National Endowment for the Arts FY 2017 Fall Grant Announcement
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Seven Stages, Inc. (aka 7 Stages)<br />
$10,000 Atlanta, GA<br />
To support <strong>the</strong> creation and production of "The Followers," an original, multidisciplinary per<strong>for</strong>mance piece.<br />
Adapted from Euripides' "The Bacchae," <strong>the</strong> work will use masks, clowning, original songs, and krump-inspired<br />
choreography to create an immersive dream world exploring ecstasy, faith, and <strong>the</strong> cycle of vengeance.<br />
Associated educational and outreach activities will include dialogues with <strong>the</strong> audience following per<strong>for</strong>mances<br />
and a panel discussion with artists and representatives from <strong>the</strong> Emory Center <strong>for</strong> Ethics and <strong>the</strong> <strong>National</strong> Center<br />
<strong>for</strong> Civil and Human Rights. 7 Stages also will offer workshops in clowning, physical <strong>the</strong>ater, and krumping, a<br />
<strong>for</strong>m of street dancing that originated in Los Angeles characterized by free, expressive, exaggerated, and highly<br />
energetic movement.<br />
Shakespeare Festival of Dallas (aka Shakespeare Dallas)<br />
$10,000 Dallas, TX<br />
To support a production of "Quixote!," an English language adaptation of Cervantes' "Don Quixote" by Octavio<br />
Solis. The production will be directed by Spanish director Gustavo Tambascio and per<strong>for</strong>med in Shakespeare<br />
Dallas' outdoor amphi<strong>the</strong>ater. Both Solis and Tambascio will be in residence in Dallas during <strong>the</strong> rehearsal<br />
period, and will offer a community playmaking workshop <strong>for</strong> local residents, and a workshop <strong>for</strong> artists<br />
interested in playwriting, directing, and cross-cultural collaborations hosted by <strong>the</strong> Latino Cultural Center.<br />
Shakespeare Festival/LA, Inc. (aka SF/LA)<br />
$10,000 Los Angeles, CA<br />
To support a production of Shakespeare's "Macbeth" by <strong>the</strong> Shakespeare Center of Los Angeles. Directed by<br />
Artistic Director Ben Donenberg, <strong>the</strong> production will be staged with a zombie <strong>the</strong>me, and will be contextualized<br />
by pop-cultural elements and references to <strong>the</strong> popular AMC television series "The Walking Dead." A series of<br />
free per<strong>for</strong>mances will take place at <strong>the</strong> Shakespeare Center Studio near downtown Los Angeles, and will be<br />
focused on area Title I high schools. The production will be staged subsequently at <strong>the</strong> Brentwood Theatre on<br />
<strong>the</strong> campus of <strong>the</strong> West Los Angeles Veterans Administration <strong>for</strong> audiences of active military, veterans, <strong>the</strong>ir<br />
families, and caregivers.<br />
Shakespeare Theatre (aka Shakespeare Theatre Company)<br />
$35,000 Washington, DC<br />
To support a production of Shakespeare's "Macbeth." Directed by Liesl Tommy, <strong>the</strong> production will be set in a<br />
developing country facing a leadership transition, and will examine <strong>the</strong> internal and external influences that can<br />
expose <strong>the</strong> vulnerability of a nation undergoing tremendous change. The play is filled with characters facing lifealtering<br />
decisions, with political and personal consequences, and <strong>the</strong> resulting domino effect of such decisions.<br />
The <strong>the</strong>ater will produce a full array of complementary engagement programming such as discussions with<br />
scholars and artists, pre- and post-show discussions, a podcast of artist interviews, and a full-color dramaturgical<br />
magazine.<br />
Signature Theatre Company (aka Signature Theatre)<br />
$50,000 New York, NY<br />
To support <strong>the</strong> world premiere production of "Everybody," a new play by Branden Jacobs-Jenkins, directed by<br />
Lila Neugebauer. Taking inspiration from <strong>the</strong> roots of western drama, notably Greek tragedy and <strong>the</strong> English<br />
medieval <strong>the</strong>ater, <strong>the</strong> play will explore <strong>the</strong> notion of <strong>the</strong>ater as a moral act. Recognizing that <strong>the</strong>se early <strong>for</strong>ms<br />
were <strong>the</strong> product of homogenous cultures, <strong>the</strong> piece will challenge how <strong>the</strong> reality of modern American history<br />
Some details of <strong>the</strong> projects listed are subject to change, contingent upon prior <strong>Arts</strong> <strong>Endowment</strong> approval. In<strong>for</strong>mation is current as of<br />
December 7, 2016.