Biomechanics and Medicine in Swimming XI
Biomechanics and Medicine in Swimming XI
Biomechanics and Medicine in Swimming XI
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<strong>Biomechanics</strong><strong>and</strong>medic<strong>in</strong>e<strong>in</strong>swimm<strong>in</strong>gXi<br />
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346<br />
The Cognitive Interplay Between Sensory <strong>and</strong><br />
Biomechanical Features While Execut<strong>in</strong>g Flip Turns<br />
Wear<strong>in</strong>g Different Swim Suits<br />
Vieluf, s. 1 3 , ungerechts, B.e. 1 , toussa<strong>in</strong>t, h.M. 2 , lex, h. 1 ,<br />
schack, t. 1<br />
1 Bielefeld University, Bielefeld, Germany<br />
2 Free University Amsterdam, Amsterdam, Netherl<strong>and</strong>s<br />
3 Jacobs University Bremen, Bremen, Germany<br />
A flip turn is a motor action due to a comb<strong>in</strong>ation of the established<br />
competence match<strong>in</strong>g features of postures <strong>and</strong> situational <strong>in</strong>fluences. In<br />
general, movements are organized at different cognitive levels <strong>in</strong>clud<strong>in</strong>g<br />
their sensory effects. Every movement is formed by cognitive units,<br />
called Basic Action Concepts. The purpose of this study is to elucidate<br />
the <strong>in</strong>fluence of sensory effects on the biomechanical outcome of the<br />
flip turn technique under two different conditions: regular <strong>and</strong> high tech<br />
full swim suit. Methods were biomechanical analysis for the flip turn,<br />
a questionnaire for exam<strong>in</strong><strong>in</strong>g the strength of sensory effects, <strong>and</strong> two<br />
sets for the structure dimension analysis–motorics. The results revealed<br />
a close connection between the cognitive representation of the sensory<br />
based effects of flip turn technique <strong>and</strong> their biomechanical structure.<br />
Keywords: flip turn, biomechanics, mental representation, swim suit<br />
IntroductIon<br />
Swimm<strong>in</strong>g is the result of displaced water mass which cause buoyancy<br />
<strong>and</strong> momentum, when set <strong>in</strong> motion by body movements. Body movements<br />
are controlled through cognitive <strong>and</strong> physiological frameworks.<br />
This holds true for activities <strong>in</strong> aquatic space where the <strong>in</strong>teraction between<br />
the body <strong>and</strong> the surround<strong>in</strong>g water mass is of importance for<br />
an underst<strong>and</strong><strong>in</strong>g beyond a simple biomechanical approach. Swimm<strong>in</strong>g<br />
experts know about the relevance of this <strong>in</strong>teraction, but there is only<br />
modest scientific evidence concern<strong>in</strong>g the connection of perception <strong>and</strong><br />
action. Follow<strong>in</strong>g Bernste<strong>in</strong> (1967) voluntary movements:<br />
• are stored <strong>in</strong> memory at different levels as a structure subdivided<br />
<strong>in</strong>to details –as an idea or image- but not as cha<strong>in</strong>s of details <strong>and</strong><br />
organized <strong>in</strong> long term memory as perceptual-cognitive (mental)<br />
representations.<br />
• are the result of perceptible events through a mental representation<br />
of anticipated characteristic (e.g. sensory) effects.<br />
• means that goals <strong>and</strong> effects of a movement are stored together<br />
<strong>and</strong> thus each volitional movement is stored effect-coded to<br />
achieve movement aims. .<br />
• are realisations of action goals or images.<br />
Follow<strong>in</strong>g the hierarchical movement organization of Schack (2004),<br />
voluntary movements are represented <strong>in</strong> the long term memory, <strong>in</strong>clud<strong>in</strong>g<br />
their <strong>in</strong>ternal <strong>and</strong> external effects <strong>in</strong> units, characterized as Basic<br />
Action Concepts (BACs), which are represented at the level of mental<br />
control. These BACs are <strong>in</strong>tegrated <strong>in</strong> a hierarchical cognitive architecture.<br />
In this context, movements are realiz<strong>in</strong>g action goals evoked by<br />
motivation, cognition, <strong>and</strong> emotion, which are grounded on auditory,<br />
visual, or k<strong>in</strong>aesthetic cues (Schack, 2004). Accord<strong>in</strong>g to this cognitive<br />
architecture, motor actions are activated <strong>and</strong> composed of BACs. The<br />
<strong>in</strong>ternal <strong>and</strong> external features of BACs are triggered by an image of the<br />
voluntary executed movement. Therefore, <strong>in</strong>formation from the environment<br />
is needed to perform adequately. L<strong>in</strong>ks between sensory effects of<br />
a movement <strong>and</strong> correspond<strong>in</strong>g motor comm<strong>and</strong>s will be established<br />
while execut<strong>in</strong>g an action <strong>and</strong>, moreover, create a specific expertise. In<br />
other words, a more adequate image will be created.<br />
A study of the cognitive representation of a swimm<strong>in</strong>g technique,<br />
<strong>in</strong>clud<strong>in</strong>g their sensory effects <strong>and</strong> biomechanics, needs to use an established<br />
technique, which <strong>in</strong> the present study is the flip-turn executed un-