V6 User Manual 1.00.book - Studio General

More documents

Recommendations

Info

EndPunch >EndPunch SelectionPunch SelectionPunch Selection with PrerollPunch Selection with PrerollPunch Selection with Preroll #2Punch Selection with Preroll #2Punch Selection with Preroll #3Punch Selection with Preroll #3Auto-punch with Preroll Auto-punch with PrerollAuto-punch with Preroll #2 Auto-punch with Preroll #2Auto-punch with Preroll #3 Auto-punch with Preroll #3Remake last Punch (In only)Repeat last Punch operation (Punch In only)Remake last Punch (In - Out)Repeat last Punch operationSafety RecordWhen this mode is active the only way to stop a recording is to return to this menu andde-activate it. (Or use an assigned keuyboard Shortcut)Play SelectionPlay SelectionLoop SelectionLoop SelectionPlay between MarksPlay between MarksLoop between MarksLoop between MarksPlay between GatesPlay between selected track group GatesLoop between GatesLoop between selected track group GatesAudition >Audition PreAudition PreAudition Pre (Preroll #2) Audition Pre (Preroll #2)Audition Pre (Preroll #3) Audition Pre (Preroll #3)AuditionAuditionAudition (Pre/Postroll #2) Audition (Pre/Postroll #2)Audition (Pre/Postroll #3) Audition (Pre/Postroll #3)Audition PostAudition PostAudition Post (Postroll #2) Audition Post (Postroll #2)Audition Post (Postroll #3) Audition Post (Postroll #3)Audition Gate In PreAudition selected track groups Gate In PreAudition Gate In Pre (Preroll #2) Audition selected track groups Gate In Pre (Preroll #2)Audition Gate In Pre (Preroll #3) Audition selected track groups Gate In Pre (Preroll #3)Audition Gate InAudition selected track groups Gate InAudition Gate In (Pre/Postroll #2) Audition selected track groups Gate In (Pre/Postroll #2)Audition Gate In (Pre/Postroll #3) Audition selected track groups Gate In (Pre/Postroll #3)Audition Gate In Post Audition selected track groups Gate In PostAudition Gate In Post (Postroll #2) Audition selected track groups Gate In Post (Postroll #2)Audition Gate In Post (Postroll #3) Audition selected track groups Gate In Post (Postroll #3)Audition Gate Out PreAudition selected track groups Gate Out PreAudition Gate Out Pre (Preroll #2) Audition selected track groups Gate Out Pre (Preroll #2)Audition Gate Out Pre (Preroll #3) Audition selected track groups Gate Out Pre (Preroll #3)Audition Gate OutAudition selected track groups Gate OutMenus : Machines 26 - 476
Audition Gate Out (Pre/Postroll #2) Audition selected track groups Gate Out (Pre/Postroll #2)Audition Gate Out (Pre/Postroll #3) Audition selected track groups Gate Out (Pre/Postroll #3)Audition Gate Out PostAudition selected track groups Gate Out PostAudition Gate Out Post (Postroll #2) Audition selected track groups Gate Out Post (Postroll #2)Audition Gate Out Post (Postroll #3) Audition selected track groups Gate Out Post (Postroll #3)Goto TimeCodeGoto TimeCodeNudge +1 frameNudge -1 frameSet Loop InSet Loop OutAt current Playhead Cursor positionAt current Playhead Cursor positionGoto Loop InGoto Loop OutLoop On/OffChaseStore Chase