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Biomechanics and Medicine in Swimming XI

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<strong>Biomechanics</strong><strong>and</strong>medic<strong>in</strong>e<strong>in</strong>swimm<strong>in</strong>gXi<br />

Prelim<strong>in</strong>ary Results of a “Multi-2D” K<strong>in</strong>ematic<br />

Analysis of “Straight- vs. Bent-arm” Freestyle<br />

Swimm<strong>in</strong>g, Us<strong>in</strong>g High-Speed Videography.<br />

Pr<strong>in</strong>s, J.h., Murata, n.M., & Allen, J. s. III.<br />

University of Hawaii. U.S.A.<br />

Synchronized, high-speed digital cameras were used for underwater<br />

videotap<strong>in</strong>g of swimmers, each of whom were required to perform a<br />

series of trials with both bent-arm <strong>and</strong> straight-arm pull patterns. The<br />

result<strong>in</strong>g video footage was digitized <strong>and</strong> processed us<strong>in</strong>g “Multi 2-D”<br />

motion capture software. Results demonstrated (1.) The advantages of<br />

us<strong>in</strong>g high-speed videography for quantify<strong>in</strong>g swimm<strong>in</strong>g stroke mechanics.<br />

(2) The result<strong>in</strong>g data provided <strong>in</strong>sight <strong>in</strong>to the relationship<br />

between the vary<strong>in</strong>g degrees of elbow-bend dur<strong>in</strong>g the pull cycle, <strong>and</strong><br />

fluctuations <strong>in</strong> l<strong>in</strong>ear hip <strong>and</strong> wrist velocities.<br />

Key words: Freestyle stroke mechanics; high-speed videography;<br />

motion analysis;.<br />

IntroductIon<br />

The accessibility of high-speed digital cameras, coupled with the ability<br />

to synchronize the video output from multiple cameras, has made it<br />

possible to analyze swimmers <strong>in</strong> more detail. Motion analysis software<br />

makes possible the k<strong>in</strong>ematic analysis of the result<strong>in</strong>g video footage.<br />

One area of <strong>in</strong>terest is the perceived outcomes between a “bent-arm” vs.<br />

“straight-arm” underwater pull <strong>in</strong> Freestyle (Front-Crawl) swimm<strong>in</strong>g.<br />

Follow<strong>in</strong>g the success of a select number of Olympic f<strong>in</strong>alists who have<br />

used a straight-arm Freestyle arm recovery, there is now a question of<br />

whether a straight-arm recovery, coupled with a similarly straight-arm<br />

underwater pull leads to the generation of <strong>in</strong>creased propulsive forces.<br />

The purpose of this paper is to describe the prelim<strong>in</strong>ary results of a k<strong>in</strong>ematic<br />

analysis of the straight-arm vs. bent-arm underwater pull, us<strong>in</strong>g<br />

selected variables of these two types of pull patterns.<br />

Methods<br />

Four members (age= 19.4 +/- 0.8 yr; height 183 cms +/- 6.2 cms) of the<br />

Men’s University of Hawaii “Division I” Intercollegiate swimm<strong>in</strong>g team<br />

participated <strong>in</strong> this pilot study. Each swimmer was filmed for a total of<br />

6 trials, dur<strong>in</strong>g 3 of which they were <strong>in</strong>structed to ma<strong>in</strong>ta<strong>in</strong> their natural<br />

bent elbow position (B.A.), followed by 3 trials us<strong>in</strong>g a straight-arm<br />

(S.A.) underwater pull. Subjects were asked to swim at a pace as close<br />

as possible to their best 200 meter swimm<strong>in</strong>g time.<br />

Two high-speed digital cameras (Basler Model A602f ), <strong>in</strong>stalled <strong>in</strong><br />

custom hous<strong>in</strong>gs, were mounted to rigid frames which themselves were<br />

anchored to the pool deck. The cameras were placed at a depth of 0.3<br />

meters, each at right angles to each other for frontal <strong>and</strong> lateral view<strong>in</strong>g.<br />

The cameras were controlled via dual cabl<strong>in</strong>g from a desktop<br />

computer located on the pool deck. One cable was assigned for<br />

camera control via Firewire (IEEE 1394), the second cable was<br />

used for camera frame synchronization. Frame rate was set at 100<br />

frames/second.<br />

Rotational jo<strong>in</strong>t segments were identified us<strong>in</strong>g a series of light<br />

emitt<strong>in</strong>g diodes (LED’s) housed <strong>in</strong> waterproof hous<strong>in</strong>gs. The LED’s<br />

were taped to the body <strong>and</strong> were powered by a battery pack attached to a<br />

belt worn by the swimmer at the waist. Calibration was conducted us<strong>in</strong>g<br />

a 4-po<strong>in</strong>t frame (1m x 1m), located <strong>in</strong> the plane of motion.<br />

