Theorien erweiterter Tonalität und vagierender Akkorde

Inhalt
Einleitung ...................................................................................................................................... 1
I Theorien erweiterter Tonalität .................................................................................................... 3
Hugo Riemann – Systematik der Harmonieschritte ................................................................ 3
Heinrich Schenker – Dur-Moll-Mischung und Tonikalisierung ............................................. 9
Arnold Schönberg – Imitationsprinzip, Ganzton- und Quartenakkorde ............................... 18
II Vagierende Akkorde ................................................................................................................ 32
Verminderter Dreiklang ........................................................................................................ 32
Riemann .......................................................................................................................... 33
Schenker .......................................................................................................................... 36
Schönberg ........................................................................................................................ 38
Halbverminderter Septakkord ............................................................................................... 44
Riemann .......................................................................................................................... 45
Schenker .......................................................................................................................... 48
Schönberg ........................................................................................................................ 49
Verminderter Septakkord ...................................................................................................... 53
Riemann .......................................................................................................................... 56
Schenker .......................................................................................................................... 59
Schönberg ........................................................................................................................ 60
Übermäßiger Dreiklang ......................................................................................................... 66
Riemann .......................................................................................................................... 68
Schenker .......................................................................................................................... 70
Schönberg ........................................................................................................................ 71
Tristanakkord ........................................................................................................................ 76
Riemann .......................................................................................................................... 78
Schenker .......................................................................................................................... 79
Schönberg ........................................................................................................................ 80
Neapolitanischer Sextakkord ................................................................................................ 82
Riemann .......................................................................................................................... 83
Schenker .......................................................................................................................... 85
Schönberg ........................................................................................................................ 86
Übermäßige Sextakkorde ...................................................................................................... 89
Riemann .......................................................................................................................... 91
Schenker .......................................................................................................................... 97
Schönberg ...................................................................................................................... 100