OffsetAuto ChaseLoop On/OffHard ChaseStore Chase OffsetFreeze External MachinesCursor Auto-Return after playing Auto Return On/OffExternal Machines>StopStopPausePausePlayPlayPlay Special >Play ReversePlay ReversePlay 1/2 Play 1/2Play 1/2 Reverse Play 1/2 ReversePlay 1/4 Play 1/4Play 1/4 Reverse Play 1/4 ReversePlay 1/16 Play 1/16Play 1/16 Reverse Play 1/16 ReversePlay 2xPlay 2xPlay 2x Reverse Play 2x ReversePlay 4xPlay 4xPlay 4x Reverse Play 4x ReverseRecordFast ForwardToggle Play/Stop Toggle Play/StopToggle Play/Pause Toggle Play/PauseToggle Play/Record Toggle Play/RecordRecordFast ForwardMenus : Machines 26 - 477
Page 2:
No part of this documentation may b
Page 7 and 8:
8 Editing 110Editing in the Timelin
Page 9 and 10:
11 Monitor 196Monitor ! Window 197S
Page 11 and 12:
15 Strip and Bus Tools 275Strip and
Page 14 and 15:
Ramses MSC 390Hardware Control Surf
Page 16 and 17:
ADR 474Machines 474Macros 479Settin
Page 18 and 19:
Internal Bussing & I/O Capabilities
Page 20 and 21:
Thank you!Congratulations on your p
Page 22 and 23:
• Full Delay Compensation (VS3 an
Page 24 and 25:
Pyramix Virtual Studio OverviewPyra
Page 26 and 27:
DSP(Mykerinos DSP Systems) or Core
Page 28 and 29:
The default X-fade can be modified
Page 30 and 31:
OverviewMassCore is an extremely po
Page 32 and 33:
Core Load IndicatorsIn MassCore bas
Page 34 and 35:
Note: These bars should be ignored
Page 36 and 37:
OverviewEditing ProjectProjects are
Page 38 and 39:
10. Click Next. The New Project Wiz
Page 40 and 41:
HousekeepingAudition PlayMedia Fold
Page 42 and 43:
N.B. In Pyramix User Libraries, the
Page 44 and 45:
• A list of Pyramix Projects and/
Page 46 and 47:
The left hand pane shows Libraries
Page 48 and 49:
Library MenusThe Edit, View and Tri
Page 50 and 51:
Consolidate(Libraries only) Opens t
Page 52 and 53:
OptionsOpens the Library Settings d
Page 54 and 55:
Quick ExportEnables Pyramix Master
Page 56 and 57:
This module is initially aimed at p
Page 58 and 59:
TimeZone Properties - BasicScaling
Page 60 and 61:
When checked, the level of the high
Page 62 and 63:
Managing Media FoldersChoose a medi
Page 64 and 65:
The Mounting Rules dialog can be fo
Page 66 and 67:
This will open a browser Window:Nav
Page 68 and 69:
Using Offline/Reference LibrariesWh
Page 70 and 71:
TracksAdding TracksEach Project has
Page 72 and 73:
Other types of strip can be selecte
Page 74 and 75:
Multiple tracksYou can also delete
Page 76 and 77:
Record Ready - Recording commences
Page 78 and 79:
Tracks Tab WindowThe Track Tab Wind
Page 80 and 81:
If YES the automation envelope is d
Page 82 and 83:
The rest of the fieldsAll the other
Page 84 and 85:
Transport and Navigationwww.merging
Page 86 and 87:
Clicking on the arrow opens a sub-m
Page 88 and 89:
• Frames• Samples• [ms]• CD
Page 90 and 91:
Bars & Beats Scale BarAs with the o
Page 92 and 93:
value of 24.0 results in a Tempo of
Page 94 and 95:
MarkersMarkers are shown in a Marke
Page 96 and 97:
The slider varies the jog response
Page 98 and 99:
Transport Control PanelPressing the
Page 100 and 101:
The OverviewOverview Tab WindowThe
