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^r Nearly Full<br />
For Opera Telecast<br />
MINNEAPOLIS—The local Loop Gopher,<br />
the territory's first independent theatre to<br />
have large-screen television, got off to a fast<br />
and promising start with the Metropolitan<br />
Opera's production of "Carmen." The 1.028-<br />
seat house, scaled at $1.80. $2.40 and $3.60. sold<br />
all but a handful of its seats and earned a<br />
profit on the venture.<br />
Bennie Berger. Gopher owner, expressed<br />
himself as highly pleased with the results. He<br />
believes that the public will support as many<br />
as four such grand opera telecasts a year, one<br />
about every three months. The theatre made a<br />
modest but satisfactory profit on "Carmen,"<br />
according to Berger. who pointed out that<br />
the front page newspaper and other publicity<br />
garnered for the telecast was invaluable and<br />
should pave the*way for even better boxoffice<br />
results.<br />
The Minneapolis Morning Tribune ran a<br />
front page story on the telecast, describing it<br />
as "history-making." The music critics of<br />
the Star and Tribune both pa.ssed up a Minneapolis<br />
Symphony orchestra concert to cover<br />
the televised "Carmen."<br />
Audience reaction for the most part was<br />
favorable, although the general feeling was<br />
that the telecast's picture quality left something<br />
to be desired and was inferior to the<br />
sound. The near-capacity audience was in<br />
the face of a snowstorm, icy streets and the<br />
Minneapolis Symphony orchestra opposition,<br />
and in spite of the fact the Metropolitan<br />
annually plays a four-performance engagement<br />
here at $7.20 top.<br />
The Minnesota Amusement Co. originally<br />
had announced a "Carmen" telecast for the<br />
4.000-.seat Radio City, but stepped out upon<br />
learning it would conflict with the symphony<br />
orchestra concert and it could not be had exclusively<br />
for Minneapolis.<br />
William Miskell Praises<br />
'Carmen' Omaha Show<br />
OMAHA—William Miskell. Tri-States district<br />
manager, said from reports emanating<br />
at other points in the country. Omaha's television<br />
reception for "Carmen" at the<br />
Orpheum probably was among the best.<br />
"Every comment I received was very good,"<br />
he said. "The closeups were excellent and the<br />
only shots not too good were the long ones.<br />
He said he might go for another opera, but<br />
at a different time of the year. Omaha's<br />
gross was about $2,800. with $3.85 high and<br />
$1.20 bottom. The house was approximately<br />
half full. Martin Bush, World-Herald music<br />
critic, was enthusiastic about the TV production.<br />
Mr. Exhibitor . .<br />
"Visually, aside from blurring of some bigscale<br />
shots and two small bits of local interference."<br />
he wrote, "the illusion was most<br />
convincing. The closeups were so excellent<br />
as to enable the theatre audience to better<br />
see the production than many there in New<br />
York.<br />
"Aurally, the music both vocally and<br />
orchestrally was well-night perfect. With<br />
this feat TV has stepped up. May it continue!"<br />
"Carmen' Telecast Draws<br />
Praise in Milwaukee<br />
MILWAUKEE—A near-capacity audience<br />
attended the Riverside Theatre here Thursday<br />
(111 for the Metropolitan Opera telecast<br />
of "Carmen," and local newspaper columnists<br />
were high in praise of the first big-screen<br />
TV opera.<br />
"Despite the blurred and montonous gray<br />
pictures, the performance was immensely<br />
moving and vivid," one critic said. "To the<br />
ear. it could hardly have been better.<br />
"Even with the screen limitations, the<br />
staging of the opera, the movements of the<br />
