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Boxoffice-December.20.1952

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^r Nearly Full<br />

For Opera Telecast<br />

MINNEAPOLIS—The local Loop Gopher,<br />

the territory's first independent theatre to<br />

have large-screen television, got off to a fast<br />

and promising start with the Metropolitan<br />

Opera's production of "Carmen." The 1.028-<br />

seat house, scaled at $1.80. $2.40 and $3.60. sold<br />

all but a handful of its seats and earned a<br />

profit on the venture.<br />

Bennie Berger. Gopher owner, expressed<br />

himself as highly pleased with the results. He<br />

believes that the public will support as many<br />

as four such grand opera telecasts a year, one<br />

about every three months. The theatre made a<br />

modest but satisfactory profit on "Carmen,"<br />

according to Berger. who pointed out that<br />

the front page newspaper and other publicity<br />

garnered for the telecast was invaluable and<br />

should pave the*way for even better boxoffice<br />

results.<br />

The Minneapolis Morning Tribune ran a<br />

front page story on the telecast, describing it<br />

as "history-making." The music critics of<br />

the Star and Tribune both pa.ssed up a Minneapolis<br />

Symphony orchestra concert to cover<br />

the televised "Carmen."<br />

Audience reaction for the most part was<br />

favorable, although the general feeling was<br />

that the telecast's picture quality left something<br />

to be desired and was inferior to the<br />

sound. The near-capacity audience was in<br />

the face of a snowstorm, icy streets and the<br />

Minneapolis Symphony orchestra opposition,<br />

and in spite of the fact the Metropolitan<br />

annually plays a four-performance engagement<br />

here at $7.20 top.<br />

The Minnesota Amusement Co. originally<br />

had announced a "Carmen" telecast for the<br />

4.000-.seat Radio City, but stepped out upon<br />

learning it would conflict with the symphony<br />

orchestra concert and it could not be had exclusively<br />

for Minneapolis.<br />

William Miskell Praises<br />

'Carmen' Omaha Show<br />

OMAHA—William Miskell. Tri-States district<br />

manager, said from reports emanating<br />

at other points in the country. Omaha's television<br />

reception for "Carmen" at the<br />

Orpheum probably was among the best.<br />

"Every comment I received was very good,"<br />

he said. "The closeups were excellent and the<br />

only shots not too good were the long ones.<br />

He said he might go for another opera, but<br />

at a different time of the year. Omaha's<br />

gross was about $2,800. with $3.85 high and<br />

$1.20 bottom. The house was approximately<br />

half full. Martin Bush, World-Herald music<br />

critic, was enthusiastic about the TV production.<br />

Mr. Exhibitor . .<br />

"Visually, aside from blurring of some bigscale<br />

shots and two small bits of local interference."<br />

he wrote, "the illusion was most<br />

convincing. The closeups were so excellent<br />

as to enable the theatre audience to better<br />

see the production than many there in New<br />

York.<br />

"Aurally, the music both vocally and<br />

orchestrally was well-night perfect. With<br />

this feat TV has stepped up. May it continue!"<br />

"Carmen' Telecast Draws<br />

Praise in Milwaukee<br />

MILWAUKEE—A near-capacity audience<br />

attended the Riverside Theatre here Thursday<br />

(111 for the Metropolitan Opera telecast<br />

of "Carmen," and local newspaper columnists<br />

were high in praise of the first big-screen<br />

TV opera.<br />

"Despite the blurred and montonous gray<br />

pictures, the performance was immensely<br />

moving and vivid," one critic said. "To the<br />

ear. it could hardly have been better.<br />

"Even with the screen limitations, the<br />

staging of the opera, the movements of the<br />

. . . The<br />

thi'ong of prinicipals and minor people alike<br />

were found to be fluid and precise<br />

fire and passion of this elemental drama<br />

were unfailingly conveyed. After each<br />

familiar aria and dramatic episode the Milwaukee<br />

spectators burst into applause simultaneously<br />

with the New York subscription<br />

audience seeing the performance."<br />

Immediote families of entertainment industry<br />

employes olso eligible for TB core at WILL ROGERS<br />

MEMORIAL HOSPITAL.<br />

Are you going to protect your interest with a drive-in<br />

theatre? Then see us. We will save you money in the<br />

long run! The average salesman selling equipment<br />

is interested in sale of equipment only. We have<br />

supplied equipment to more Drive-In Theatres in<br />

Iowa than any other one company. We help you<br />

pick out your land, we have an engineer to help<br />

supervise your contractor on building, and our own<br />

Engineer installs equipment. We assure you that<br />

we can help you save money. OUR Service Man will<br />

service your equipment when you need it.<br />

No contract<br />

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DES MOINES THEATRE SUPPLY CO.<br />