Page 102 and 103:
Getting Audio into Pyramix Virtual
Page 104 and 105:
Record Punch In (Auto)After Recordi
Page 106 and 107:
3. Selecting Properties opens the S
Page 108 and 109:
Manual DigitizingAutoconforming1. I
Page 110 and 111:
Editingwww.merging.com/PyramixUSER
Page 112 and 113:
Anatomy of a ClipMany Edit Commands
Page 114 and 115:
Clip and Selection EditingMaster Cl
Page 116 and 117:
Clips Rename open the Rename Clips
Page 118 and 119:
TracksShows the tracks the media wa
Page 120 and 121:
the Track on which you right-clicke
Page 122 and 123:
Editing ModesThe current Editing Mo
Page 124 and 125:
Tim Fade InTrim Fade In Symmetrical
Page 126 and 127:
Delete and RippleCut and RipplePast
Page 128 and 129:
Normalize Example:In this case with
Page 130 and 131:
list shows information concerning t
Page 132 and 133:
Source - Destination EditingConcept
Page 134 and 135:
The menu item Edit > Source - Desti
Page 136 and 137:
Fade Editorwww.merging.com/PyramixU
Page 138 and 139:
Select/Edit Next FadeZoom around th
Page 140 and 141:
• When the Force Safe box is chec
Page 142 and 143:
Save X FadeThe dialog box opens wit
Page 144 and 145:
Mixerwww.merging.com/PyramixUSER MA
Page 146 and 147:
Configure PageMixer Configure PageI
Page 148 and 149:
Strip and Bus operationsOnce select
Page 150 and 151:
Effect ManagementClicking on Effect
Page 152 and 153:
Right-clicking on an installed plug
Page 154 and 155:
Wizard...Opens the Configuration Wi
Page 156 and 157:
Mix !Basic MixerAutomatic Delay Com
Page 158 and 159:
ColorsBus paths can be colored to a
Page 160 and 161:
Mixer ComponentsInput StripsMixer I
Page 162 and 163:
Multiple Mix Buses (Stems)Mono / St
Page 164 and 165:
Channel Direct OutputsAll input str
Page 166 and 167:
• Surround Center (Cs)By Default
Page 168 and 169:
Aux Send RoutingWhen a Strip feedin
Page 170 and 171:
Note: When IP:Off is displayed in t
Page 172 and 173:
Stereo PannersPyramix offers a comp
Page 174 and 175:
M&S Stereo StripsWhat is M&S?M&S st
Page 176 and 177:
Checking the Connect automatically
Page 178 and 179:
Delay CompensationDelay Compensatio
Page 180 and 181:
When the Input Strip Mode is set to
Page 182 and 183:
utton indicates that the effect is
Page 184 and 185:
Ghost Effects and Plug-insEssential
Page 186 and 187:
External InsertTo add an External I
Page 188 and 189:
Show DistributionWhen checked, a na
Page 190 and 191:
Saving / Loading Mixer PresetsMixer
Page 192 and 193:
Level MeterToggles the main display
Page 194 and 195:
Mixer Peak Log WindowClick on Show
Page 196 and 197:
Monitorwww.merging.com/PyramixUSER
Page 198 and 199:
Note: At bottom left in the screens
Page 200 and 201:
A Main grid: this matrix defines th
Page 202 and 203:
CommandsTo set the Reference Volume
Page 204 and 205:
Media Manager MonitoringNote: In or
Page 206 and 207:
Note: Talkback is currently availab
Page 208 and 209:
Note: If a seperate ‘Producer’
Page 210 and 211:
9. Add two more sources and label t
Page 212 and 213:
OperationThe smaller buttons vertic
Page 214 and 215:
Meter Bridgewww.merging.com/Pyramix
