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Boxoffice-December.20.1952

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Publicity and Public Relations<br />

Different, Bergman Tells Ampa<br />

NEW YORK—The difference between publicity<br />

and public relations and how both apply<br />

to<br />

the film business was discussed Thursday<br />

(18) by Maurice Bergman,<br />

director of public<br />

relations for Universal<br />

International,<br />

before the Ass'n of Mo-<br />

,_^ ^~^^^—<br />

t'on Picture Advertis-<br />

'. '* K^K^m ers advertising class.<br />

Other speakers were<br />

Arthur De Bra. director<br />

of the community<br />

service department of<br />

the Motion Picture<br />

Ass'n. and Gordon<br />

Maurice Bergman<br />

White, director of the<br />

advertising code administration<br />

of the MPAA.<br />

"Publicity." Bergman said, "either sensibly<br />

or inordinately, attempts to excite the public<br />

to an idea which will either sell something or<br />

somebody.<br />

"Public relations, on the other hand, attempts<br />

to create an impression reflecting the<br />

philosophy and belief of the particular enterpri.se<br />

or individual.<br />

"Our industry has the distinction of being<br />

the only one that gave away its merchandise<br />

during World War II. There was very little<br />

publicity about this, but there was a great<br />

deal of public relations."<br />

Bergman said he thought this industry<br />

should conduct organized campaigns when it<br />

is embarrassed by agitators in Congress or<br />

becomes the target of pressure groups, because<br />

there are more pressure groups with "pet<br />

peeves" than ever before.<br />

One of the major public relations problems,<br />

he .said, "occurs when we try to reconcile<br />

the desire to the glamorous with the effort<br />

to be conventional and typical of American<br />

business.<br />

"In other words, in publicizing the thing<br />

that interests people in the movies we must,<br />

at the same time, try to neutralize this with<br />

the actual facts that we are a solid, substantial<br />

element of the business community."<br />

Steel, Copper, Aluminum<br />

Cut for Film Products<br />

WASHINGTON — Considerably le.ss steel,<br />

copper and aluminum will be available for<br />

manufacture of motion picture and photographic<br />

products during the second quarter<br />

of 1953 than has been allotted for use by<br />

these manufacturers in the first.<br />

The National Production Authority on<br />

Thursday il8) announced that makers of<br />

products to be used in the industry will be cut<br />

to 3,029 tons of steel, 820,000 pounds of copper<br />

and 1.106,000 pounds of aluminum in the<br />

second quarter.<br />

During the first quarter, NPA alloted for<br />

these purposes 5.202 tons of steel, 1,276,000<br />

pounds of copper<br />

aluminum.<br />

and 3,101,000 pounds of<br />

R. Brooks Directs "Canopus Story'<br />

Richard Brooks has been assigned to direct<br />

ihi- "U.S.S. Canopus Story" for Metro. It is<br />

hiisod on the exploits of the navy's submarine<br />

branch during World War II.<br />

Counter Drive Is Planned<br />

To Surprise French Tax<br />

NEW YORK—Foreign managers of the<br />

major companies made their first move Monday<br />

(15) to combat the surprise move of the<br />

French government in extending its turnover<br />

tax on unremitted earnings. After a long<br />

discussion, with Eric Johnston, president of<br />

the Motion Picture Export Ass'n, presiding, it<br />

was decided to employ a tax consultant in<br />

Paris to draw up a counter proposal. The<br />

consultant will be selected by company representatives<br />

in Paris.<br />

The decision of the French government, announced<br />

the previous week, followed on the<br />

heels of a new Pranco-U.S. film pact and<br />

was a disappointment. It was a source of<br />

concern here because it made the tax retroactive<br />

for several years and would probably<br />

cost the majors several million dollars. A<br />

protest is being filed with the State Department.<br />

Speaking on Japan, Johnston told the foreign<br />

managers that Richard T. McDonnell,<br />

MPEA representative there, had been hampered<br />

by a change in government in his assignment<br />

to obtain remittance on frozen<br />

earnings. McDonnell has been in Tokyo for<br />

a much longer time than was originally expected.<br />

No date has been set for his return.<br />

Irving Maas, MPEA representative, was<br />

scheduled to return from the Far East by<br />

the end of the week. He has been working<br />

on a new import license agreement with the<br />

Japanese and studying business conditions and<br />

restrictions in neighboring countries.<br />

New TV Merger Provides<br />

Full Program Service<br />

NEW YORK—Something new has been introduced<br />

to the television production field<br />

