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Biomechanics and Medicine in Swimming XI

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<strong>Biomechanics</strong><strong>and</strong>medic<strong>in</strong>e<strong>in</strong>swimm<strong>in</strong>gXi<br />

Swimm<strong>in</strong>g <strong>in</strong> Eyesight Deprivation: Relationships<br />

with Sensory-Perception, Coord<strong>in</strong>ation <strong>and</strong> laterality<br />

Invernizzi, P.l., longo, s., tad<strong>in</strong>i, F., scurati, r.<br />

Università degli Studi di Milano, Facoltà di Scienze Motorie, Milan, Italy<br />

Ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g control of direction dur<strong>in</strong>g displacement is important <strong>in</strong><br />

swimm<strong>in</strong>g, particularly for backstroke <strong>and</strong> open water events. Sensoryperception,<br />

coord<strong>in</strong>ation <strong>and</strong> laterality can relate to the ability to swim<br />

straight. This study aimed to analyze these relationships <strong>in</strong> front crawl,<br />

backstroke <strong>and</strong> breaststroke swum <strong>in</strong> a condition of eyesight deprivation.<br />

High correlation was found between the sensory-perception abilities<br />

<strong>and</strong> the ability <strong>in</strong> bl<strong>in</strong>d straight swimm<strong>in</strong>g. A crossed dom<strong>in</strong>ance<br />

right arm - left leg seems to be related to a better ability to manage the<br />

swimm<strong>in</strong>g direction <strong>in</strong> breaststroke, but neither <strong>in</strong> front crawl nor <strong>in</strong><br />

backstroke.<br />

Key words: sensory-perception, coord<strong>in</strong>ation, glid<strong>in</strong>g<br />

IntroductIon<br />

Previous studies on technical <strong>and</strong> coord<strong>in</strong>ative skills <strong>and</strong> on sensoryperception<br />

abilities po<strong>in</strong>ted out the importance of k<strong>in</strong>aesthetic differentiation<br />

skills <strong>and</strong> of the ability to reduce the drag forces <strong>in</strong> swimm<strong>in</strong>g<br />

performance.<br />

We wondered about the role of k<strong>in</strong>aesthetic differentiation <strong>and</strong> coord<strong>in</strong>ation<br />

<strong>in</strong> keep<strong>in</strong>g control of the swim direction, manag<strong>in</strong>g straight<br />

swimm<strong>in</strong>g. Usually athletes do not focus on it, thanks to the unconscious<br />

collection of <strong>in</strong>formation through eyesight (e.g. the lane l<strong>in</strong>e, the<br />

lane ropes, the walls). Swimmers should have good sensory-perception<br />

<strong>and</strong> k<strong>in</strong>aesthetic differentiation skills because these abilities allow them<br />

to perform the propulsive actions hav<strong>in</strong>g good control even with no visual<br />

feedback. Moreover they would be able to execute optimal swimm<strong>in</strong>g<br />

close to a theoretical model (Schicke, 1982). This is important<br />

<strong>in</strong> order to best manage the swimm<strong>in</strong>g direction, particularly <strong>in</strong> events<br />

such as backstroke or open water.<br />

The sensory-perception abilities are also essential to build “feel<strong>in</strong>g<br />

for the water” <strong>and</strong> they can be improved anytime by practice (Colw<strong>in</strong>,<br />

2002). Furthermore they are closely related to coord<strong>in</strong>ation (Me<strong>in</strong>el et<br />

al., 1984) <strong>and</strong> to balance, both dur<strong>in</strong>g swimm<strong>in</strong>g <strong>and</strong> outside the water.<br />

Visual feedback is closely related to balance, to sensory-perception improvement<br />

<strong>and</strong> to the control of direction dur<strong>in</strong>g displacement (Danion<br />

et al., 2000). Relationships are also found between coord<strong>in</strong>ation <strong>and</strong> laterality<br />

