Zbornik Mednarodnega literarnega sreÄanja Vilenica 2004 - Ljudmila

More documents

Recommendations

Info

Georgi Gospodinov St. John Wading up to my waist in the river of love I receive and send off Receive and send off Are you the woman Are you the woman Are you the woman that has to come Or shall I wait for another. Translated from Bulgarian by Dimiter Kenarov 148
From »Natural Novel« Georgi Gospodinov 16. A certain Mr. Knaute froze a few frogs; they became fragile and broke easily; yet he took the unbroken ones to a warm room and 7-8 hours later they melted and became fully alive. Priroda Magazine, 1904 When I was 9 God came to me disguised as a light bulb. Here is how it happened. I was on a school trip to Sofia. After the zoo we were taken to the Alexander Nevski cathedral, maybe because we were close and it was starting to rain. They told us that what we were about to enter was not a church but a temple monument. We understood only the second half of that strange combination but somehow didn’t imagine monuments to be like this. It was really impressive inside and we were wary of getting lost. While we were waiting for the others to come out, a crippled old man came to us and started telling us about God. The more loud-mouthed kids immediately informed him that God didn’t exist, or Gagarin and the other astronauts would have met him long ago. The old man just shook his head and said God was like electricity - it does exist but you cannot see it, it flows and makes everything work. Shortly afterwards, the teachers came out and took us away from the old man. But his words made us think. God and electricity were equally vague to us, yet I immediately blurted to the teacher that God lived in light bulbs. There was another school trip the next year; this time to the biggest hydroelectric station in the country, for educational purposes. We were shown huge coils, gears and motors and we were told that this was where electricity came from. The teacher took me aside and asked whether I still believed in that rubbish about God and electricity. I was a big boy now so I said no. And yet, at home I was always extra careful when I turned on the lamp or the hotplate. God blinded and burned. 149
Page 1 and 2:
Avtorji v tej knjigi so predstavlje
Page 3 and 4:
KAZALO / CONTENT Nagrajenka Vilenic
Page 5 and 6:
Brigitte Kronauer 5
Page 7 and 8:
Brigitte Kronauer Brigitte Kronauer
Page 9 and 10:
Brigitte Kronauer Werke (Auswahl):
Page 11 and 12:
Brigitte Kronauer Vilenica-Preistr
Page 13 and 14:
Brigitte Kronauer verhaltener Ironi
Page 15 and 16:
Brigitte Kronauer ungewöhnlichen B
Page 17 and 18:
Brigitte Kronauer nach dem Herstell
Page 19 and 20:
Brigitte Kronauer Der Störenfried
Page 21 and 22:
Brigitte Kronauer Bekannten oder so
Page 23 and 24:
Brigitte Kronauer Da hatte er’s:
Page 25 and 26:
Brigitte Kronauer Böser Knopf Für
Page 27 and 28:
Brigitte Kronauer so benutzen«, ka
Page 29 and 30:
Brigitte Kronauer ten seiner Zähne
Page 31 and 32:
Brigitte Kronauer Junger Mann, dumm
Page 33 and 34:
Brigitte Kronauer Seiten weisgemach
Page 35 and 36:
Brigitte Kronauer das Angeschaute d
Page 37 and 38:
Die Frau in den Kissen Brigitte Kro
Page 39 and 40:
Brigitte Kronauer waren fast einzel
Page 41 and 42:
Brigitte Kronauer mit Vergnügen na
Page 43 and 44:
Brigitte Kronauer gemeinsam mit ihr
Page 45 and 46:
Brigitte Kronauer Die Wiese »Ich k
Page 47 and 48:
Brigitte Kronauer ich nicht mehr da
Page 49 and 50:
Jan Balabán 49
Page 51 and 52:
