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In the stories examined for this thesis, a pattern emerges. Basically, a topic is<br />

introduced which is not accented by idash. Thereafter, all transitions to new topics are<br />

accented by idash. It is the accumulation of these topics which serve in the development<br />

of stories. Once a topic is introduced by idash, however, the sub-topics or support<br />

structures attached to that particular topic usually do not contain any further occurrences<br />

of idash. Events attached to particular topics are usually connected asyndetically, and<br />

coordinated structures, should they occur, are usually coordinated by miinawaa. This<br />

pattern usually occurs until the end of a narrative. This pattern has the structure in (53),<br />

and is illustrated with the example in (54):<br />

(53) idash 48<br />

Topic 1<br />

SUB-<strong>TO</strong>PICS (background, events, support, elaboration)<br />

Topic 2 idash…<br />

SUB-<strong>TO</strong>PICS (background, events, support, elaboration)<br />

Topic 3 idash…<br />

SUB-<strong>TO</strong>PICS (background, events, support, elaboration)…<br />

(54) idash (Kegg 1991:152-153)<br />

<strong>TO</strong>PIC 1<br />

a) Bezhig igo akiwenzii ingii-wiij’-ayaawaanaan.<br />

one EMPH old man we stayed with<br />

BACKGROUND<br />

b) Ogii-odawemaawinan a’aw mindimooyenh.<br />

she had him as a sibling that old lady<br />

48<br />

The term event is being used broadly here to include such actions such as providing background<br />

information, actual event processes, or elaborations.<br />

105

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