. . . The<br />
thi'ong of prinicipals and minor people alike<br />
were found to be fluid and precise<br />
fire and passion of this elemental drama<br />
were unfailingly conveyed. After each<br />
familiar aria and dramatic episode the Milwaukee<br />
spectators burst into applause simultaneously<br />
with the New York subscription<br />
audience seeing the performance."<br />
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'Pal Gus' Packs Punch<br />
At 175 in Twin City<br />
MINNEAPOLIS—"My Pal<br />
Gus" ran awa<br />
from the field. Given a tremendous sellini<br />
job. it came through with fine business tha<br />
|<br />
belied the supposed insurmountable prelj<br />
Christmas handicap, raised higher in th)|i<br />
instance by snowstorms, icy streets and colt;<br />
Aside from "Gus," however, there was nl<br />
reason for cheers. Two other newcomerjJ<br />
"Operation Secret" and "Hangman's Knot,]<br />
floundered. Holdovers were "The Miracle c|<br />
Fatima" and "Plymouth Adventure" in<br />
the<br />
fourth and final weeks and "Lost in Alask<br />
in its second stanza.<br />
Century The Miracle of Fatima (WB), 4th wk. . . 81<br />
Gopher Lost in Alaska (U-l), 2nd wk if<br />
Lyric The Block Swan (20th-Fox); To the Shores<br />
of Tripoli f20th-Fox), reissues<br />
Radio City My Pol Gus (20th-Fox) 17|<br />
RKO-Orpheum Hangman's Knot (Col) 51<br />
RKO-Pan Invasion, U.S.A. (Cot); Stronge Fosci*<br />
nation (Col) Si<br />
State Operotion Secret (WB) £l<br />
World Plymouth Adventure (MGM), 4th wk 9l<br />
"Because of You' Gets Honors<br />
In Slow Omaha Week<br />
OMAHA — "Because of<br />
You" at the Omah<br />
was the only offering among the city's down<br />
town first runs to break over the norn<br />
line and a couple failed to make the grad|<br />
Weather turned mild, making streets slopp<br />
with thawing snow in the daytime<br />
treacherously icy at night.<br />
Omaha— Because of You (U-l); Royal Journey<br />
(UA) n|<br />
Orpheum Bloodhounds of Broadway (20th-Fox);<br />
Night Without Sleep<br />
RKO-Brandeis The Rains<br />
(20th-Fox)<br />
Come (20th-Fox), reissue,<br />
S|<br />
3 days; Springfield Rifle (WB), 4 days,<br />
2nd wk. Kl<br />
State Because You're Mine (MGM) .<br />
!|<br />
Town Captive of Billy the Kid (Rep); Harlem<br />
Globetrotters (Col), Fort Osage (AA) (I<br />
Iowa Theatres Entertain<br />
Kids With Free Shows<br />
DES MOINES—Free movies for the cl<br />
dren were the Saturday attraction at a nu:<br />
ber of Iowa theatres recently. In mar<br />
cases, the free shows will be continued for tl<br />
entire month of December.<br />
The Monte Theatre, Montezuma, is givir<br />
programs sponsored by the merchants of U<br />
community and will continue each Satun<br />
thi'ough the month. The idea was a treat<br />
the parents who "parked" their children i<br />
the Monte and then went shopping. i|<br />
Marshalltown, 800 children crowded into tvj<br />
theatres for a picture sponsored by loi<br />
merchants. Gifts were presented by a San',<br />
Claus.<br />
The Aplington Theatre, in cooperation wll<br />
merchants of the city. Ls presenting<br />
Saturday shows until Christmas. In Ochey(<br />
dan. the Mound Theatre will host three Sati<br />
day shows culminating with a Santa Clai<br />
party December 20, and the New Belmon'<br />
Belmond, is presenting free pre-Christra.i<br />
shows for the children. Ed Gentry is tt<br />
manager.<br />
Minneapolis Alhambra<br />
Leased by Lou Gainsley<br />
who ope<br />
MINNEAPOLIS—Lou Gainsley,<br />
ated the abandoned Loop Pix, has leasi<br />
the neighborhood Alhambra Theatre fro<br />
Rubenstein & Kaplan, and will reopen it. Tl<br />
583-seater was closed several months a,<br />
after a long stretch of unprofitable busine:<br />
!<br />
BOXOFFICE December 20, 19.