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preceding clause sang spiritual songs there. In short, this break in eventline allows the<br />

speaker to specify the number of songs that the old man sang.<br />

In sum, it is these breaks in flow that shows the contrastive feature of idash in<br />

discourse. It is not the individual propositions which are contrasted, but the contrast in<br />

discourse action.<br />

3.1.2.1.2 Backgrounding and foregrounding<br />

While idash may break the flow of prior discourse in order to introduce a new topic<br />

or create a digression, idash may also be used to show a contrast between backgrounded<br />

and foregrounded content. This sort of contrasting function usually occurs on a more<br />

local level, usually within sub-topics, rather than in major transitions from topic to topic.<br />

Many times, these contrasts are part of larger discourse units, i.e. in the formation of<br />

major background themes.<br />

(58) background vs. foreground (Kegg 1991:152-153)<br />

a) Mii dash ayi’ii misko-waabowayaan iko – gii-izhi-wiindewan<br />

DP but whatchamacallit red blanket used to it was called thus<br />

mewinzha gichi-waabowayaanan – mii i’iw egwazhed.<br />

long ago big blankets it is that what he wore<br />

b) Miinawaa gaawiin wiikaa gii-kiichiwakwaanesiin.<br />

and not ever he did not take his hat off<br />

background<br />

c) Gii-waabizhagindibe.<br />

he was bald<br />

111

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