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Macro Photography<br />

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Macro Photography<br />

"how to take close-up pictures <strong>of</strong> small<br />

things"<br />

by Philip Greenspun<br />

macro \'mak-(.)ro-\ aj [macr-] 1: excessively developed : LARGE, THICK 2: <strong>of</strong> or involving large<br />

quantities 3: GROSS<br />

Taking close-up pictures <strong>of</strong> small things is called "macro photography." I have no idea why. Perhaps because<br />

the small things in macro photography are generally larger than the things you are taking pictures <strong>of</strong> when<br />

doing "micro photography". If you really want to be pedantic then you should say you are doing<br />

"photomacrography".<br />

What Kind <strong>of</strong> Camera<br />

You probably want a standard 35mm single-lens reflex camera. You will see in the viewfinder what the film sees. If you have a lot <strong>of</strong><br />

money, you can get a 6x6 single-lens reflex such as the Rollei 6008. That's more or less the same idea. If you have a lot <strong>of</strong> patience, you<br />

can do macro photography with a 4x5 inch view camera.<br />

In the digital world, true macro photography is possible only with single-lens reflex cameras that take interchangeable lenses, such as<br />

the Canon D30, the Fuji S1, the Nikon D1, and the various Kodak pr<strong>of</strong>essional bodies. One nice thing about these cameras is that their<br />

small CCDs effectively magnify the image captured by whatever macro lens you've purchased. Thus a 100mm macro lens mounted on a<br />

Canon D30 effectively becomes a 160mm lens. And if the lens gives 1:1 magnification on 35mm film, you get 1.6:1 on the D30's<br />

sensor.<br />

Doing it all with a 50mm Normal Lens<br />

In the good old days a 35mm single-lens reflex camera came with a 50mm "normal" lens. These<br />

lenses were extremely light, rugged, and high quality so naturally the consuming public<br />

abandoned them for heavy, fragile, low quality zooms. But that's another story... Anyway, suppose<br />

that you are out in the woods with your Nikon and a 50mm normal lens and you want to take a<br />

picture <strong>of</strong> the tip <strong>of</strong> a pine needle.<br />

First, though, you want to take a picture <strong>of</strong> the moon. That's pretty far away, so you feel<br />

comfortable setting the lens focusing helical to "infinity". The "nodal point" <strong>of</strong> the optics will now<br />

be 50 millimeters from the plane <strong>of</strong> the film. [Note: exposure for the moon should be roughly f/11<br />

and 1/film-speed.]<br />

http://www.photo.net/macro/primer (1 <strong>of</strong> 8)15/11/2004 6:47:08 PM

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