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National Endowment for the Arts FY 2017 Fall Grant Announcement

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To support <strong>the</strong> presentation of several curated film and video series. The year-round exhibition program will<br />

include contemporary and classic narrative, documentary, and experimental films from <strong>the</strong> United States and<br />

around <strong>the</strong> world. In 2016, Austin Film Society purchased a two-screen <strong>the</strong>ater, expanding its slate of films to as<br />

many as 250 titles annually. Previous programming has included series on Columbian cinema, 1970s French<br />

Noir, and a retrospective of silent films from Dorothy Arzner, one of <strong>the</strong> first American women to direct feature<br />

films. Proposed programming <strong>for</strong> <strong>2017</strong>-18 may include retrospectives from <strong>the</strong> 1950s comedy team Elaine May<br />

and Mike Nichols, and Chinese director King Hu, whose wuxia (martial arts) films influenced a new generation of<br />

filmmakers.<br />

Basement Films Inc<br />

$10,000 Albuquerque, NM<br />

To support <strong>the</strong> 12th Experiments in Cinema International Film Festival. This festival invites audiences to explore<br />

<strong>the</strong> historic and contemporary landscape of experimental cinema through film screenings, live per<strong>for</strong>mances,<br />

filmmaker dialogues, and hands-on filmmaking workshops. Many of <strong>the</strong>se project activities are offered free to<br />

<strong>the</strong> public. Additional activities may include a regional youth program, which offers cross-generational<br />

opportunities <strong>for</strong> local youth and attending film artists to interact and engage in discussion. The <strong>2017</strong> festival<br />

will feature lectures and presentations from artists and scholars such as Gene Youngblood, Rebecca Baron, and<br />

Greg DeCuir.<br />

Bay Area Video Coalition, Inc. (aka BAVC)<br />

$55,000 San Francisco, CA<br />

To support <strong>the</strong> provision of video and audio preservation services. Through <strong>the</strong> Preservation Access Program,<br />

<strong>the</strong> Bay Area Video Coalition will work with media artists and cultural organizations to ensure that artistically<br />

significant works are preserved and made accessible to <strong>the</strong> public <strong>for</strong> live and online exhibitions. Approximately<br />

700 hours of audiovisual material as well as media in early digital <strong>for</strong>mats are expected to be preserved. Recent<br />

clients include <strong>the</strong> Trisha Brown Dance Company, Chicago Film Archives, The Poetry Center of San Francisco<br />

State University, and Public Square Films.<br />

Boston Cyberarts, Inc. (aka Boston Cyberarts)<br />

$10,000 Jamaica Plain, MA<br />

To support an exhibition of augmented reality sculptures. In partnership with <strong>the</strong> <strong>National</strong> Park Service, visitors<br />

to <strong>the</strong> Salem Maritime <strong>National</strong> Historic Site in Salem, Massachusetts, will be able to experience <strong>the</strong>matic digital<br />

sculptures in virtual space using a free downloadable app <strong>for</strong> mobile devices (Android and iPhone compatible).<br />

The exhibited sculptures will be site-specific and feature a technique of augmented reality, which integrates<br />

virtual objects into <strong>the</strong> real world using GPS coordinates. Trained staff, additional tablets, and interpretive<br />

material will be available <strong>for</strong> visitors needing assistance viewing <strong>the</strong> exhibition. The selected works will reflect<br />

Salem's economic and artistic history and include augmented reality artists associated with <strong>the</strong> Manifest.AR<br />

Collective, such as Mark Skwarek, Tamiko Thiel, Will Pappenheimer, John Cleater, Lalie S. Pascual, and John Craig<br />

Freeman.<br />

Brattle Film Foundation, Inc. (aka Brattle Film Foundation)<br />

$10,000 Cambridge, MA<br />

To support <strong>the</strong> "Classic Brattle" film series. Presented year-round, each series will be curated around a specific<br />

<strong>the</strong>me, genre, artist, and/or time period. Programs are supplemented by audience discussions, visiting artists<br />

and scholars, and online resources such as film notes. Previous <strong>the</strong>mes have included a Wim Wenders<br />

retrospective, an Ingrid Bergman tribute, and a film noir series.<br />

Some details of <strong>the</strong> projects listed are subject to change, contingent upon prior <strong>Arts</strong> <strong>Endowment</strong> approval. In<strong>for</strong>mation is current as of<br />

December 7, 2016.

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