the notebook number,<br />

page number <strong>and</strong> speaker’s initials within parentheses, e.g., (9,160 jsf). <strong>The</strong> notebooks are<br />

chronologically numbered from 1 to 10, most <strong>of</strong> them having 160 pages.<br />

2.1.2 Word definition. FM <strong>Totonac</strong> is a big-verb language, with verbal forms <strong>of</strong>ten containing<br />

five to seven morphemes, <strong>and</strong> sometimes several more. Because <strong>of</strong> the complexity <strong>of</strong> words in<br />

the language, a definition <strong>of</strong> the concept ‘word’ is in order. I will use a simple definition: a word<br />

is a unit <strong>of</strong> speech with only a single primary stress e.g., ka-lii-taa-qa"-c%iwíi-nan-ti& ‘talk to her<br />

about it’ (9,40 jsf).<br />

2.2 Phoneme Inventory. <strong>The</strong> phoneme inventory <strong>of</strong> FM <strong>Totonac</strong> is a fairly st<strong>and</strong>ard one for a<br />

<strong>Totonac</strong>o-Tepehua language (see Levy’s (1987:14-17) summary <strong>of</strong> <strong>Totonac</strong>o-Tepehua phonemic<br />

inventories). FM <strong>Totonac</strong> has 17 native consonants <strong>and</strong> three native vowel qualities, with a<br />

length distinction bringing the number <strong>of</strong> vowels to six. <strong>The</strong> phonemes are displayed in Tables<br />

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