12.12.2012 Aufrufe

“semitisches pantheon”. eine “männliche tyche” - MOSAIKjournal.com

“semitisches pantheon”. eine “männliche tyche” - MOSAIKjournal.com

“semitisches pantheon”. eine “männliche tyche” - MOSAIKjournal.com

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SPACE AND SCENERY | 299<br />

yt” (xntit st m wADyt) 99 – i. e. in the hypostyle hall between the IV th<br />

and the V th pylons of the Karnak temple. 100 As we said earlier, this<br />

room has another name – “Hall of Crowns”, as the coronation of<br />

Thutmose III and the purification of Hatshepsut and Thutmose III<br />

were conducted there. 101 Thus, in the hypostyle hall the kings Hatshepsut<br />

and Thutmose III were purified before entering the temple’s<br />

interior where the coronation ceremonies were performed.<br />

From this evidence we can explain the symbolic presence of Hathor<br />

in the hall – the goddess was considered to be the giver of water<br />

who performed the purification of the pharaoh, as depicted, for<br />

example, in the relief scenes of the VIII th pylon at Karnak. 102<br />

Besides, Hathor was worshipped as a patroness of the dead,<br />

emerging from a papyrus thicket to meet the deceased. 103 This observation<br />

allows us to trace another connection of Hathor with the<br />

hypostyle hall, that symbolized the primeval marsh overgrown with<br />

reeds, the border between the dark waters of Nun and the primordial<br />

hill (= the temple sanctuary). 104 In this room the god Amun-Re<br />

appeared on <strong>com</strong>ing out of the sanctuary, hence another name of<br />

the room was “Hall of appearance” (wsxt xayt) 105. Furthermore, the<br />

fact that the hall contained the Osiride statues of Thutmose I leads<br />

to the conclusion that this space was associated both with the royal<br />

tomb and the afterworld. Thus, the Hall wADyt symbolically represented<br />

the district of the West where Hathor as “Mistress of the<br />

West” ac<strong>com</strong>panied the sun-god and the deceased pharaoh, protecting<br />

them throughout their journey in the Underworld.<br />

It is also necessary to have in mind that the Hall wADyt was<br />

connected to the Akhmenu temple through a long passage. This<br />

probably meant that there was a relationship between the images of<br />

Hathor in Hall wADyt and Akhmenu. In this case, the scene of the<br />

Hathoric procession from Akhmenu definitely refers to the cult of<br />

the goddess emerging from a papyrus thicket and escorting the<br />

99 LACAU – CHEVRIER (1977–1979) 100–101.<br />

100 BARGUET (1962) 311.<br />

101 Urk. IV, 573.<br />

102 The pylon was constructed by Hatshepsut cf: PORTER –<br />

MOSS (1972) 174 (517).<br />

103 pAni, cf. FAULKNER – GOELET (2008) pl. 37.<br />

104 SHAFER (1997) 6.<br />

105 BARGUET (1962) 314.

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