1121 High St. Phone 3-6520 Des Moines, Iowa<br />

'Pal Gus' Packs Punch<br />

At 175 in Twin City<br />

MINNEAPOLIS—"My Pal<br />

Gus" ran awa<br />

from the field. Given a tremendous sellini<br />

job. it came through with fine business tha<br />

|<br />

belied the supposed insurmountable prelj<br />

Christmas handicap, raised higher in th)|i<br />

instance by snowstorms, icy streets and colt;<br />

Aside from "Gus," however, there was nl<br />

reason for cheers. Two other newcomerjJ<br />

"Operation Secret" and "Hangman's Knot,]<br />

floundered. Holdovers were "The Miracle c|<br />

Fatima" and "Plymouth Adventure" in<br />

the<br />

fourth and final weeks and "Lost in Alask<br />

in its second stanza.<br />

Century The Miracle of Fatima (WB), 4th wk. . . 81<br />

Gopher Lost in Alaska (U-l), 2nd wk if<br />

Lyric The Block Swan (20th-Fox); To the Shores<br />

of Tripoli f20th-Fox), reissues<br />

Radio City My Pol Gus (20th-Fox) 17|<br />

RKO-Orpheum Hangman's Knot (Col) 51<br />

RKO-Pan Invasion, U.S.A. (Cot); Stronge Fosci*<br />

nation (Col) Si<br />

State Operotion Secret (WB) £l<br />

World Plymouth Adventure (MGM), 4th wk 9l<br />

"Because of You' Gets Honors<br />

In Slow Omaha Week<br />

OMAHA — "Because of<br />

You" at the Omah<br />

was the only offering among the city's down<br />

town first runs to break over the norn<br />

line and a couple failed to make the grad|<br />

Weather turned mild, making streets slopp<br />

with thawing snow in the daytime<br />

treacherously icy at night.<br />

Omaha— Because of You (U-l); Royal Journey<br />

(UA) n|<br />

Orpheum Bloodhounds of Broadway (20th-Fox);<br />

Night Without Sleep<br />

RKO-Brandeis The Rains<br />

(20th-Fox)<br />

Come (20th-Fox), reissue,<br />

S|<br />

3 days; Springfield Rifle (WB), 4 days,<br />

2nd wk. Kl<br />

State Because You're Mine (MGM) .<br />

!|<br />

Town Captive of Billy the Kid (Rep); Harlem<br />

Globetrotters (Col), Fort Osage (AA) (I<br />

Iowa Theatres Entertain<br />

Kids With Free Shows<br />

DES MOINES—Free movies for the cl<br />

dren were the Saturday attraction at a nu:<br />

ber of Iowa theatres recently. In mar<br />

cases, the free shows will be continued for tl<br />

entire month of December.<br />

The Monte Theatre, Montezuma, is givir<br />

programs sponsored by the merchants of U<br />

community and will continue each Satun<br />

thi'ough the month. The idea was a treat<br />

the parents who "parked" their children i<br />

the Monte and then went shopping. i|<br />

Marshalltown, 800 children crowded into tvj<br />

theatres for a picture sponsored by loi<br />

merchants. Gifts were presented by a San',<br />

Claus.<br />

The Aplington Theatre, in cooperation wll<br />

merchants of the city. Ls presenting<br />

Saturday shows until Christmas. In Ochey(<br />

dan. the Mound Theatre will host three Sati<br />

day shows culminating with a Santa Clai<br />

party December 20, and the New Belmon'<br />

Belmond, is presenting free pre-Christra.i<br />

shows for the children. Ed Gentry is tt<br />

manager.<br />

Minneapolis Alhambra<br />

Leased by Lou Gainsley<br />

who ope<br />

MINNEAPOLIS—Lou Gainsley,<br />

ated the abandoned Loop Pix, has leasi<br />

the neighborhood Alhambra Theatre fro<br />

Rubenstein & Kaplan, and will reopen it. Tl<br />

583-seater was closed several months a,<br />

after a long stretch of unprofitable busine:<br />

!<br />

BOXOFFICE December 20, 19.

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