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WHEN JACQUES RANG, Kathy was watching a video copy<br />
of Godard’s Nouvel<strong>le</strong> vague. Béatrice Dumont, the<br />
young Swiss tutor from Geneva had <strong>le</strong>nt it to her, but<br />
the colour system on her VCR was not right for French films. Seeing<br />
such a film in black and white was as inappropriate as a colorized version<br />
of Casablanca. The film was so oppressive in itself that, added to the<br />
typical Sunday afternoon blues, it did litt<strong>le</strong> to help her overcome the<br />
vague sadness that had followed her initial resentment toward Jacques.<br />
Nobody at home, no desire to “communicate” with the family, for that<br />
matter. She was not in the mood for socializing. She could have mown<br />
the small patch of lawn in the backyard if it had not been done by that<br />
unemployed engineer who did all the handiwork he could find in order<br />
not to forfeit his mortgage.<br />
Now, it was all different. She felt angrier at Jacques and at<br />
herself. But relieved. The light was softer between the branches of the<br />
two big eucalypts that the neighbour, Mr Kovakcs, wanted cut for fear<br />
they would break his roof if there was a cyclone. Who had ever seen a<br />
cyclone in Ashfield? The truth was he had a smal<strong>le</strong>r block than Kathy’s<br />
parents and could not grow trees on it. But the temperature was just<br />
right for October, the Southern hemisphere equiva<strong>le</strong>nt of May in France,<br />
she thought. Now she would not have to wait until next week to make<br />
a decision about her research topic.<br />
They didn’t have to choose it until enrolment time, next February,<br />
but the sooner the better. She was a brilliant student, she had no<br />
intention of working under the supervision of Dr Klapman or any of the<br />
<strong>le</strong>ftovers of the 60’s. She wanted to go on to a Ph.D. But, after the beating<br />
she had received on Friday, she had realized that her project of writing<br />
on Navigations du soir et autres poèmes was not as straightforward as it<br />
seemed at first sight, in spite of her desire to do something comp<strong>le</strong>tely<br />
original and the good background she had in contemporary French<br />
poetry, her favourite topic. Jacques Voisin was definitely a strange man.<br />
Not in the way other Frenchmen were strange. His was rather a one-ofa-kind<br />
strangeness, a mixture of authority and inner weakness, a b<strong>le</strong>nd<br />
of passion and resignation. Ambiguous feelings, a taste for paradox. Not<br />
that you never knew when he was ironical or direct, but you never knew<br />
when he was going to be one or the other. She was aware he liked her<br />
physically, this he couldn’t hide or did not care to, some of her friends<br />
had noticed it too and cracked jokes about it. Did she fancy him? He<br />
could be her father. Actually he was only a coup<strong>le</strong> of years younger<br />
than Dad and looked his age. But she could listen to him for hours, she<br />
could have talked to him for hours, given the opportunity, and she felt<br />
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