Jan Balaban Proměny Doktor Satinsk
Page 53 and 54:
Jan Balaban byl přece popsaný pro
Page 55 and 56:
Muharem Bazdulj 55
Page 57 and 58:
Muharem Bazdulj Susret u sumraku Dv
Page 59 and 60:
Muharem Bazdulj nemaju. No Njegoš
Page 61 and 62:
Muharem Bazdulj Dramatično predska
Page 63 and 64:
Muharem Bazdulj u onom izaslanstvu
Page 65 and 66:
Muharem Bazdulj Wilkinson describes
Page 67 and 68:
Muharem Bazdulj Yin replaces Yang -
Page 69 and 70:
Muharem Bazdulj 69
Page 71 and 72:
Eric Brogniet 71
Page 73 and 74:
Eric Brogniet La passagere è L’a
Page 75 and 76:
Eric Brogniet Parce que du fond du
Page 77 and 78:
Eric Brogniet Où le son Revenant p
Page 79 and 80:
Eric Brogniet Comme une pureté Une
Page 81 and 82:
Eric Brogniet Une lettre en contien
Page 83 and 84:
Ştefan Caraman 83
Page 85 and 86:
Ştefan Caraman Ceauşescu My Love
Page 87 and 88:
Stau la coadă la puii înghețați
Page 89 and 90:
Ştefan Caraman Elena este cea mai
Page 91 and 92:
Ştefan Caraman You are a cynic so
Page 93 and 94:
Ştefan Caraman Elena is the best p
Page 95 and 96:
Daša Drndić 95
Page 97 and 98: Daša Drndić Leica format odlomak
Page 99 and 100: Daša Drndić se točno koliko, kol
Page 101 and 102: Daša Drndić U zimskim noćima ost
Page 103 and 104: Daša Drndić najveću i najmoderni
Page 105 and 106: Daša Drndić svim krevetima na tom
Page 107 and 108: Daša Drndić Posljednja žrtva pom
Page 109 and 110: Daša Drndić in an existing hospit
Page 111 and 112: Daša Drndić a day. My sister died
Page 113 and 114: Daša Drndić were soaked with rain
Page 115 and 116: Martin Fahrner 115
Page 117 and 118: Martin Fahrner Němá barikáda Mě
Page 119 and 120: Martin Fahrner Přijel jsem před h
Page 121 and 122: Martin Fahrner Muže na barikádě
Page 123 and 124: one else’s bicycle there, yet the
Page 125 and 126: 125
Page 127 and 128: Edward Foster 127
Page 129 and 130: Dry Landscapes in Cezanne A long ti
Page 131 and 132: The Puritan from Blachernae (Mehmet
Page 133 and 134: Edward Foster Morning Done with try
Page 135 and 136: Edward Foster Breaking the Stream L
Page 137 and 138: Georgi Gospodinov 137
Page 139 and 140: Georgi Gospodinov Íîâèíè Òÿ
Page 141 and 142: Georgi Gospodinov Éîàí Íàãà
Page 143 and 144: Georgi Gospodinov Èç »Åñòåñ
Page 145 and 146: Georgi Gospodinov Èñòîðèÿ ñ
Page 147: Georgi Gospodinov The love rabbit I
Page 151 and 152: Georgi Gospodinov 151
Page 153 and 154: Gintaras Grajauskas 153
Page 155 and 156: Gintaras Grajauskas Tai jis tai jis
Page 157 and 158: Gintaras Grajauskas Kineskopas tas
Page 159 and 160: Dievo dažnis yra 50 Hz sëdëjo ki
Page 161 and 162: Gintaras Grajauskas statau barikad
Page 163 and 164: Gintaras Grajauskas Bildröhre das
Page 165 and 166: Gintaras Grajauskas ich baue eine B
Page 167 and 168: Daniela Kapitáňová 167
Page 169 and 170: Daniela Kapitáňová Höfferling,
Page 171 and 172: Daniela Kapitáňová pauzu. Tvrdá
Page 173 and 174: Daniela Kapitáňová To je všetko
Page 175 and 176: Daniela Kapitáňová hinkte schrec
Page 177 and 178: Daniela Kapitáňová 177
Page 179 and 180: Vojislav Karanović 179
Page 181 and 182: Vojislav Karanović Razglednica Jes
Page 183 and 184: Elegija o bagremu pod prozorom 1. K
Page 185 and 186: Vojislav Karanović ali drvo gleda
Page 187 and 188: Vojislav Karanović Pored prozora N
Page 189 and 190: Elegy About an Acacia Under the Win
Page 191 and 192: Vojislav Karanović By the Window S
Page 193 and 194: Artjom Kavalevski 193
Page 195 and 196: Artjom Kavalevski Íà õâàñöå
Page 197 and 198: Artjom Kavalevski Ðàòàöûÿ ä
Page 199 and 200:
Artjom Kavalevski Ç³ìîâû â³