Page 216 and 217:
Meter Bridge WindowBy default the M
Page 218 and 219:
Single RowSingle row is useful if y
Page 220 and 221:
Automation Fader Mode and Group Ind
Page 222 and 223:
Effects and Plug-insThis chapter de
Page 224 and 225:
Channel Combo BoxShows which channe
Page 226 and 227:
Effects AutomationRight-clicking ov
Page 228 and 229:
The Low LPF is a shelving EQ with a
Page 230 and 231:
The legend for this display is as f
Page 232 and 233:
MS EncoderAs it says on the tin.Eit
Page 234 and 235:
Mastering Peak/Vu MetersPeak VU Bot
Page 236 and 237:
VU-Meter controlsVu-Meter Controls
Page 238 and 239:
This parameter sets the level of th
Page 240 and 241:
In the specific case of a DSD sessi
Page 242 and 243:
Surround MeterGives a very useful i
Page 244 and 245:
Integration (ms)Sets the Integratio
Page 246 and 247:
Merging TechnologiesEQ-XEQ-X floati
Page 248 and 249:
FluxSolera +Solera + is the flag sh
Page 250 and 251:
PureNotes DenoiserPureNotes Denoise
Page 252 and 253:
Frequencies AnalyzerStereo Oscillos
Page 254 and 255:
Prosoniq MPEX3 dialogA comprehensiv
Page 256 and 257:
VST ScannerTo Load VST plug-ins in
Page 258 and 259:
VST Plug-in AutomationVST plug-in a
Page 260 and 261:
Direct X Plug-insin Pyramix V6.1, D
Page 262 and 263:
Automationwww.merging.com/PyramixUS
Page 264 and 265:
Dynamic Automation ModesEvery contr
Page 266 and 267:
Selecting one of these opens a sub-
Page 268 and 269:
Unwritten TrackIf the track does no
Page 270 and 271:
Values can be increase by simply ty
Page 272 and 273:
Editing Automation dataAutomation d
Page 274 and 275:
Automation in editing and libraries
Page 276 and 277:
Strip and Bus ToolsEq, Comp/Limiter
Page 278 and 279:
Input SectionColor bar indicates Se
Page 280 and 281:
De-Compress SwitchSwitches the comp
Page 282 and 283:
This small window displays the sett
Page 284 and 285:
If two or more Bus Tools are insert
Page 286 and 287:
Main and Input Level SectionStrip N
Page 288 and 289:
Automation mode switchesPlease see:
Page 290 and 291:
Pre-Anticipation (Lookahead delay)
Page 292 and 293:
DitherWhenever changes are made to
Page 294 and 295:
3. In the Record section, choose to
Page 296 and 297:
To allow for limited further editin
Page 298 and 299:
SourceOffers a mutually exclusive c
Page 300 and 301:
Glitch DetectorFinds Glitches and P
Page 302 and 303:
The + and - buttons zoom in and out
Page 304 and 305:
File Interchange - FormatsFileForma
Page 306 and 307:
leaving in blocks of typically 64 k
Page 308 and 309:
Mounting RulesIn addition to the ge
Page 310 and 311:
Project InterchangeInterchangeForma
Page 312 and 313:
ImportProject > Import opens this w
Page 314 and 315:
AAFPyramix can import and export pr
Page 316 and 317:
Navigate to the required drive/fold
Page 318 and 319:
AKAI DD/DRPyramix is capable of rec
Page 320 and 321:
SettingsSettings pops up a dialog b
Page 322 and 323:
Keep open keeps the CD Import windo
Page 324 and 325:
ScopeThe following items are import
Page 326 and 327:
ProToolsNote: Please see also: the
Page 328 and 329:
Cancel aborts the import operation.
