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Studio Photography<br />

my favorite is the one with the really bad lighting... oops, that doesn't narrow it down. The one with the<br />

guy on his toes. You just do not see enough photos with the background stand in the actual frame. LOL.<br />

As if the shadow <strong>of</strong> the man on the un-lighted backgound isn't original enough for a studio shot! lol<br />

-- robert barzilla, February 15, 2003<br />

That's a bit <strong>of</strong> a stick to White Lightning, and an unfair one. While some <strong>of</strong> their claims may seem a bit<br />

ridiculous, I've compared my WL 600 (300 ws) to my Balcar Monohead (300 ws) and I do get about a<br />

solid stop and a half more output from the White Lightning. Also, the White Lightning is far more<br />

reliable.<br />

As far as pack vs mono... there are advantage and disadvantage to each. I say take advantage <strong>of</strong> both,<br />

and mix up what you have. I own Balcar mount monoblocks/ heads, then I also use Speedotron<br />

Brownline as well. I have the advantage <strong>of</strong> the rock solid base <strong>of</strong> Speedotron and the finesse <strong>of</strong> the<br />

monos, along with being able to use accesories that are unique to each.<br />

Favorite for the Speedotron: their version <strong>of</strong> the Mola reflector (22" Grid Reflector; super beauty light).<br />

Add the grid attachment with the Light Sock diffuser and you have an amazing beauty light. It's always a<br />

good idea to diffuse behind a grid for the main light. It s<strong>of</strong>tens the specular aspects <strong>of</strong> the effect and<br />

makes everyone look pretty amazing under it. Great for reproducing the "Hollywood Galmour" look.<br />

Don't forget your fill lights though!<br />

-- Jeremy du Brul, January 1, 2004<br />

Hi,<br />

I am a beginner and I like it that way. I enjoy reading and learning form Photo.net. I have a good<br />

workshop which I also use for photography. I take photos <strong>of</strong> violins, the ones I make. I use four lights<br />

each with 60w bulbs. I use a backdrop and dental floss to hang the violins on. I use a tripod with my<br />

camera and Tech-Pan. The results are predictable end good for my purposes.<br />

I think it all depends on what you want to shoot and why.<br />

Cheers.<br />

-- ben conover, May 31, 2005<br />

Related Links<br />

http://www.photo.net/studio/primer (16 <strong>of</strong> 17)7/3/2005 2:18:01 AM<br />

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