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Biomechanics and Medicine in Swimming XI

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Figure 4. Overlay scatter gram from horizontal velocity <strong>and</strong> vertical velocity<br />

accord<strong>in</strong>g to the cadence imposed.<br />

dIscussIon<br />

The aim of this study was to analyze the relationships between musical<br />

cadence <strong>and</strong> k<strong>in</strong>ematical characteristics of a basic head-out aquatic exercise,<br />

when immersed to the breast. Ma<strong>in</strong> data suggests that expert <strong>and</strong><br />

fit subjects <strong>in</strong>crease segmental velocity with <strong>in</strong>creas<strong>in</strong>g musical cadence<br />

to avoid the decrease of the segmental range of motion.<br />

There was a very high relationship between cycle period <strong>and</strong> the<br />

cadence, with a decrease of the time variable throughout the <strong>in</strong>cremental<br />

protocol. On one h<strong>and</strong>, there were no significant relationships between<br />

any of the displacement variables <strong>and</strong> the musical cadence. On the other<br />

habd, most of the velocity variables were moderate, positive <strong>and</strong> significantly<br />

related to the musical cadence.<br />

Cycle period is considered as be<strong>in</strong>g:<br />

P =<br />

n<br />

∑ ti<br />

i=<br />

1<br />

(1)<br />

Where P is the cycle period (<strong>in</strong> s) <strong>and</strong> t is the duration (<strong>in</strong> s) of each<br />

phase, be<strong>in</strong>g the exercise composed by i partial phases. The duration of<br />

each phase can be computed as:<br />

d<br />

i t i = (2)<br />

vi<br />

Where t i is the duration of each partial phase of the exercise (<strong>in</strong> s), d i is<br />

the segment displacement (<strong>in</strong> m) dur<strong>in</strong>g the partial phase <strong>and</strong> v i is the<br />

segment velocity (<strong>in</strong> m·s -1 ) dur<strong>in</strong>g the partial phase.<br />

Although it was hypothesized <strong>in</strong> the <strong>in</strong>troduction section that <strong>in</strong>creas<strong>in</strong>g<br />

cadence would impose a decrease of the segments range of mo-<br />

chaPter2.<strong>Biomechanics</strong><br />

tion; the subjects decreased the t i through an <strong>in</strong>crease of the v i . It can<br />

be speculated that this specific motor control, as well as, biomechanical<br />

strategy, can be related to the subjects’ profile. They were: (i) expert subjects,<br />

i.e., head-out aquatic exercise <strong>in</strong>structors that are aware from the<br />

need to ma<strong>in</strong>ta<strong>in</strong> at all time a large range of motion perform<strong>in</strong>g basic<br />

exercises, <strong>in</strong>dependently from the cadence imposed <strong>and</strong>; (ii) very active<br />

subjects that not only are aware from this technical tips, but are also<br />

physically fit, allow<strong>in</strong>g them to ma<strong>in</strong>ta<strong>in</strong> such range of motion at different<br />

musical cadences.<br />

As a conclusion, expert <strong>and</strong> fit subjects seem to <strong>in</strong>crease segmental<br />

velocity with <strong>in</strong>creas<strong>in</strong>g cadences to avoid the decrease of the segmental<br />

range of motion.<br />

reFerences<br />

Abdel-Aziz Y, Karara, H. (1971). Direct l<strong>in</strong>ear transformation: from<br />

comparator coord<strong>in</strong>ates <strong>in</strong>to object coord<strong>in</strong>ates <strong>in</strong> close range photogrammetry.<br />

Proceed<strong>in</strong>gs of the Symposium on close-range photogrammetry,<br />

p. 1-18, Church Falls.<br />

Barbosa TM, Kesk<strong>in</strong>en KL, Fern<strong>and</strong>es RJ, Colaço P, Lima AB, Vilas-<br />

Boas JP. (2005). Energy cost <strong>and</strong> <strong>in</strong>tracyclic variation of the velocity<br />

of the centre of mass <strong>in</strong> butterfly stroke. Eur J Appl Phys 93:519-523.<br />

Barbosa TM, Mar<strong>in</strong>ho DA, Bragada JA, Reis VM, Silva AJ. (2009a).<br />

Physiological assessment of head-out aquatic exercises <strong>in</strong> healthy<br />

subjects: a qualitative review. J Sports Sci Med. 8: 179-189<br />

Barbosa TM, Sousa V, Silva AJ, Reis V, Mar<strong>in</strong>ho DA, Bragada JA.<br />

(2009b). Effects of music cadence <strong>in</strong> the acute physiological adaptations<br />

to head-out aquatic exercises. J Strength Cond Res. Epub ahead<br />

of pr<strong>in</strong>t<br />

de Leva P. (1996). Adjustments to Zatsiorsky-Seluyanov’s segment <strong>in</strong>ertia<br />

parameters. Journal of <strong>Biomechanics</strong> 29:1223-1230.<br />

Hoshijima Y, Torigoe K, Yamamoto M, Nishimura S, Abo N, Imoto M,<br />

Miyachi M, Onodera S. (1999). Effects of music rhythm on heart<br />

rate <strong>and</strong> oxygen uptake dur<strong>in</strong>g squat exercises <strong>in</strong> water <strong>and</strong> on l<strong>and</strong>.<br />

<strong>Biomechanics</strong> <strong>and</strong> <strong>Medic<strong>in</strong>e</strong> <strong>in</strong> Swimm<strong>in</strong>g VIII, p. 337-339. Gummerus<br />

Pr<strong>in</strong>t<strong>in</strong>g.<br />

K<strong>in</strong>der T, See J. (1992). Aqua Aerobics - A Scientific Approach.<br />

Dubuque: Eddie Bowers Publish<strong>in</strong>g<br />

Vilas-Boas JP, Cunha P, Figueiras T, Ferreira M, Duarte J. (1997).<br />

Movement analysis <strong>in</strong> simultaneous swimm<strong>in</strong>g techniques. Cologne<br />

Swimm<strong>in</strong>g Symposium. Verlag. p.95-103. Sport Fahnemann<br />

W<strong>in</strong>ter D (1990). Biomechanic <strong>and</strong> Motor Control of Human Movement.<br />

Chichester: John Wiley & Sons.<br />

139

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