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with him at long last.” He couldn’t understand why tears began to run<br />

on her cheeks at that, but he felt that there was something superfluous<br />

or beside the point in his statement. “I am sorry,” he said, “were you a<br />

close friend, too?” It did not really look like a burial in an American movie<br />

—no priest, no widow in black veils, no chauffeur-driven limo waiting<br />

behind a row of stone monuments—, there were p<strong>le</strong>nty of greyish broken<br />

plastic bott<strong>le</strong>s mixed with seaweeds and driftwood washed ashore by a<br />

recent storm, one’s shoes were quickly filling with warm sticky sand.<br />

But still it was a funeral of sorts, a farewell they would not forget, the<br />

last picture with THE END written on it in sober white block <strong>le</strong>tters.<br />

Suffering and meditating were appropriate to the occasion. Life, as they<br />

say, had taken over.<br />

After the ceremony, as Peter and Wanda were crossing the Harbour<br />

bridge, the Sydney tower, aglow with six o’clock sp<strong>le</strong>ndour, was towering<br />

higher than ever over the rest of the city skyscrapers. Or rather, more<br />

than an abstract symbolic feature, it had become Sydney itself. On the<br />

way back to their respective flats in Coogee Bay Rd., Babette and Jill,<br />

driven by a sincerely afflicted Richard, could see that James Cook was<br />

still standing undisturbed before the Pizza Hut at the corner of Belmore<br />

and Avoca Rd., just opposite the Co<strong>le</strong>s store, provocatively holding his<br />

folded te<strong>le</strong>scope in his right hand like an empty beer bott<strong>le</strong>. He was safe<br />

from mockery behind the dark green railing which protected his pedestal<br />

from taggers and free speech. Jill thought that James Neighbour, whose<br />

ashes were now at sea, although he had never discovered the meaning of<br />

this land, had come closer to it, after all. Future generations will tell, if<br />

and when they publish his papers, rejoined Babette. It was a pet maxim<br />

of Jacques that there is no end to interpretation, but today for a whi<strong>le</strong><br />

it seemed that text and commentary had become separate and were to<br />

remain for ever distinct:<br />

220<br />

“Take care brother,<br />

See you soon on the moon.<br />

Don’t worry tonight,<br />

Everything is under control”.

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