Page 330 and 331:
Adds a graphic preview of the Cue-S
Page 332 and 333:
Customizing the User InterfacePyram
Page 334 and 335:
Customizing Keyboard ShortcutsWe st
Page 336 and 337:
User MacrosMacros are sequences of
Page 338 and 339:
Project TemplatesPyramix provides t
Page 340 and 341:
Player/Recorder ModeMultitrack Edit
Page 342 and 343:
Launch the Virtual Tape Format appl
Page 344 and 345:
View > Scales / Toolbars and clicki
Page 346 and 347:
keeps track of the proper naming, m
Page 348 and 349:
Mix/Editing for TV shot in NTSC and
Page 350 and 351:
Conforming and Reconformingwww.merg
Page 352 and 353:
The CMX EDL Import Options main dia
Page 354 and 355:
Any errors encountered while parsin
Page 356 and 357:
Opens the Reconform... dialog:This
Page 358 and 359:
Step 2Pyramix automatically conform
Page 360 and 361:
Step 2Select Project > Import and c
Page 362 and 363:
Step 3Repeat Step2 with the same op
Page 364 and 365:
Step 6The Pyramix Project has now b
Page 366 and 367:
Step 8The Video Reference Tracks (w
Page 368 and 369:
Pyramix Version 1 Project with Audi
Page 370 and 371:
Step 3The new video file, Version 2
Page 372 and 373:
A file Open Browser Window opens:Py
Page 374 and 375:
Step 5Pyramix automatically conform
Page 376 and 377:
Relink to New MediaOpens a dialog o
Page 378 and 379:
Machine Controlwww.merging.com/Pyra
Page 380 and 381:
Linking Functions of External and I
Page 382 and 383:
Internal / External Machine panels
Page 384 and 385:
LocatePressing theLocate button pop
Page 386 and 387:
Record and Edit controlsThe first f
Page 388 and 389:
Examples:Jog Wheel ModeThe buttons
Page 390 and 391:
ScopePyramix can control and be con
Page 392 and 393:
Then select: Pyramix : Download : D
Page 394 and 395:
OASIS ProtocolOASIS is a generic TC
Page 396 and 397:
GPI / GPO Controlwww.merging.com/Py
Page 398 and 399:
Output pin just drag the Remote ont
Page 400 and 401:
CD/SACD Masteringwww.merging.com/Py
Page 402 and 403:
Simply right-click on a selection o
Page 404 and 405:
(Read only) Number of the PQ Marker
Page 406 and 407:
PasteCopy InfoPaste InfoValidate PQ
Page 408 and 409:
CD Offset default parametersThese p
Page 410 and 411:
Track Clicking on the third from th
Page 412 and 413:
Exporting Projects to CD Image File
Page 414 and 415:
Mixer SourcesPick two appropriate b
Page 416 and 417:
Audio CD Cue Sheet CompatibilityTes
Page 418 and 419:
Source - Pyramix CD ImageDiscWrite
Page 420 and 421:
CD-R/CD-RWWhen a CD-R(RW) is the se
Page 422 and 423:
3. Also in the Target section, clic
Page 424 and 425:
Procedure1. Before launching DiscWr
Page 426 and 427: Note: Detailed connection diagrams
Page 428 and 429: Productivitywww.merging.com/Pyramix
Page 430 and 431: Simply launch the Waveform Generato
Page 432 and 433: Note: The centre button is only ava
Page 434 and 435: Overview Tab Window in place above
Page 436 and 437: The All Settings > Timeline Layout
Page 438 and 439: of say 64 inputs by 64 outputs with
Page 440 and 441: Allocating DSPDSP allocation is set
Page 442 and 443: MassCore DSP AllocationNote: MassCo
Page 444 and 445: Menuswww.merging.com/PyramixUSER MA
Page 446 and 447: CloseImport...Export...Save as Vers
Page 448 and 449: Undo clip(s) moveUndo history >Redo
Page 450 and 451: First select the Clip or group of C
Page 452 and 453: View MenuView menuFixed Cursor whil
Page 454 and 455: Tracks >Zoom 4 Recall Preset Zoom 4
Page 456 and 457: Show all TabsShows all Tabs in dock
Page 458 and 459: Nudge to Next EditNudges the select
Page 460 and 461: Starting Numbering at:Items Separat
Page 462 and 463: Synchronize Tracks & StripsThe audi
