08.01.2017 Views

geografie luoghi spazi città

AaVv_Commons_2016_intero

AaVv_Commons_2016_intero

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

– the actual risk of “consuming” a strategic public space in the heart of the historic city, exclusively<br />

for private speculative purposes (the cushy job, according to the initial quote) to provide the upper<br />

middle class with the next luxury lodging;<br />

– the significant environmental impact of the project, which involves the soil sealing of an area of<br />

4.865 square meters of sea and beach (according to the Official Report by the Attorney General’s<br />

office) and the diversion of the fresh water stream Fusandola, already responsible for disastrous<br />

floods in the past (and burdened by three environmental restrictions);<br />

– the lack of territorial coherence and the strong impact on the landscape of the opera: “a great<br />

wall”, out of context and out of scale, that with its 33 meters height turns its back to the historic<br />

town, obstructs the view of the sea and impoverishes the urban landscape and the skyline;<br />

– the exorbitant cost foreseen for the implementation of the project (38 million euro, of which 14<br />

million allocated from European funds and 24 million charged to the Municipality via a mortgage<br />

at the Cassa Depositi e Prestiti), related to the purchase of the area from Demanio (10 million), to<br />

the emoluments paid to the archistar Bofill and especially the gigantism of the square and its engineering<br />

complexity (9);<br />

– the top-down approach used by the local government and its complete closure to democratic dialogue,<br />

as well as a lack of transparency (and legitimacy) in the procedures adopted.<br />

The actions put in place to fight the project are basically of two types: information campaigns and<br />

legal action. As for the first, they use different channels: the web, the press, and other mass media (Troisi,<br />

2013), the organization and participation in conferences and cultural debates. The arguments against the<br />

project are exhibited in some specific dossiers (networked), meant to prove in a technically impeccable<br />

language, the limits and the distortions buried in the policy choices made by the Administration. As part<br />

of the campaign a movie (posted on the web) is also produced, aimed at raising public awareness.<br />

Also due to the key role played by Italia Nostra, the movement manages to bring the problem to national<br />

attention, as evidenced by the interest in the subject by newspapers and television stations nationwide.<br />

The battle against the eco-monster also gets the support of associations and environmental movements,<br />

such as “Legambiente”, “Stop al consumo di suolo” (Stop land take) and “Salviamo il paesaggio”<br />

(Save the landscape).<br />

Several scholars, planners and intellectuals, take a public stand against the project, and in an open<br />

letter to the Minister of Culture Franceschini define the project “a speculative intervention of enormous<br />

proportions, that, subdued to the logic of profit goods and peculiarities that should never submit<br />

to it, has already led to serious damage to protected heritage” (10). The same Bohigas “father” of the<br />

Salerno renewal program defines the works designed by his compatriot for waterfront (the Crescent in<br />

Santa Teresa area and the Vela in Concordia Square) unsuitable and inappropriate for Salerno (see his<br />

interview in El Pais reported in Corriere della Sera, September 9, 2010). Even fiercest the critics raised<br />

by Fausto Martino, a former Deputy Councilor responsible for town planning:<br />

A wrong project – wrong from an urbanistic point of view […]. A sun-drenched area, completely empty, defined<br />

– so to speak – from the sky, the sea and the immense Crescent: the hypertrophied, cemetery crescent shaped<br />

building […], luxury cement for the VIPs, repetitive concave-convex barrier that turns its back – its ass, if I may<br />

say – to the Verdi Theatre and the historic center, obscure the twentieth-century facades […]. It denies the city,<br />

subtracts the sea, steals the established image of the Amalfi Coast. A surreal “non-place”, the project, a huge metaphor<br />

for the grandeur of the Mayor (Corriere del Mezzogiorno, 18 March 2009; our translation).<br />

At the same time a tough legal battle is carried out: in five years (between 2009 and 2014) over<br />

thirty official petitions to the Judicial Authority have been submitted by the NoCrescent Committee<br />

(9) In 2011 the Municipality is forced to adopt a project variant of about 8 million euro, which will not prevent two years later the<br />

partial collapse of the square.<br />

(10) The letter, signed by 50 intellectuals, is available on the website of Italia nostra (Salerno Section).<br />

– 82 –

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!