Motion analysis software (Vicon Motus, Denver, CO), was used for<br />

video capture, data analysis, <strong>and</strong> generat<strong>in</strong>g reports. The software <strong>in</strong>cludes<br />

a “Multi 2-D” (M2-D) feature, which enables multiple cameras<br />

to be synchronized. Each sequence was digitized us<strong>in</strong>g a comb<strong>in</strong>ation<br />

of auto-track<strong>in</strong>g <strong>and</strong> manual modes.<br />

154<br />

<strong>Biomechanics</strong> <strong>and</strong> <strong>Medic<strong>in</strong>e</strong> <strong>in</strong> Swimm<strong>in</strong>g <strong>XI</strong> Chapter 2 <strong>Biomechanics</strong> b<br />

Rotational jo<strong>in</strong>t segments were identified us<strong>in</strong>g a series of light emitt<strong>in</strong>g diodes<br />

(LED’s) housed <strong>in</strong> waterproof hous<strong>in</strong>gs. The LED’s were taped to the body <strong>and</strong> were<br />

powered by a battery pack attached to a belt worn by the swimmer at the waist.<br />

Calibration was conducted us<strong>in</strong>g a 4-po<strong>in</strong>t frame (1m x 1m), located <strong>in</strong> the plane of<br />

results<br />

motion.<br />

Motion analysis software (Vicon Motus, Denver, CO), was used for video capture,<br />

Follow<strong>in</strong>g data analysis, video <strong>and</strong> generat<strong>in</strong>g capture reports. <strong>and</strong> digitiz<strong>in</strong>g, The software the <strong>in</strong>cludes follow<strong>in</strong>g a “Multi variables 2-D” (M2-D) were<br />

measured feature, which us<strong>in</strong>g enables the Motus multiple cameras software: to be (1) synchronized. Degree of Each elbow-bend; sequence was (2)<br />

digitized us<strong>in</strong>g a comb<strong>in</strong>ation of auto-track<strong>in</strong>g <strong>and</strong> manual modes.<br />

L<strong>in</strong>ear velocities of the hip <strong>in</strong> the saggital plane (X –axis); (3) L<strong>in</strong>ear<br />

velocities RESULTS: of the wrist <strong>in</strong> the saggital (X), Vertical (Y), & the Resultant<br />

Follow<strong>in</strong>g video capture <strong>and</strong> digitiz<strong>in</strong>g, the follow<strong>in</strong>g variables were measured us<strong>in</strong>g<br />

(R), the directions; Motus software: (4) (1) Angular Degree of velocities elbow-bend; of the (2) L<strong>in</strong>ear wrist velocities as measured of the hip from <strong>in</strong> the the<br />

shoulder. saggital plane A composite (X –axis); (3) of L<strong>in</strong>ear the data velocities is presented of the wrist <strong>in</strong> Table the saggital 1. (X), Vertical<br />

(Y), & the Resultant (R), directions; (4) Angular velocities of the wrist as measured<br />

from the shoulder. A composite of the data is presented <strong>in</strong> Table 1.<br />

Table 1. Data shows Degree of Elbow Bend, L<strong>in</strong>ear Hip <strong>and</strong> Wrist Ve-<br />

Table 1. Data shows Degree of Elbow Bend, L<strong>in</strong>ear Hip <strong>and</strong> Wrist Velocities &<br />

locities & Angular Wrist Velocities as a function of Elbow Positions.<br />

Angular Wrist Velocities as a function of Elbow Position.<br />

Degree of<br />

Elbow Bend<br />

Hip – L<strong>in</strong>ear<br />

Velocity (LHV)<br />

Wrist - L<strong>in</strong>ear<br />

Velocities<br />

103<br />

Wrist - Angular<br />

Velocities<br />

(degrees/sec)<br />

301.9 to 398.3<br />

(degrees) - X-axis (m/sec) (LWV) - (m/sec)<br />

Natural Bent- Range 121 to 1.41 to 1.92 X – 1.41 to 2.31<br />

Arm Pull 134<br />

Y – 1.36 to 2.72<br />

R - 1.70 to 2.73<br />

Straight-Arm Range 160 to 1.52 to 2.02 X – 1.78 to 2.52 123.7 to 186.4<br />

Pull<br />

178<br />

Y – 1.36 to 2.52<br />

R - 1.70 to 2.53<br />

DISCUSSION:<br />

The study focused on two areas of <strong>in</strong>terest: First, was the adoption of high-speed video<br />

technology coupled with motion analysis software to capture <strong>and</strong> analyze the<br />

underwater pull patterns of swimmers. The second area of <strong>in</strong>terest was the possible<br />

<strong>in</strong>teraction between the degree of elbow bend dur<strong>in</strong>g the underwater pull, <strong>and</strong> l<strong>in</strong>ear<br />

changes <strong>in</strong> wrist <strong>and</strong> hip velocities <strong>in</strong> the primary plane of motion.<br />