Page 464 and 465: Nudge Cursor to Previous ClipNudge
Page 466 and 467: Prompt for Marker Name at insertion
Page 468 and 469: Select Clip(s) under Cursor Selects
Page 470 and 471: Audition Out with CurveAudition Out
Page 472 and 473: AutomationAutomation menuAutomation
Page 474 and 475: ADRFor details of the ADR Menu plea
Page 478 and 479: Fast RewindScan ForwardScan RewindS
Page 480 and 481: HelpHelp menuThe Help Menu gives qu
Page 482 and 483: OverviewPyramix is massively config
Page 484 and 485: HardwareFormats and SyncAll Setting
Page 486 and 487: MasterIn a multi-board system, this
Page 488 and 489: MassCoreNote: The MassCore mode is
Page 490 and 491: ADAT Board SettingsNote: These sett
Page 492 and 493: Sampling Rate ConvertersGrayed out
Page 494 and 495: Mic/Line On inputs 1 and 2 you can
Page 496 and 497: SDIF Board SettingsI/O InterfaceInp
Page 498 and 499: HDTDM / XDTDM / MassCore RoutingThe
Page 500 and 501: XDTDM RoutingAll Settings Hardware
Page 502 and 503: Manual RoutingDouble-clicking the f
Page 504 and 505: the optional Video/TC interface. To
Page 506 and 507: ProjectGeneralThe General Page has
Page 508 and 509: Prefix with Track NameWhen checked
Page 510 and 511: If Wave is chosen as the Format the
Page 512 and 513: This mode makes Pyramix work like a
Page 514 and 515: Peak and Overload Hold TimeSets the
Page 516 and 517: Mixer SettingsStereo Pan LawThe dro
Page 518 and 519: ApplicationGeneralPlatformAudio pro
Page 520 and 521: Displays and sets the alternative l
Page 522 and 523: Playback/RecordAll Settings Applica
Page 524 and 525: Jog/ChaseHigh Quality Clips will be
Page 526 and 527:
Jog Wheel SettingsPresetThe combo b
Page 528 and 529:
CD/SACDAll Settings Application CD/
Page 530 and 531:
TimeLine layoutFor all the color op
Page 532 and 533:
Track Headers LayoutAll Settings Ap
Page 534 and 535:
LocationAll Settings Application Lo
Page 536 and 537:
where no previous pass exists. This
Page 538 and 539:
Formant TypeRemote ControlMachineTh
Page 540 and 541:
SettingsInhibit Video RecordWhen ch
Page 542 and 543:
Send In/Out Preset optionsBy defaul
Page 544 and 545:
AddPops up the Controller propertie
Page 546 and 547:
Effects stems it is common practice
Page 548 and 549:
Clients State SavingToggles between
Page 550 and 551:
Troubleshooting is always a moving
Page 552 and 553:
No Sound on Live InputsPlease caref
Page 554 and 555:
The I/O Status windowThe I/O status
Page 556 and 557:
This is the size of the buffer used
Page 558 and 559:
Dr. Watson Screenshot 1Then, once a
Page 560 and 561:
Appendix I - Mouse Modifier KeysMai
Page 562 and 563:
NotesLeft Mouse ButtonDrag the note
Page 564 and 565:
ExamplesProject @ 192kHzAES II SRCS
Page 566 and 567:
TASCAM TDIFThe TASCAM TDIF daughter
Page 568 and 569:
PlatformThis drop-down list determi
Page 570 and 571:
Buses Mode and DSP AllocationWhen P
Page 572 and 573:
Bussing CapabilitiesNote 1Bussing c
Page 574 and 575:
Settings > All Settings > Formats &
Page 576 and 577:
Cue Sequencer ControlThe Cue Sequen
Page 578 and 579:
Appendix VII - Mykerinos Latencies1
Page 580 and 581:
IPCONFIG followed by Enter. The IP
Page 582 and 583:
Appendix IX - Pyramix iXML Implemen
Page 584 and 585:
Numerics2,3 and 4 Point Edits 1359-
Page 586 and 587:
Composition LibraryLibrariesComposi
Page 588 and 589:
Fixed Cursor Settings 522Fixed or M
Page 590 and 591:
Window 216Meter Decay integration t
Page 592 and 593:
Record ModeSafety 104Record Name 10
Page 594 and 595:
TTab Windows 430Tail to Beginning 1
show all

V6 User Manual 1.00.book - Studio General

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?