Page 201 and 202:
Artjom Kavalevski Sleeping beauty
Page 203 and 204:
Rotation for Yuri Gagarin Artjom Ka
Page 205 and 206:
Artjom Kavalevski Sleeping Beauty L
Page 207 and 208:
Juris Kronbergs 207
Page 209 and 210:
Juris Kronbergs Septini ț dzejoli
Page 211 and 212:
Vilks vienacis mainijies Viòš jut
Page 213 and 214:
Juris Kronbergs Vilks vienacis doma
Page 215 and 216:
Vilka vienača ziemas lűgšana Râ
Page 217 and 218:
Vilks vienacis neskaidriba Laiks ie
Page 219 and 220:
Vilks vienacis pavasari Plaukstoši
Page 221 and 222:
Juris Kronbergs Wolf One-Eye Has Ch
Page 223 and 224:
Juris Kronbergs Wolf One-Eye’s Wi
Page 225 and 226:
Wolf One-Eye in Spring Leafing tree
Page 227 and 228:
Alain Lance 227
Page 229 and 230:
Alain Lance L’espoir ? Il est enc
Page 231 and 232:
Alain Lance Epitaphe Hurla en naiss
Page 233 and 234:
Alain Lance Il y aurait donc Cinq c
Page 235 and 236:
Sydney Lea 235
Page 237 and 238:
Sydney Lea Yoked Together The warde
Page 239 and 240:
Sydney Lea I imagined using, precis
Page 241 and 242:
Sydney Lea Wife-Tracking Men and wo
Page 243 and 244:
Sydney Lea Authority The times were
Page 245 and 246:
Sydney Lea Outside, we recall how w
Page 247 and 248:
Vasyl Makhno 247
Page 249 and 250:
Îêåàí ñåí-æîí ïåðñà
Page 251 and 252:
Vasyl Makhno ïîâñþäè îêå
Page 253 and 254:
Ó ïèâíîìó áàð³ »GOSSER
Page 255 and 256:
Vasyl Makhno Åëåã³ÿ âîäè
Page 257 and 258:
Vasyl Makhno the ocean is all aroun
Page 259 and 260:
Vasyl Makhno Elegy of water Every r
Page 261 and 262:
Katarina Marinčič 261
Page 263 and 264:
The Etruscan Vel Matuna excerpt fro
Page 265 and 266:
Katarina Marinčič The smooth trun
Page 267 and 268:
Katarina Marinčič Then he dressed
Page 269 and 270:
Txema Martínez Inglés 269
Page 271 and 272:
Txema Martínez Inglés La vida El
Page 273 and 274:
Txema Martínez Inglés Matins Hi h
Page 275 and 276:
Txema Martínez Inglés Després de
Page 277 and 278:
Txema Martínez Inglés El cor de C
Page 279 and 280:
Txema Martínez Inglés Fins i tot
Page 281 and 282:
Txema Martínez Inglés Even when I
Page 283 and 284:
Valžina Mort 283
Page 285 and 286:
Valžina Mort Êàá óâàéñö³
Page 287 and 288:
Valžina Mort Áîëüí³öà Êà
Page 289 and 290:
Valžina Mort ³ áûööàì áû
Page 291 and 292:
Valžina Mort Íå ïðûõ³íàö
Page 293 and 294:
Valžina Mort A Hospital If you kee
Page 295 and 296:
Valžina Mort Do not lean against t
Page 297 and 298:
Novica Novaković 297
Page 299 and 300:
Novica Novaković Angel Fall I drea
Page 301 and 302:
Novica Novaković Some Day Some day
Page 303 and 304:
Novica Novaković That Night That n
Page 305 and 306:
Novica Novaković Headless Horsemen
Page 307 and 308:
Gino Pastega 307
Page 309 and 310:
Gino Pastega Straniero Uomo, strani
Page 311 and 312:
Che cosa faro’ quando Gino Pasteg
Page 313 and 314:
Gino Pastega Il poeta La morte vera
Page 315 and 316:
Gino Pastega Di porpora e sangue Di
Page 317 and 318:
Szilárd Podmaniczky 317
Page 319 and 320:
Happy birthday to you! Szilárd Pod
Page 321 and 322:
Szilárd Podmaniczky A hely ismeret
Page 323 and 324:
Szilárd Podmaniczky konyhaszekrén
Page 325 and 326:
Szilárd Podmaniczky Csak itt állt
Page 327 and 328:
Szilárd Podmaniczky másnaposságo
Page 329 and 330:
Szilárd Podmaniczky 329
Page 331 and 332:
Szilárd Podmaniczky though some cr
Page 333 and 334:
Szilárd Podmaniczky hand I had but
Page 335 and 336:
Szilárd Podmaniczky to pay for my
Page 337 and 338:
Szilárd Podmaniczky down the bank;
Page 339 and 340:
Aleksandar Prokopiev 339
Page 341 and 342:
Aleksandar Prokopiev ÊÀÁÈÍÈ
