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1997 Swinburne Higher Education Handbook

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ALM310 Electronic Writing<br />

3 hours per week Hawthorn Prereqttisite: two stage two<br />

literature subjects, one of which must be AL204 Assessment:<br />

continuous<br />

A subject in the Bachelor of Arts<br />

Objecives and Content<br />

The purpose of this subject is to introduce students to the<br />

convergence of print with electronics, and to the status of<br />

writing in the contemporary world of electronic<br />

communication technologies. Far from being outmoded,<br />

writing continues to be at the forefront of electronic cultural<br />

technologies. This subject will include consideration of the<br />

impact of what computer techniques offer, and then demand<br />

from the readedwriter. It offers students the opportunity to<br />

consider the most advanced state, so far, in the<br />

transformation of the word. At the same time, it will focus<br />

on the links between traditional forms and conceptions of<br />

text, as well as the literacies with which we approach<br />

different writing technologies (such as the book, desk top<br />

publishing software, hypertext and hypermedia, which<br />

combine written words, images and sound). Students will<br />

access to Internet and will develop writing skills designed for<br />

the electronic environment, using desk top publishing<br />

packages and authoring software.<br />

Recommended reading.<br />

Ulmer, G. Heuretics, The Logic of Invention. Baltimore, Johns<br />

Hopkins University Press, 1994<br />

Delany, P. and Landow, G (eds). Hypermedia and Literary Studies.<br />

Cambridge (Mass.), M.1.T Press, 1991<br />

Bolter,. J. Writing Space. The Computer, Hypertext and the History<br />

of Writing, Hillsdale, N.J., Earlbaum, 1991<br />

ALM312 Literature/Media Project (Industry<br />

Placement)<br />

Hawthorn 15 days or equivalent Prerequisites: 5<br />

Literature/Media subjects, including AL204 or AL209 and<br />

ALM310 Assessment: continuous Equvalent value: one<br />

semester subject.<br />

A subject in the Bachelor of Arts<br />

Obiectives and Content<br />

In this subject, students undertake a literature project, a<br />

work placement in industry or a combination of both.<br />

Students undertaking a literature project are supervised in<br />

both the design and implementation of a product of their<br />

choice (for example; an electronic journal; a multi-media<br />

presentation; a research report) targeted and delivered to a<br />

client. Students undertaking work attachment will be placed<br />

i at one of a variety of institutions and will be required to<br />

report on that institution as part of their assessment.<br />

Alternatively, students can negotiate a combination of work<br />

attachment and project with their supervisor.<br />

The other option for this unit is exclusive to Literature<br />

students, and involves an independent research project,<br />

conducted over a semester, under the supervision of a<br />

member of the Literature staff, Once again, numbers will be<br />

limited, and students must have a proven, ongoing work in<br />

progress that will form the basis of their Literature project.<br />

Eligibility for this program will depend upon the student<br />

having a project on which they have been preciously<br />

working (say, a book of poems, a novel, a critical essay), and<br />

which has been approved by the subject convenor. The<br />

subject is designed to develop a work to completion, and<br />

prepare it for publication, or at least submit it for<br />

publication. This work can be of a critical nature, and<br />

students will be expected to work closely with a supervisor<br />

throughout the semester.<br />

For another stage one media subiect please refer to<br />

ALM104 listed in alpha-numeric order on previous<br />

pages.<br />

AM1 02 Media and Meanings: An Introduction<br />

3 hoursper week Hawthorn Prerequisite: nil<br />

Assessment: continuous<br />

A subject in the Bachelor of Arts<br />

Obiedives and Content<br />

his subject introduces an analytical approach to media<br />

texts. Though it will refer to print and radio forms, it will<br />

primarily concern itself with film and/or television. Our<br />

interest in studying these texts is not so much to establish<br />

their worth, or otherwise, as to draw attention to the<br />

mechanics of our work as readers, to the ways in which we<br />

produce meanings from (or are confused by) the texts, to the<br />

methods they use in order to produce meanings, and to the<br />

values they embody in their representations. The texts for<br />

study will be selected from fiction and documentary films,<br />

television series, news and current affairs programs, music<br />

videos, advertisements, variety and sports shows, and<br />

children's programs. They will be examined within the<br />

context of textual theory, with particular attention being<br />

given to their visual aspects.<br />

Recommended reading<br />

Bordwell, D. and Thompson, K. Film Art An Introduction, 4th<br />

edn, New York, McGraw-Hill, 1993<br />

Sobchack, T. and Sobchack, V.C., An Introduction to Film, 2nd<br />

edn, Boston, Little, Brown & Co, 1987<br />

Fiske, J., Television Culture, London, Methuen, 1987<br />

AM1 05 The Media in Australia<br />

3 hours per week Hawthorn Prwequisite: nil<br />

~ssessment: continuous<br />

A subject in the Bachelor of Arts<br />

Objedives and Content<br />

This subject is an introduction to some of the major<br />

historical and contemporary issues about broadcasting as a<br />

medium of mass communication, primarily in an Australian<br />

context. It examines the political context of broadcasting<br />

institutions,public and private, and their relationship with<br />

other social ~nstitutions. Key political, social and ethical<br />

issues associated with the media are canvassed, such as the<br />

ownership and control of radio, television stations,<br />

newspapers and Pay-TV, the regulatory climate,<br />

accountability in programming, relationships to audiences,<br />

and journalistic practices and ethics. Vexed issues, such as

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