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turkish phonology and morphology (türkçe ses ve b‹ç‹mb‹lg‹s‹)

turkish phonology and morphology (türkçe ses ve b‹ç‹mb‹lg‹s‹)

turkish phonology and morphology (türkçe ses ve b‹ç‹mb‹lg‹s‹)

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18<br />

It is your turn!<br />

Turkish Phonology <strong>and</strong> Morphology (Türkçe Ses <strong>ve</strong> Biçim Bilgisi)<br />

Now that we know the different parts of the vocal tract, we can begin to<br />

describe consonants.<br />

CONSONANT DESCRIPTION<br />

Consonants are described in terms of<br />

• voicing (presence or absence of vocal cord vibration)<br />

• place of articulation (where in the vocal tract sounds are produced)<br />

• manner of articulation (how sounds are produced in terms of airflow)<br />

Voicing<br />

Voicing is defined as the presence or absence of vocal cord vibration. Vocal<br />

cords are two muscular folds within the larynx behind the Adam’s apple. You can<br />

manipulate your vocal cords by opening <strong>and</strong> closing them. The vocal cords are<br />

open when breathing. You can also close your vocal cords. Make the sound you<br />

would make when you are surprised: Two ‘a ’s with a stop in between (may be<br />

written as ‘a-a’). Stop after you make the first ‘a ’. Try breathing. You should not<br />

be able to because you ha<strong>ve</strong> closed your vocal cords, not leaving a passage<br />

between them thus pre<strong>ve</strong>nting the air from passing through.<br />

The air that comes out of the lungs goes up through the trachea into the larynx<br />

<strong>and</strong> between the vocal cords. As the air pas<strong>ses</strong> between the vocal cords, vocal<br />

cords may be apart or close together. If the vocal cords are apart, the air pas<strong>ses</strong><br />

through the vocal cords freely. If the vocal cords are close together, then there is<br />

a narrow passage between them which cau<strong>ses</strong> a build up of air pressure. This air<br />

pressure in turn cau<strong>ses</strong> vocal cords to vibrate. If the vocal cords vibrate in the<br />

production of sounds, then those sounds are voiced. If the vocal cords do not<br />

vibrate, then those sounds are voiceless.<br />

To be able to distinguish voiced consonants from voiceless ones, produce the<br />

sound /ssssss/, then follow it with /zzzzzz/. Then, alternate between /s/ <strong>and</strong> /z/<br />

producing /sssszzzzsssszzzz…/. You should notice that both of these sounds are<br />

formed in the same way <strong>and</strong> in the same place. The only difference between /s/<br />

<strong>and</strong> /z/ is voicing where /s/ is voiceless as there is no vocal cord vibration, /z/ is<br />

voiced as there is vocal cord vibration. You can feel vocal cord vibration by placing<br />

your finger on the Adam’s apple when you are producing /z/. You can also hear<br />

your vocal cords vibrate. Stop up your ears by putting your fingers on your ears.<br />

When you produce /z/ you should hear a buzzing sound which is vocal cord<br />

vibration. You can also try this with /f/ (voiceless) <strong>and</strong> /v/ (voiced).<br />

Voicing is important in distinguishing sounds because there are pairs of sounds<br />

which are formed It is your turn! in the same way <strong>and</strong> in the same place <strong>and</strong> the only difference<br />

1 between 1such<br />

sounds is voicing; one sound being voiced <strong>and</strong> the other voiceless.<br />

It is your turn!<br />

Produce the It following is your turn! sounds. Decide whether they are voiced or voiceless.<br />

2 Letter 2<br />

Sound voiced/voiceless<br />

fl S<br />

It is your turn!<br />

3<br />

l<br />

It is your turn!<br />

m<br />

3<br />

ç<br />

l<br />

m<br />

tS<br />

It is your turn!<br />

4<br />

r<br />

It is your turn!<br />

c<br />

j4 R<br />

dZ<br />

Z<br />

It is your turn!<br />

It is your turn!<br />

5 5<br />

It is your turn!<br />

It is your turn!<br />

6 6

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