a company designed to furnish distribution,<br />

production and financing. The organization<br />

results from a merger of Gross-Krasne Productions,<br />

Inc., and Studio Films. Inc., with<br />

United Television Programs, Inc.<br />

Wilson M. Tuttle, who resigned recently as<br />

vice-president in charge of radio and television<br />

for Ruthrauff & Ryan, is the president.<br />

Gerald King is board chairman and<br />

Milton Blink is executive vice-president. The<br />

latter two were co-founders of United Television<br />

in 1950. Ben Frye is vice-president in<br />

charge of sales.<br />

Gordon to Take on Foreign<br />

Films From Regent List<br />

NEW YORK—Gordon Films, Inc., headed<br />

by Richard Gordon, which has been handling<br />

distribution of British-made pictures<br />

for theatre and television use in this country,<br />

has closed a deal for adding foreign language<br />

films to its list. The agreement is with<br />

Regent Film Distributors, Ltd., of Great<br />

Britain, distributors of non-English language<br />

films.<br />

Regent operates on a large scale with a<br />

west end house. New Gallery, as its showcase.<br />

Gordon will not handle the distribution,<br />

but will make individual deals on each picture<br />

for the American rights.<br />

U-I Lines Up Drive<br />

In 38 Countries<br />

NEW YORK— Universal-International<br />

will<br />

start an 18-week sales competition in 38<br />

countries December 28 to mark the completion<br />

of 33 years of service by Al Daff, executive<br />

vice-president of Universal Pictures and president<br />

of its foreign subsidiary, Universal International<br />

Films.<br />

Three trips to New York or any other city<br />

chosen by the winners will be awarded to<br />

managers in the Latin American, Par Eastern<br />

and European divisions. All staff members in<br />

the winning country will receive three weeks'<br />

salary. Other prizes are two weeks' salary to I<br />

U-I managers and staff members in second!<br />

place territory and one week's salary in the.<br />

third, fourth and fifth ranking territories.'<br />

The winning divisional supervisor will receive<br />

a silver trophy.<br />

Ben Cohn, a foreign department executive,<br />

will be captain of the drive. Territories taking<br />

part include: Argentina, Australia, Belgium.<br />

Brazil. Burma, Chile, Columbia, Cuba,<br />

Denmark, Ecuador, Egypt, Formosa, France,<br />

Germany, Great Britain, Greece, Holland,i<br />

Hong Kong, India. Indonesia, Isreal, Italy;,<br />

Japan, Mexico, Norway, Pakistan, Panama,]<br />

Peru, Philippines, P>uerto Rico, Siam, Singapore,<br />

Spain, Sweden, Switzerland, Trinidad,<br />

Uruguay and Venezuela.<br />

Daff joined the company in March 1920 as<br />

a booker and salesman in Australia.<br />

Five Actor Unions Again<br />

Discussing Merger Plan<br />

NEW YORK—A merger of aU five actorJ<br />

unions under the head of the parent organiza-J<br />

tion, Associated Actors and Artists of Amen<br />

ica, is again being discussed by representative<br />

and is a possibility for late in 1953, accordi]<br />

to an official of Actors Equity, one of the<br />

five unions. The others are: American FedH<br />

eration of Radio Artists, Television AuthorityJ<br />

Screen Actors Guild and Screen Extras Guild.!<br />

Although the two screen unions recently!<br />

refused to join in a proposed five-branch mer-:<br />

ger, they would be wiUing to accept a "re-i<br />

vi.sed" amalgamation. The merger would give<br />

performers a single union card and a singU<br />

set of<br />

dues, regardless of the number of the-i<br />

atrical fields in which they were active.<br />

In the projectionists' union field, officia<br />

of the Motion Picture Machine Operators,^<br />

lATSE, Local 306, ai-e considering increase<br />

demands for members handling large-screenj<br />

telecasts, but only if further Metropolita<br />

Opera broadcasts are .scheduled, according<br />

a Local 306 official. The Guild Theatre, Nevi<br />

York City, charged a $7.20 top for the recentj<br />

"Carm.en" telecast.<br />

Skouras Speaks in London<br />

On Far East Market<br />

LONDON—Opportunities for :i "fabulous"<br />

market for American and British pictures inl<br />

Japan and a rapidly expanding market lll|<br />

Indonesia and India were outhned by Spyro<br />

P. Skouras, president of 20th Century-Fox.l<br />

to executives of the J. Arthur Rank Organization<br />

at a luncheon given by the Circuits!<br />

Management Ass'n December 18.<br />

"Theatre television is the greatest hope inl]<br />

the domestic market and will increase then<br />

atre receipts to three times what theatresfj<br />

have done since the end of World War n,'l(<br />

Skouras predicted.<br />

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BOXOFFICE :: December 20, 196S(<br />

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