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1997 Swinburne Higher Education Handbook

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in the Information Age, Norwood, N.J., Ablex, 1989<br />

Reinecke, I. and Schultz, J., The Phone Book, Ringwood, Penguin,<br />

1983<br />

Wheelwright, E. and Buckley, K., (eds), Communications and the<br />

Media in Australia, Sydney, Allen & Unwin, 1987<br />

Westerway, Peter. Electronic Highways, Sydney, Allen & Unwin,<br />

1990<br />

LSM300 Cinema Studies<br />

3 hours per week Lilydale Prerequistite: LSMlOO and two<br />

stage two subjects Assessment: class presentation, class<br />

participation, short thesis (3-3500 words)<br />

A stage 3 subject in the Bachelor of Social Science which<br />

also may be taken in the Bachelor of Business and the<br />

Bachelor of Applied Science.<br />

Obiedives<br />

This subject is designed as an introduction to the practice of<br />

film criticism in the context of our ongoing concern with<br />

textual analysis.<br />

Content<br />

Each year different groups of films, representatives of<br />

particular genres or embodiments of particular themes<br />

(science-fiction, screwball comedy, film noir,<br />

Hitchcock's American thrillers, "art" movies, and so<br />

on), are selected for study. They are examined as<br />

individual texts, week by week, but the major function<br />

of our work on them is to be found in the way they<br />

provide a foundation for the introduction of broader<br />

issues to do with films as art works and as cultural<br />

artefacts and with critical practice as a set of specific<br />

cultural discourses.<br />

Key issues to emerge will include:<br />

the role played by structuralist methodologies in the<br />

overturning of the humanist discourse which dominates<br />

more traditional critical work;<br />

the ways in which ideology is inscribed into the works<br />

examined (as well as into the methods of examination);<br />

the ways in which particular kinds of relationships are<br />

created between films and their viewers;<br />

the place occupied by 'the author' in relation to the<br />

formal and thematic organisation of the works which<br />

bear his/her name;<br />

the usefulness of genre - studies;<br />

the role of the star system;<br />

the inbuilt connections between the films, the industry<br />

and the culture in which they exist.<br />

Recommended reading<br />

Bordwell, D. and Thompson, K., Film Art: An Introduction. 4th<br />

en, New York, McGraw Hill, 1993.<br />

Cook, P. (ed.), The Cinema Book: A Complete Guide to<br />

Undentanding the Movies. London, B.F.I., 1985.<br />

Grant, B.K. (ed.), Film Genre Reader. Austin University of Texas<br />

Press, 1986<br />

Ray, R.B., A Certain Tendency of the Hollywood Cinema 1930-<br />

1980. Princeton, Princeton University Press, 1985<br />

CineACnONI, Cinema Papers, Film Comment, The]ournal of<br />

Popular Film & Television, Screen.<br />

EM301 Electronic Writing<br />

3 hours per week Lilydale Prerequistite: LSMlOO and two<br />

stdge two suljects Assessment: desktop publication.<br />

individual powerpoint class presentations, Internet<br />

publication and reading record.<br />

A stage 3 subject in the Bachelor of Social Science which<br />

also may be taken in the Bachelor of Business and the<br />

Bachelor of Applied Science.<br />

Objectives<br />

The purpose of this subject is to introduce students to the<br />

convergence of print with electronic publishing.<br />

It will include consideration of the impact of what computer<br />

techniques offer, and then demand, from the readedwriter.<br />

It offers students the opportunity to consider the most<br />

advanced state, so far, in the transformation of the word. It<br />

will enable the student to develop electronic writing skills<br />

including desktop publishing, hypermedia and cruising and<br />

using the Internet. Students will have access to and be able<br />

to use an open page on the World Wide Web for this<br />

subject. They will be encouraged to undertake independent<br />

electronic excursions and publication.<br />

Content<br />

Writing and electronic culture;<br />

desktop publishing;<br />

..<br />

cruising the Internet: reading;<br />

cruising the Internet: writing;<br />

critiquing the relationship between reading and writing;<br />

cultural possibilities: construction and deconstruction in<br />

electronic technology;<br />

on-line writing activities using MUDS and MOOS;<br />

interactive fiction-writing using 'Storyspace.'<br />

publishing with PageMaker<br />

Recommended reading<br />

Ulmer, G. Heuretics. The logic of Invention. Baltimore, Johns<br />

Hopkins University Press, 1994<br />

Delany, P. and Landow, G. (eds) Hypermedia and Literary Studies.<br />

Cambridge, M.1.T Press, 1991<br />

Bolter, J. Writing Space: The Computer, Hypertext, and the History<br />

of Writing. Hillside, N.J. Earlbaum,l991<br />

LSM302 Information Society: Promises and<br />

Policies<br />

3 hours per week Lilydale Prerequistite: core subject and<br />

two stage two subjects Assessment: 1 major tutorial<br />

presentation, I major research assignment<br />

A stage 3 subject in the Bachelor of Social Science which<br />

also may be taken in the Bachelor of Business and the<br />

Bachelor of Applied Science.<br />

0 biectives<br />

To examine the convergence of broadcasting, information<br />

technology and telecommunications in the context of<br />

political economic and social changes associated with the<br />

notion of an information society.<br />

<strong>Swinburne</strong> Univenify of Technology <strong>1997</strong> <strong>Handbook</strong> 41 9

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