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following excerpt from a story where an old man goes to get medicine at a lake. After<br />

singing some spiritual songs, someone emerges from the water to provide the old man<br />

with medicine.<br />

(57) idash in digressions (Kegg 1991:156-157)<br />

a) Bezhig giiwenh a’aw akiwenzii ezhi-maajaad, naadid mashkiki.<br />

one apparently that old man then he leaves he gets medicine<br />

b) Miish giiwenh iwidi jiigibiig ezhi-namadabid giiwenh, ezhi-nagamod<br />

and then apparently over there on the shore then he sits apparently then he sings<br />

manidoo-nagamonan, ingoji-sh igo niiwin, niiwin nagamonan,<br />

spiritual songs about EMPH four four songs<br />

iniw manidoo-nagamonan.<br />

those spiritual songs<br />

c) Mii giiwenh ezhi-maajijiwang i'iw zaaga’igaans.<br />

DP apparently then it starts to whirl that little lake<br />

d) Miish giiwenh ingoding, ingoding igo, mii imaa awiiya ezhi-mookiid.<br />

and then apparently pretty soon pretty soon EMPH DP there someone then he emerges<br />

a) ‘One old man went to get medicine.<br />

b) He sat right on the lake shore and sang spiritual songs there, about four of<br />

them.<br />

c) That lake started to whirl.<br />

d) Then somebody came up from the water.’<br />

The lines in (57a-d) describe a sequence: an old man leaves to gather medicine at the<br />

lake, he sits on the shore and sings some spiritual songs, the lake begins to whirl, and<br />

finally a being emerges from the water which eventually provides the old man with<br />

medicine. In (57b), however, the speaker uses idash (occurring here as clitic –sh) to<br />

break from the general event line in order to provide an elaboration (in bold type) to the<br />

110

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