(h<strong>and</strong> dom<strong>in</strong>ance) (Oberbeck, 1989).<br />

The evaluation of coord<strong>in</strong>ation can be accomplished through a test<br />

based on the measurement of the maximal rotation on the longitud<strong>in</strong>al<br />

axis the athlete performs (Starosta, 2004). The laterality of subjects<br />

(h<strong>and</strong> dom<strong>in</strong>ance) could be calculated through the Hildreth <strong>in</strong>dex (Cilia<br />

et al., 1996), from the frequency of the favourite side used while perform<strong>in</strong>g<br />

a number of simple tasks.<br />

The ability to reduce drag, connected to swimm<strong>in</strong>g specific sensoryperception<br />

abilities, can be evaluated by a glid<strong>in</strong>g or a dive <strong>and</strong> glide test<br />

(Cazorla, 1993; Invernizzi et al., 2007).<br />

The aim of this study was to analyze the relationships among sensory-perception<br />

abilities, eyesight, coord<strong>in</strong>ation <strong>and</strong> laterality <strong>in</strong> ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />

a straight swim dur<strong>in</strong>g the front crawl, the backstroke <strong>and</strong> the<br />

breaststroke, <strong>in</strong> young swimmers aged 8 to 14 years.<br />

326<br />

Methods<br />

Twenty-eight young swimmers participated <strong>in</strong> this study (mean±SD,<br />

age 10.8±1.3 years, height 146.2±11.3 cm, weight 37.7±8.8 kg, BMI<br />

16.9±2.2 kg·m -2 , arm span 148.7±13.5 cm).<br />

To evaluate the trajectory of the swim without the support of visual<br />

feedback, the swimmers were asked to swim wear<strong>in</strong>g dark goggles<br />

(Novàk, 1982). A total of 9 bl<strong>in</strong>d-trials were performed: strokes were repeated<br />

three times <strong>in</strong> the sequence 25m front crawl, 25m backstroke <strong>and</strong><br />

25m breaststroke to avoid any condition<strong>in</strong>g effect due to the protocol.<br />

Subjects swam <strong>in</strong> the middle of a double lane area, start<strong>in</strong>g <strong>in</strong> a<br />

prone or sup<strong>in</strong>e position, push<strong>in</strong>g off the wall with both legs. They were<br />

asked to perform the swim as straight as possible, feel<strong>in</strong>g the water displacement<br />

only through k<strong>in</strong>aesthetic <strong>and</strong> vestibular sensory perception<br />

feedback.<br />

Scores (-5 to 5) were assigned depend<strong>in</strong>g on where the swimmers<br />

touched the lane rope or the end wall (Figure 1). Assistants guaranteed<br />

the safety of the subjects <strong>and</strong> the survey was supported by videorecord<strong>in</strong>g.<br />

Positive scores <strong>in</strong>dicated a deviation to the left whereas negative<br />

scores <strong>in</strong>dicated a deviation to the right. The scores have been <strong>in</strong>verted<br />

for backstroke <strong>in</strong> order to have the same mean<strong>in</strong>g of the direction of<br />

deviation with respect to the swimmer’s body.<br />

Swimmers performed the front crawl stroke breath<strong>in</strong>g every three<br />

armstrokes (alternat<strong>in</strong>g the side of breath<strong>in</strong>g).<br />

Figure 1. Experimental sett<strong>in</strong>g for the “bl<strong>in</strong>d swimm<strong>in</strong>g” evaluation.<br />

The swimmers’ coord<strong>in</strong>ation was evaluated through a Coord<strong>in</strong>ation test<br />

as suggested by Starosta (2004). Subjects had to jump on a 1 square<br />

meter base (Figure 2), execut<strong>in</strong>g the maximal possible rotation on the<br />

longitud<strong>in</strong>al axis dur<strong>in</strong>g the flight. Athletes could make free use of upper<br />

limbs. The degree of rotation was collected from the position of the feet<br />

after l<strong>and</strong><strong>in</strong>g. Two trials were performed for each direction of rotation.<br />

The preferred direction to rotate was also detected from the results.

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