Libro Diálogos - Orquesta y Coro Nacionales de España - Ministerio ...
Libro Diálogos - Orquesta y Coro Nacionales de España - Ministerio ...
Libro Diálogos - Orquesta y Coro Nacionales de España - Ministerio ...
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elaine king | El diálogo director-orquesta<br />
Referencias bibliográficas<br />
Yaakov Atik (1994), «The Conductor and the Orchestra: Interaction<br />
Aspects of the Lea<strong>de</strong>rship Process», Lea<strong>de</strong>rship and Organisation<br />
Development Journal, vol. 15, núm. 1 (febrero <strong>de</strong> 1994), pp. 22-28.<br />
Anthony Clayton (1985), Coordination between Players in Musical<br />
Performance, tesis doctoral inédita, Universidad <strong>de</strong> Edimburgo.<br />
Jane Davidson (1997), «The Social in Musical Performance», en David<br />
J. Hargreaves y Adrian C. North (eds.), The Social Psychology of<br />
Music, Oxford, Oxford University Press, pp. 209-228.<br />
Jane Davidson y Elaine King (2004), «Strategies for Ensemble<br />
Practice», en Aaron Williamon (ed.), Musical Excellence:<br />
Strategies and Techniques to Enhance Performance, Oxford,<br />
Oxford University Press, pp. 105-122.<br />
Tom Douglas (1993), A Theory of Groupwork Practice, Londres,<br />
Macmillan.<br />
Colin Durrant (1994), «Towards an Effective Communication: A Case<br />
for Structured Teaching of Conducting», British Journal of Music<br />
Education, vol. 11, núm. 4 (marzo <strong>de</strong> 1994), pp. 56-76.<br />
Elaine Goodman (2000), Analysing the Ensemble in Music Rehearsal<br />
and Performance: The Nature and Effects of Interaction in Cello-<br />
Piano Duos, tesis doctoral inédita, Universidad <strong>de</strong> Londres.<br />
Elaine Goodman (2002), «Ensemble Performance», en John<br />
Rink (ed.), Musical Performance: A Gui<strong>de</strong> to Un<strong>de</strong>rstanding,<br />
Cambridge, Cambridge University Press, pp. 153-167.<br />
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