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The phonology and morphology of Filomeno Mata Totonac

The phonology and morphology of Filomeno Mata Totonac

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96) /maa-c"uku-ii/ 97) /maa-#tata-ii/<br />

CAUS-cut-TRAN CAUS-sleep-TRAN<br />

[maac"ukí] [maa#tatí]<br />

‘s/he makes him/her cut it’ ‘s/he makes him/her sleep’<br />

98) /maa-puupu-ii/ 99) /maa-qa#-tawaqa-ii/<br />

CAUS-boil-TRAN CAUS-mouth-practice-TRAN<br />

[maapuupí] [maaqa#tawaqé]<br />

‘s/he boils it’ ‘s/he makes him/her study’<br />

However, in one-syllable roots a sole root vowel cannot be deleted, <strong>and</strong> in these cases, y<br />

epenthesis is found (see §2.6.4.2 for a description <strong>of</strong> vowel harmony in the transitivizer suffix):<br />

100)/#ku-ii/ 101)/sqo-ii/<br />

burn-TRAN radiate-TRAN<br />

[#kuyúu] [sqoyúu]<br />

‘s/he burns it’ ‘s/he bewitches him/her’<br />

2.6.4.2 Vowel harmony. Vowel harmony is found only in the two verbal suffixes closest to the<br />

root, the transitivizer –ii or –VV <strong>and</strong> the indefinite object marker –nan or –nVn, <strong>and</strong> in the<br />

agentive suffix, -na’! or -nV’V in deverbal nouns. Harmony is always in the root-to-affix<br />

direction. It seems that vowel harmony is being lost as a productive process, with certain,<br />

perhaps lexicalized, forms retaining it, <strong>and</strong> optionality in its use in other forms.<br />

<strong>The</strong> transitivizer by itself can transitivize a small number <strong>of</strong> intransitive roots, but usually<br />

comprises the second half <strong>of</strong> a causativizing circumfix with causative maa-. For all speakers, it<br />

takes the allomorph –ii when attached to multisyllabic verb roots ending in vowels or with root<br />

vowel [i] (see §2.6.4.1 for the vowel coalescence facts).<br />

102)/katsa-ii/ 103) /maa-s"niiq-ii/<br />

feel-TRAN CAUS-wilt-TRAN<br />

[katsíi] [maas"neeqée]<br />

‘she knows’ ‘it makes it wilt’<br />

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