1997 Swinburne Higher Education Handbook
1997 Swinburne Higher Education Handbook
1997 Swinburne Higher Education Handbook
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ALM310 Electronic Writing<br />
3 hours per week Hawthorn Prereqttisite: two stage two<br />
literature subjects, one of which must be AL204 Assessment:<br />
continuous<br />
A subject in the Bachelor of Arts<br />
Objecives and Content<br />
The purpose of this subject is to introduce students to the<br />
convergence of print with electronics, and to the status of<br />
writing in the contemporary world of electronic<br />
communication technologies. Far from being outmoded,<br />
writing continues to be at the forefront of electronic cultural<br />
technologies. This subject will include consideration of the<br />
impact of what computer techniques offer, and then demand<br />
from the readedwriter. It offers students the opportunity to<br />
consider the most advanced state, so far, in the<br />
transformation of the word. At the same time, it will focus<br />
on the links between traditional forms and conceptions of<br />
text, as well as the literacies with which we approach<br />
different writing technologies (such as the book, desk top<br />
publishing software, hypertext and hypermedia, which<br />
combine written words, images and sound). Students will<br />
access to Internet and will develop writing skills designed for<br />
the electronic environment, using desk top publishing<br />
packages and authoring software.<br />
Recommended reading.<br />
Ulmer, G. Heuretics, The Logic of Invention. Baltimore, Johns<br />
Hopkins University Press, 1994<br />
Delany, P. and Landow, G (eds). Hypermedia and Literary Studies.<br />
Cambridge (Mass.), M.1.T Press, 1991<br />
Bolter,. J. Writing Space. The Computer, Hypertext and the History<br />
of Writing, Hillsdale, N.J., Earlbaum, 1991<br />
ALM312 Literature/Media Project (Industry<br />
Placement)<br />
Hawthorn 15 days or equivalent Prerequisites: 5<br />
Literature/Media subjects, including AL204 or AL209 and<br />
ALM310 Assessment: continuous Equvalent value: one<br />
semester subject.<br />
A subject in the Bachelor of Arts<br />
Obiectives and Content<br />
In this subject, students undertake a literature project, a<br />
work placement in industry or a combination of both.<br />
Students undertaking a literature project are supervised in<br />
both the design and implementation of a product of their<br />
choice (for example; an electronic journal; a multi-media<br />
presentation; a research report) targeted and delivered to a<br />
client. Students undertaking work attachment will be placed<br />
i at one of a variety of institutions and will be required to<br />
report on that institution as part of their assessment.<br />
Alternatively, students can negotiate a combination of work<br />
attachment and project with their supervisor.<br />
The other option for this unit is exclusive to Literature<br />
students, and involves an independent research project,<br />
conducted over a semester, under the supervision of a<br />
member of the Literature staff, Once again, numbers will be<br />
limited, and students must have a proven, ongoing work in<br />
progress that will form the basis of their Literature project.<br />
Eligibility for this program will depend upon the student<br />
having a project on which they have been preciously<br />
working (say, a book of poems, a novel, a critical essay), and<br />
which has been approved by the subject convenor. The<br />
subject is designed to develop a work to completion, and<br />
prepare it for publication, or at least submit it for<br />
publication. This work can be of a critical nature, and<br />
students will be expected to work closely with a supervisor<br />
throughout the semester.<br />
For another stage one media subiect please refer to<br />
ALM104 listed in alpha-numeric order on previous<br />
pages.<br />
AM1 02 Media and Meanings: An Introduction<br />
3 hoursper week Hawthorn Prerequisite: nil<br />
Assessment: continuous<br />
A subject in the Bachelor of Arts<br />
Obiedives and Content<br />
his subject introduces an analytical approach to media<br />
texts. Though it will refer to print and radio forms, it will<br />
primarily concern itself with film and/or television. Our<br />
interest in studying these texts is not so much to establish<br />
their worth, or otherwise, as to draw attention to the<br />
mechanics of our work as readers, to the ways in which we<br />
produce meanings from (or are confused by) the texts, to the<br />
methods they use in order to produce meanings, and to the<br />
values they embody in their representations. The texts for<br />
study will be selected from fiction and documentary films,<br />
television series, news and current affairs programs, music<br />
videos, advertisements, variety and sports shows, and<br />
children's programs. They will be examined within the<br />
context of textual theory, with particular attention being<br />
given to their visual aspects.<br />
Recommended reading<br />
Bordwell, D. and Thompson, K. Film Art An Introduction, 4th<br />
edn, New York, McGraw-Hill, 1993<br />
Sobchack, T. and Sobchack, V.C., An Introduction to Film, 2nd<br />
edn, Boston, Little, Brown & Co, 1987<br />
Fiske, J., Television Culture, London, Methuen, 1987<br />
AM1 05 The Media in Australia<br />
3 hours per week Hawthorn Prwequisite: nil<br />
~ssessment: continuous<br />
A subject in the Bachelor of Arts<br />
Objedives and Content<br />
This subject is an introduction to some of the major<br />
historical and contemporary issues about broadcasting as a<br />
medium of mass communication, primarily in an Australian<br />
context. It examines the political context of broadcasting<br />
institutions,public and private, and their relationship with<br />
other social ~nstitutions. Key political, social and ethical<br />
issues associated with the media are canvassed, such as the<br />
ownership and control of radio, television stations,<br />
newspapers and Pay-TV, the regulatory climate,<br />
accountability in programming, relationships to audiences,<br />
and journalistic practices and ethics. Vexed issues, such as