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Zbornik Mednarodnega literarnega srečanja Vilenica 2004 - Ljudmila

Zbornik Mednarodnega literarnega srečanja Vilenica 2004 - Ljudmila

Zbornik Mednarodnega literarnega srečanja Vilenica 2004 - Ljudmila

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Aleksandar Prokopiev<br />

front of him, now and then replaced by her hair-curls getting in his face.<br />

And vice versa.<br />

– Shall we go and see Mishkec? suggests Ivan, the most lively of his<br />

friends in spite of his 90 kilograms. - I don’t know if we’ll be allowed to<br />

visit him. He hesitates. – Oh we will, I’m almost certain. And if necessary<br />

I have some connections... Ivan concludes, with sudden self-confidence.<br />

And in fact they have absolutely no problem entering the hospital building.<br />

Mishkec is the only patient in Room 07 of the Surgical Department.<br />

He lies covered to the waist; a cream-coloured woollen shirt can be seen<br />

under his pyjamas. His parents are there at his bed. The father - whose<br />

moustaches are dyed black - is on a chair by the bed and the mother, with<br />

an absent look in her eyes, at the bedside. Her hands are ice-cold when he<br />

shakes them.<br />

Mishkec’s head is covered with a kind of square mask, linked by two<br />

tubes to a tall machine with a transparent bowl on top of it. A sound of<br />

slow dripping can be heard from the one of the tubes - drop after drop -<br />

and Mishkec is breathing through the other one, also very slowly. Almost<br />

immediately the air in the room becomes very thick and it’s hard to<br />

breathe. It seems to all of them that this air will inevitably run out and<br />

they will suffocate, while Mishkec, linked to the machine, continues to<br />

struggle for his life.<br />

He touches the rubber chimney-sweeper in his pocket and images come<br />

to him from somewhere - while air vanishes with a whistle down the<br />

tubes and from the visitors’ throats, vacuum-sealing the room - images of<br />

the portraits of the dead Camille by Monet and of Schiller’s dead Klimt,<br />

the beloved woman and the beloved teacher each painted only a few hours<br />

after their death.<br />

Finally the lift stops at the fourth floor. Until the next ride, neighbour! –<br />

Goga, in her jeans and her faded blouse, waits for the grey lift door to<br />

open, then pushes the outer one aside like a heavy curtain behind which<br />

the voices of fourth-floor neighbours can be heard: a couple with a blackhaired<br />

daughter who hails her - Hello, Auntie Gordana!<br />

Letting the water flow from the tub, he washes the sperm on his knee.<br />

- We’ll wait, the couple smile. - Our daughter has to go to the bathroom.<br />

He pushes the button for the second floor. The metal door closes, but<br />

through the small window of the lift he can see your concerned, pretty<br />

face, although it has a shadow on it.<br />

This isn’t the end, he manages to form a thought. Only it’s somehow<br />

different.<br />

349

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