12.12.2012 Aufrufe

“semitisches pantheon”. eine “männliche tyche” - MOSAIKjournal.com

“semitisches pantheon”. eine “männliche tyche” - MOSAIKjournal.com

“semitisches pantheon”. eine “männliche tyche” - MOSAIKjournal.com

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SPACE AND SCENERY | 295<br />

brought in the New Year’s Eve. 72 At the dawn of New Year sun<br />

rays penetrated into the sanctuary and illuminated the effigies: This<br />

was the so-called rite Xnm Itn (“union with the solar disk”) intended<br />

to restore the gods’ energy and power. 73 Since the monuments<br />

of Thutmose III were directly connected with the cult of Amun-<br />

Re, it can be assumed that the effigy of this god took part in the<br />

rite Xnm Itn held on the “solar altar”.<br />

These semantic parallels between the “solar altar” of<br />

Akhmenu and the Granite Sanctuary lead to the conclusion that the<br />

rite Xnm Itn was held in the latter building during various Theban<br />

festivals, such as the Opet Festival and the Feast of the Valley.<br />

Besides, it can be seen that the Granite Sanctuary was placed along<br />

the temple`s east-west axis and was oriented to the sunrise at the<br />

winter solstice. 74 According to R. Wells, this time was named by the<br />

Egyptians mswt-Ra (“Birth of Re”). 75 Perhaps the term mswt-Ra<br />

was also applied to I Axt 1, i. e. the beginning of New Year, which<br />

would thus have a solar character 76. And indeed, the New Year<br />

Festival <strong>com</strong>memorated the myth of Nut giving birth to Re at<br />

dawn when the sun <strong>com</strong>pleted its overnight journey in the body of<br />

the sky-goddess (fig. 10). 77 This event – the rebirth of the sun-god<br />

– was the final point of the New Year Festival celebrations, as well<br />

as probably the Amun-Re’s Festivals, e. g. the Opet Festival and<br />

the Feast of the Valley.<br />

Quite possibly, the final ceremonies of the Opet Festival involved,<br />

inter alia, the rite Xnm Itn during which the effigy of the<br />

main temple god (in this case Amun-Re) received the energy of<br />

sunlight and then passed it to the world. This idea has another<br />

proof. As we said above, at the end of the Opet Festival the priests<br />

carried Amun-Re’s bark inside the Granite Sanctuary. The relief<br />

scenes from Akhmenu, which depict participants of the festival<br />

72 KEES (1949) 427–442; DAUMAS (1982) 471.<br />

73 DAUMAS (1982). For the visual presentation of the rite Xnm<br />

Itn, see the scene from the Dendera temple which depicts the<br />

morning sun throwing rays on the Hathor-head: PORTER – MOSS<br />

(1939) 61, chapel XIII. fig. 10.<br />

74 GABOLDE (1998) 163.<br />

75 WELLS (1994) 5–23.<br />

76 PARKER (1950) 47; GARDINER (1906) 142.<br />

77 DAUMAS (1982) 468–469; CAUVILLE (1995) 61.

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