Libro Diálogos - Orquesta y Coro Nacionales de España - Ministerio ...

elaine king | El diálogo director-orquesta
Rudolf Rasch (1988), «Timing and Synchronisation in Ensemble
Performance», en John Sloboda (ed.), Generative Processes
in Music: The Psychology of Performance, Improvisation and
Composition, Oxford, Clarendon Press, pp. 70-90.
Mitchell Waterman (1996), «Emotional Responses to Music: Implicit
and Explicit Effects in Listeners and Performers», Psychology of
Music, vol. 24, núm. 1 (abril de 1996), pp. 53-67.
Peter Weeks (1996), «A Rehearsal of a Beethoven Passage: An
Analysis of Correction Talk», Research on Language and Social
Interaction, vol. 29, núm. 3 (julio de 1996), pp. 247-290.
Cornelia Yarbrough (1975), «Effect of Magnitude of Conductor
Behaviour on Students in Mixed Choruses», Journal of Research in
Music Education, vol. 23, núm. 2 (verano de 1975), pp. 134-146.
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