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Atheism and Theism JJ Haldane - Common Sense Atheism

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22 J.J.C. Smart<br />

argument from ostensible fine tuning is the currently fashionable form of<br />

the traditional ‘teleological argument’ for the existence of God. Sometimes<br />

this is called ‘the argument from design’ but this, like a too literal construal of<br />

‘fine tuning’, would be question begging. Years ago Norman Kemp Smith<br />

suggested that the argument should be called ‘the argument to design’. 36<br />

Equally we could call it ‘the argument from apparent design’, or for brevity<br />

‘the design argument’.<br />

Unlike some other traditional arguments for the existence of God the<br />

design argument was never meant to be apodeictic. In contrast the ontological<br />

argument was meant to be quite a priori <strong>and</strong> the cosmological argument<br />

almost so, requiring only the assertion that something contingently exists.<br />

The design argument is best thought of as an argument to the best explanation,<br />

such as we use in science <strong>and</strong> everyday life. The best explanation for the<br />

appearance of design in the world is said to be a designer.<br />

David Hume in his great posthumously published book, Dialogues<br />

Concerning Natural Religion, 37 obviously thought that there were alternative<br />

explanations which are as plausible as that of design. However, he retained<br />

a sceptical position, rather than a dogmatically atheist one. Philo, who was<br />

probably Hume’s representative mouthpiece in the Dialogues, said that the<br />

universe might as well be compared to an organism as to an artefact, <strong>and</strong><br />

organisms, prima facie, are not designed. They ‘just grow’. (Antony Flew has<br />

commended the childlike acumen <strong>and</strong> common sense of Topsy in Harriet<br />

Beecher Stowe’s Uncle Tom’s Cabin. 38 ) Of course we know from the modern<br />

synthesis of the theory of evolution by natural selection together with<br />

neo-Mendelian genetics that organisms do not need to have been designed.<br />

If we appreciate the huge time-scale of evolutionary processes <strong>and</strong> the opportunistic<br />

way in which they work, our minds need not be intellectually<br />

overwhelmed, even though perhaps imaginatively at a loss. However, I am<br />

here considering the argument from design in a post-Darwinian context,<br />

the new teleology not the old, in relation to the great appearance of design in<br />

the laws of physics.<br />

As was just remarked, Hume held that the analogy between the universe<br />

<strong>and</strong> an organism was as good as that between the universe <strong>and</strong> an artefact.<br />

There are possibly many other analogies, equally good or bad. Indeed Hume’s<br />

Dialogues concludes with Philo’s concession to his main interlocutor Cleanthes<br />

that there is some analogy between the cause of the universe <strong>and</strong> a human<br />

mind. This is perhaps in one way a very small concession since with enough<br />

ingenuity one can find some analogy between almost any two things. However,<br />

in another way it is a big concession, namely that the universe does have<br />

a cause external to itself.<br />

One trouble with the design argument is that there would have to be<br />

a ‘cosmic blueprint’ 39 in the mind of God. This conflicts with the supposition

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