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Street Photography<br />

"desaturating" a color shot doesn't really substitute. All <strong>of</strong> the really good ultra-high speed films best<br />

suited for stealthy shooting are B&W anyhow.<br />

Image:RockCenter03b.jpg<br />

-- Colin James, November 29, 2000<br />

The 'shyness or cowardice' was prompted by Phils own comment about taking a shot whilst in a car with<br />

a telephoto.<br />

The essence <strong>of</strong> street photography is not to isolate the subject from the surroundings. We are not dealing<br />

with biological 'samples' here but People operating within their environment within their lives.<br />

Ask yourself how you and your family would like to be treated by a street photographer? Shot from a<br />

distance anonymously, detached from any context, your images used to entertain a rich American.<br />

Or would you prefer the photographer to have the courage to attempt some sort <strong>of</strong> rapport and some<br />

understanding and enter into your space with you rather than put you under his lens like some bug for<br />

inspection? In other words to treat you with some respect as another human rather than just image<br />

fodder.<br />

Greater photographers than us have tussled with this subject. Try getting hold <strong>of</strong> 'Perspectives' by Don<br />

Mccullin. It contains an excellent essay on the morality <strong>of</strong> photographing poverty , squalor, misery and<br />

war and even just ordinary folk going about their normal lives.<br />

Phil has elected himself to be a tutor on the subject <strong>of</strong> street photography but doesnt deal with any<br />

questions beyond the technical ones. I feel strongly about people being having their images, unwittingly,<br />

'mugged' from them.<br />

-- Trevor Hare, November 30, 2000<br />

Street photography? I am certainly not a specialist in classifying photography but I can hardly imagine<br />

that most <strong>of</strong> the above pictures would fall into this category. Whether they are taken with a 24, 35, 50 or<br />

85 mm lens on a colour or B+W film with or without flash is irrelevant, as long as they express<br />

something about the subject. And street photography tells a lot about the photographer and his<br />

interaction with the subjects.<br />

What I can see in most <strong>of</strong> these pictures is a mocking attitude <strong>of</strong> a selfish photographer who was very<br />

very remote from his victims (not only physically) and sometimes felt uneasy. The Tsukiji Market<br />

http://www.photo.net/photo/street-photography (10 <strong>of</strong> 31)7/3/2005 2:18:44 AM

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