The decision to use the “Multi 2-D” (M2-D) feature <strong>in</strong>corporated <strong>in</strong>to the software<br />

was made because it provided a means of monitor<strong>in</strong>g selected k<strong>in</strong>ematic parameters,<br />

specifically the potential changes <strong>in</strong> hip velocity as a function of underwater elbow<br />

flexion. In spite of the <strong>in</strong>herent limitations of 2D vs. 3D analyses, the M2-D feature<br />

was designed with gait analysis <strong>in</strong> m<strong>in</strong>d, i.e. plac<strong>in</strong>g the cameras at right angles to each<br />

other, mak<strong>in</strong>g it ideally suited for observ<strong>in</strong>g swimm<strong>in</strong>g stroke mechanics. The second<br />

<strong>in</strong>novation, i.e. design<strong>in</strong>g <strong>and</strong> implement<strong>in</strong>g a system of waterproof LED’s that were<br />

taped to the swimmer’s jo<strong>in</strong>t segments, proved <strong>in</strong>valuable for digitiz<strong>in</strong>g the result<strong>in</strong>g<br />

footage.<br />

With respect to the ability to film at higher frame rates, the results were<br />

immediately apparent. Past experience us<strong>in</strong>g cameras that were limited to st<strong>and</strong>ard<br />

frame rates (30 fps or 60 fields/sec) consistently produced blurr<strong>in</strong>g of the h<strong>and</strong>s,<br />

particularly at the end of the pull, the phase referred to as the “follow-through”. As<br />

dIscussIon<br />

The study focused on two areas of <strong>in</strong>terest: First, was the adoption of<br />

high-speed video technology coupled with motion analysis software to<br />

capture <strong>and</strong> analyze the underwater pull patterns of swimmers. The<br />

second area of <strong>in</strong>terest was the possible <strong>in</strong>teraction between the degree<br />

of elbow bend dur<strong>in</strong>g the underwater pull, <strong>and</strong> l<strong>in</strong>ear changes <strong>in</strong> wrist<br />

<strong>and</strong> hip velocities <strong>in</strong> the primary plane of motion.<br />

The decision to use the “Multi 2-D” (M2-D) feature <strong>in</strong>corporated<br />

<strong>in</strong>to the software was made because it provided a means of monitor<strong>in</strong>g<br />

selected k<strong>in</strong>ematic parameters, specifically the potential changes <strong>in</strong> hip<br />

velocity as a function of underwater elbow flexion. In spite of the <strong>in</strong>herent<br />

limitations of 2D vs. 3D analyses, the M2-D feature was designed<br />

with gait analysis <strong>in</strong> m<strong>in</strong>d, i.e. plac<strong>in</strong>g the cameras at right angles to each<br />

other, mak<strong>in</strong>g it ideally suited for observ<strong>in</strong>g swimm<strong>in</strong>g stroke mechanics.<br />

The second <strong>in</strong>novation, i.e. design<strong>in</strong>g <strong>and</strong> implement<strong>in</strong>g a system<br />

of waterproof LED’s that were taped to the swimmer’s jo<strong>in</strong>t segments,<br />

proved <strong>in</strong>valuable for digitiz<strong>in</strong>g the result<strong>in</strong>g footage.<br />

With respect to the ability to film at higher frame rates, the results<br />

were immediately apparent. Past experience us<strong>in</strong>g cameras that were<br />

limited to st<strong>and</strong>ard frame rates (30 fps or 60 fields/sec) consistently produced<br />

blurr<strong>in</strong>g of the h<strong>and</strong>s, particularly at the end of the pull, the phase<br />

referred to as the “follow-through”. As anticipated, these distortions are<br />

amplified with the caliber of swimmer be<strong>in</strong>g filmed. By <strong>in</strong>creas<strong>in</strong>g the<br />

frame-rate to 100 fps, there was a significant change <strong>in</strong> the image quality,<br />

which allowed the automatic digitiz<strong>in</strong>g feature <strong>in</strong>corporated <strong>in</strong> the<br />

software to work function effectively.<br />

After the result<strong>in</strong>g data was filtered <strong>and</strong> processed, two primary observations<br />

emerged. The major observation was the manner <strong>in</strong> which the<br />

l<strong>in</strong>ear hip velocity (LHV) changed over the duration of the underwater<br />

pull cycle. Figure 1 is a sample report that comb<strong>in</strong>es the lateral synchronized<br />

video frame with two graphs that plot LHV <strong>and</strong> LWV <strong>in</strong> the plane<br />

of motion as a function of “time. “ The vertical l<strong>in</strong>e <strong>in</strong> the two graphs is<br />

a feature of the software, which allows the synchronization of each video<br />

frame with the respective time <strong>in</strong>tervals on the selected graphs.<br />

Figure 1. Synchronized video frame comb<strong>in</strong>ed with l<strong>in</strong>ear variations <strong>in</strong><br />

“hip & wrist velocity”, each plotted as a function of “time”.

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