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WHEN JACQUES RANG, Kathy was watching a video copy<br />

of Godard’s Nouvel<strong>le</strong> vague. Béatrice Dumont, the<br />

young Swiss tutor from Geneva had <strong>le</strong>nt it to her, but<br />

the colour system on her VCR was not right for French films. Seeing<br />

such a film in black and white was as inappropriate as a colorized version<br />

of Casablanca. The film was so oppressive in itself that, added to the<br />

typical Sunday afternoon blues, it did litt<strong>le</strong> to help her overcome the<br />

vague sadness that had followed her initial resentment toward Jacques.<br />

Nobody at home, no desire to “communicate” with the family, for that<br />

matter. She was not in the mood for socializing. She could have mown<br />

the small patch of lawn in the backyard if it had not been done by that<br />

unemployed engineer who did all the handiwork he could find in order<br />

not to forfeit his mortgage.<br />

Now, it was all different. She felt angrier at Jacques and at<br />

herself. But relieved. The light was softer between the branches of the<br />

two big eucalypts that the neighbour, Mr Kovakcs, wanted cut for fear<br />

they would break his roof if there was a cyclone. Who had ever seen a<br />

cyclone in Ashfield? The truth was he had a smal<strong>le</strong>r block than Kathy’s<br />

parents and could not grow trees on it. But the temperature was just<br />

right for October, the Southern hemisphere equiva<strong>le</strong>nt of May in France,<br />

she thought. Now she would not have to wait until next week to make<br />

a decision about her research topic.<br />

They didn’t have to choose it until enrolment time, next February,<br />

but the sooner the better. She was a brilliant student, she had no<br />

intention of working under the supervision of Dr Klapman or any of the<br />

<strong>le</strong>ftovers of the 60’s. She wanted to go on to a Ph.D. But, after the beating<br />

she had received on Friday, she had realized that her project of writing<br />

on Navigations du soir et autres poèmes was not as straightforward as it<br />

seemed at first sight, in spite of her desire to do something comp<strong>le</strong>tely<br />

original and the good background she had in contemporary French<br />

poetry, her favourite topic. Jacques Voisin was definitely a strange man.<br />

Not in the way other Frenchmen were strange. His was rather a one-ofa-kind<br />

strangeness, a mixture of authority and inner weakness, a b<strong>le</strong>nd<br />

of passion and resignation. Ambiguous feelings, a taste for paradox. Not<br />

that you never knew when he was ironical or direct, but you never knew<br />

when he was going to be one or the other. She was aware he liked her<br />

physically, this he couldn’t hide or did not care to, some of her friends<br />

had noticed it too and cracked jokes about it. Did she fancy him? He<br />

could be her father. Actually he was only a coup<strong>le</strong> of years younger<br />

than Dad and looked his age. But she could listen to him for hours, she<br />

could have talked to him for hours, given the opportunity, and she felt<br />

105

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