Page 343 and 344:
Aleksandar Prokopiev - Ñèãóðí
Page 345 and 346:
Aleksandar Prokopiev Four oxfordshi
Page 347 and 348:
Aleksandar Prokopiev 3. I don’t l
Page 349 and 350:
Aleksandar Prokopiev front of him,
Page 351 and 352:
Aleksandar Prokopiev III I don’t
Page 353 and 354:
Barbara Simoniti 353
Page 355 and 356:
Barbara Simoniti The Way Back I ste
Page 357 and 358:
Barbara Simoniti My lawyer, Primož
Page 359 and 360:
Barbara Simoniti I could not sleep.
Page 361 and 362:
Barbara Simoniti I got up from the
Page 363 and 364:
Barbara Simoniti »The house is not
Page 365 and 366:
Peter Steiner 365
Page 367 and 368:
Peter Steiner Wo immer du willst
Page 369 and 370:
Peter Steiner bei sich zuhause aufn
Page 371 and 372:
Peter Steiner Gestaltung geplant un
Page 373 and 374:
Anni Sumari 373
Page 375 and 376:
Anni Sumari Omaelämäkerta Ilman v
Page 377 and 378:
Anni Sumari Välähdys sinitaivaast
Page 379 and 380:
Anni Sumari En voi uskoa silmiäni,
Page 381 and 382:
Anni Sumari Jauhelihaa. Me olemme k
Page 383 and 384:
Anni Sumari A glimpse of the blue s
Page 385 and 386:
Anni Sumari Ground beef. We are all
Page 387 and 388:
Vladamir P. Štefanec 387
Page 389 and 390:
Vladamir P. Štefanec The Unicorn F
Page 391 and 392:
Vladamir P. Štefanec to its former
Page 393 and 394:
Vladamir P. Štefanec does winter s
Page 395 and 396:
Vladamir P. Štefanec which, only m
Page 397 and 398:
Cai Tianxin 397
Page 399 and 400:
Cai Tianxin 399
Page 401 and 402:
Cai Tianxin 401
Page 403 and 404:
Cai Tianxin 403
Page 405 and 406:
Cai Tianxin 405
Page 407 and 408:
Cai Tianxin Niagara Falls Above the
Page 409 and 410:
Cai Tianxin Sunlight The sun is a m
Page 411 and 412:
Krzysztof Varga 411
Page 413 and 414:
Krzysztof Varga Karolina Nie podró
Page 415 and 416:
Krzysztof Varga włoskich muzeach,
Page 417 and 418:
Krzysztof Varga lody miętowe przyw
Page 419 and 420:
Krzysztof Varga factories in indust
Page 421 and 422:
Krzysztof Varga 421
Page 423 and 424:
Peter Weber 423
Page 425 and 426:
Peter Weber Die Halle Aus: Bahnhofs
Page 427 and 428:
Peter Weber verpflichten. Sie arbei
Page 429 and 430:
Andrea Zanzotto 429
Page 431 and 432:
Andrea Zanzotto Riflesso Spesso nel
Page 433 and 434:
13 Settembre 1959 (variante) Luna p
Page 435 and 436:
Andrea Zanzotto Al mondo Mondo, sii
Page 437 and 438:
Andrea Zanzotto Idea E tutte le cos
Page 439 and 440:
PREVAJALSKA DELAVNICA POETRY TRANSL
Page 441 and 442:
Mererid Puw Davies 441
Page 443 and 444:
Mae’r cyfrifiadur hefyd yn fardd
Page 445 and 446:
Mererid Puw Davies dros apéritif t
Page 447 and 448:
Mererid Puw Davies Over a drink Com
Page 449 and 450:
Louis de Paor 449
Page 451 and 452:
Louis de Paor Sméara Dubha Más bu
Page 453 and 454:
Louis de Paor kot rjuha in on, on,
Page 455 and 456:
Louis de Paor The Singer These two
Page 457 and 458:
Louis de Paor 457
Page 459 and 460:
Helena Sinervo 459
Page 461 and 462:
Helena Sinervo Teiresiaan nautinto
Page 463 and 464:
Helena Sinervo Ikävöivän jakeet
Page 465 and 466:
The Pining One’s Verses Helena Si
Page 467 and 468:
MLADA VILENICA 467
Page 469 and 470:
Mlada Vilenica Eva Rener, a pupil o
Page 471 and 472:
DOSEDANJI UDELEŽENCI IN NAGRAJENCI
Page 473 and 474:
Dosedanji udeleženci in nagrajenci
Page 475 and 476:
Page 477 and 478:
Page 479 and 480:
Page 481:
KONZULTANTI / CONSULTANTS EVGEN BAV
show all

Zbornik Mednarodnega literarnega sreÄanja Vilenica 2004 - Ljudmila

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?

Zbornik Mednarodnega literarnega sreÄanja Vilenica 2004 - Ljudmila