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A DISSERTATION SUBMITTED TO THE FACULTY OF THE ...

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a) ‘A girl and her grandmother were going to the store.<br />

b) On the way, they stopped off at a neighbor’s house.<br />

c) The girl’s grandmother asked the neighbor, “What are you doing?”<br />

d) I’m hanging up my pants.”<br />

e) Some time later after they had left there, the girl says, “Could it be that those<br />

pants of hers are alive?”<br />

f) “No, that’s [gosha] just the way that these Indians speak around here.”’<br />

Within the context of this story, the grandmother is not deriding her granddaughter for<br />

her faulty logic, but merely revealing the fact that the dialect spoken by her friend refers<br />

to pants (grammatically speaking) as being alive. In English, the revealing of such<br />

information is usually accomplished by the use of the word just accompanied by a special<br />

intonation contour which marks such revealed information, i.e. rising intonation over<br />

that’s and speak within the phrase that’s just the way that these Indians speak around<br />

here. As already noted earlier, Ojibwe does not use intonation contours in the way that<br />

English does. This becomes quickly evident when listening to an Ojibwe narration. The<br />

intonation contours within the narrative remain quite flat throughout the whole discourse,<br />

while English discourse shows a rich use of stress and intonation contours in order to<br />

produce a number of nuances. Given these facts, it is not surprising that Ojibwe would<br />

use discourse markers, such as gosha in this case, in order to mark such revealed<br />

information.<br />

In short, gosha makes its appearances in situations where speakers want to make a<br />

revelation that is somehow significant or relevant in the situation at hand. The<br />

information that is revealed by speakers is usually information which, once revealed,<br />

makes the situation more clear to interlocutors. Another way of saying this is that gosha<br />

allows speakers to provide or interject the reality of a situation (as seen in the eyes of the<br />

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