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Pinhole Photography<br />

<strong>of</strong> Man; the Clifton Observatory at Bristol, England; the camera obscura at<br />

Portmeirion, North Wales; the Giant Camera at Cliff House, San Francisco;<br />

the camera obscura at Santa Monica, California, the camera on the Mount<br />

Oybin in Germany, and others. A few large scale camera obscuras have<br />

been built in the 20th century.<br />

The First Pinhole Photographs<br />

Sir David Brewster, a Scottish scientist, was one <strong>of</strong> the first to make pinhole<br />

photographs, in the 1850s. He also coined the very word "pinhole", or "pinhole"<br />

with a hyphen, which he used in his book The Stereoscope, published<br />

in 1856. Joseph Petzval used the term "natural camera" in 1859, whereas<br />

Dehors and Deslandres, in the late 1880s, proposed the term "stenopaic<br />

photography". In French today "sténopé" is used for the English "pinhole".<br />

In Italian a pinhole camera is called "una fotocamera con foro stenopeico".<br />

In German "Lochkamera" and "Camera obscura" are used. The<br />

Scandinavian languages tend to use the English "pinhole" as a model –<br />

"hullkamera"/"holkamera"/"hålkamera", though "camera obscura" is also<br />

found, and is the term preferred by myself in Norwegian.<br />

Sir William Crookes, John Spiller and William de Wiveleslie Abney, all in<br />

England, were other early photographers to try the pinhole technique. The<br />

oldest extant pinhole photographs were probably made by the English<br />

archeologist Flinders Petrie (1853–1942) during his excavations in Egypt in<br />

the 1880s. Two <strong>of</strong> his photographs are reproduced in Renner (1995:39,40).<br />

It should be noted that Petrie's camera had a simple lens in front <strong>of</strong> the<br />

pinhole.<br />

Pictorialism and Popular Pinhole Photography<br />

By the late 1880s the Impressionist movement in painting exherted a certain<br />

influence on photography. Different schools or tendencies developed in<br />

photography. The "old school" believed in sharp focus and good lenses; the<br />

"new school", the "pictorialists", tried to achieve the atmospheric qualities<br />

<strong>of</strong> paintings. Some <strong>of</strong> the pictorialists experimented with pinhole<br />

photography. In 1890, George Davison's pinhole photograph An Old<br />

Farmstead (later called The Onion Field) won the first award at the Annual<br />

Exhibition <strong>of</strong> the Photographic Society <strong>of</strong> London. The award was<br />

controversial and led to a schism in the Photographic Society <strong>of</strong> London<br />

(soon to become the Royal Photographic Society) which resulted in the<br />

formation <strong>of</strong> the well-known pictorialist group, the "Linked Ring". George<br />

http://www.photo.net/photo/pinhole/pinhole (5 <strong>of</strong> 28)7/3/2005 2:15:39 AM

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