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“semitisches pantheon”. eine “männliche tyche” - MOSAIKjournal.com

“semitisches pantheon”. eine “männliche tyche” - MOSAIKjournal.com

“semitisches pantheon”. eine “männliche tyche” - MOSAIKjournal.com

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SPACE AND SCENERY | 291<br />

was similar to the Heb-sed run 58 and was intended to demonstrate<br />

the king’s power and force to the people. Judging by the Opet Festival<br />

images from the Red Chapel of Hatshepsut, the Sed Festival<br />

ceremonies were performed in Karnak after the arrival of the procession<br />

from Luxor (fig. 6). 59 Most likely, the same took place under<br />

Thutmose III, who conducted these rites before his alabaster<br />

chapel.<br />

Following the ceremonies in the court of the VII th pylon, the<br />

festive procession moved towards the main temple of Amun-Re,<br />

and entered the court of the IV th pylon. There, another chapel of<br />

Thutmose III 60 was erected to celebrate one of the pharaoh’s jubilees<br />

or his military victories in Syria (fig.4 [Nr. 5]). 61 Perhaps this<br />

chapel was a simple structure of calcite, aligned on a south-north<br />

axis. 62 Does this mean that the building could be used when the<br />

procession arrived at Karnak? An analysis of the chapel’s relief<br />

scenes orientation answers this question: The pharaoh’s images<br />

face the northern part of the sanctuary, where it was faced by the<br />

altar for Amun-Re’s bark, oriented southwards. 63 Thus, during any<br />

ceremony the bark was placed on the altar and its stern faced the<br />

temple’s east-west axis. This position implies that the processional<br />

path of Amun-Re’s festivals (including the Opet Festival) laid in the<br />

southern part of the temple, opposite the god’s altar. 64 So the par-<br />

58 KEES (1967) 65.<br />

59 Red Chapel, blocks 66. 102. 176.<br />

60 GRIMAL – LARCHÉ (1993) 5–20; ARNAUDIÈS-<br />

MONTÉLIMARD (2003) 159–217. Later the sanctuary was demolished<br />

by Amenhotep III (1402–1365 BC).<br />

61 This evidence <strong>com</strong>es from the chapel’s decoration, containing<br />

the scene of the Sed-Festival character and fragmentary inscription<br />

which reads: „Men-kheper-Re (i. e. Thutmose III) my<br />

majesty, arrived from Syria (...), his hostile country” (Mn-xpr-Ra<br />

ii.n Hm.i m Rtnw (…) xAst.f sbyt): ARNAUDIÈS-MONTÉLIMARD<br />

(2003) 195.<br />

62 ARNAUDIÈS-MONTÉLIMARD (2003) 213. 216.<br />

63 ARNAUDIÈS-MONTÉLIMARD (2003) 179–212, pl. I–VII.<br />

64 Proceeding from these considerations, we prefer not to accept<br />

the view of Arnaudiès-Montélimard that the bark chapel was<br />

only used on the way from Karnak: ARNAUDIÈS-MONTÉLIMARD<br />

(2003) 214. Meanwhile, Hatshepsut’s Red Chapel gives an example<br />

of a construction with a passage where the bark of Amun-Re was

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