Libro Diálogos - Orquesta y Coro Nacionales de España - Ministerio ...
Libro Diálogos - Orquesta y Coro Nacionales de España - Ministerio ...
Libro Diálogos - Orquesta y Coro Nacionales de España - Ministerio ...
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diálogos<br />
Robert Faulkner (1973), «Orchestra Interaction: Some Features of<br />
Communication and Authority in an Artistic Organisation», The<br />
Sociological Quarterly, vol. 14, núm. 2 (marzo <strong>de</strong> 1973), pp. 145-157.<br />
Anthony Gritten y Elaine King (eds.) (2006), Music and Gesture,<br />
Al<strong>de</strong>rshot, Ashgate.<br />
Anthony Gritten y Elaine King (eds.) (2011), New Perspectives on<br />
Music and Gesture, Farnham, Ashgate.<br />
John Harvey-Jones (1994), All Together Now, Londres, Heinemann.<br />
Peter Keller (2008), «Joint Action in Music Performance», en<br />
Francesca Morganti, Antonella Carassa y Giuseppe Riva (eds.),<br />
Enacting Intersubjectivity: A Cognitive and Social Perspective on<br />
the Study of Interactions, Ámsterdam, IOS Press, pp. 205-221<br />
Joseph Kerman (1985), Musicology, Londres, Fontana.<br />
Abram Loft (1992), Ensemble! A Rehearsal Gui<strong>de</strong> to Thirty Great<br />
Works of Chamber Music, Oregon, Ama<strong>de</strong>us Press.<br />
Geoff Luck (2011), «Analysis of Conductors’ Temporal Gestures», en<br />
Anthony Gritten y Elaine King (eds.), New Perspectives on Music<br />
and Gesture, Farnham, Ashgate, pp. 159-175.<br />
Harry E. Price y James L. Byo (2002), «Rehearsing and Conducting»,<br />
en Rrichard Parncutt y Gary E. McPherson (eds.), The Science<br />
and Psychology of Music: Creative Strategies for Teaching and<br />
Learning, Oxford, Oxford University Press, pp. 335-351.<br />
Rudolf Rasch (1979), «Synchronisation in Performed Ensemble Music»,<br />
Acustica, vol. 43, núm. 2 (septiembre <strong>de</strong> 1979), pp. 121-131.<br />
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