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Reader's Comments - Index of - Free

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Light<br />

I'm just sorry Phil makes it sound common and plain. Anyone who uses a flashhead knows how difficult<br />

it is to get a good effect with it. The Omnibounce works great better than 90% <strong>of</strong> the time, and is a great<br />

assist for anyone wanting some help with an on-camera flash.<br />

-- J.R. Neumiller, October 24, 1999<br />

About your comments on flashlight: I do agree with you, up to a certain level, please see Martin Parr's<br />

wonderful photography! His use <strong>of</strong> a (medical ring)flash doesn't create shadows, but does create very<br />

hefty moods! I'm not sure if his artwork is available on the internet, but he's a member <strong>of</strong> Magnum<br />

Photos, so you might find something on him. He's based in Bristol, UK.<br />

-- Rolf Rosing, November 7, 1999<br />

An old Hollywood device for shooting street scenes at night is to wet the pavement, very liberally. It<br />

fills up vast dark areas with streaks <strong>of</strong> colored light. Just carry a wrench and open up the nearest fire<br />

hydrant...<br />

-- John Simmons, December 22, 1999<br />

great to see many eyes around the world through the looking glass.<br />

I shoot for a living. Actually, all I do is orchestrate my staff to do the "dirty work" for me, and all I need<br />

to do is to press the shutter. Flash work woes? Ever tried bouncing?<br />

Nearest wall 50 feet away? try faster film, or a more powerful flash. maybe even slower shutter speeds?<br />

or how about multiple exposures with different light sources? I had to shoot a commercial building once<br />

mind you, it was a huge shopping mall. We linked 6 guys with walkie talkie sets. each one had access to<br />

a different light switch located on different parts <strong>of</strong> the building. ie. ro<strong>of</strong> lights, internal lights, foyer<br />

lights etc. 8 exposures to create the blooming image. The image was used in the annual report <strong>of</strong> my<br />

client.<br />

remember guys, you are in control. and if you are NOT in control, then you will find it very difficult to<br />

acheive the EXACT image you set out to shoot. In commercial shooting, you DO NOT have the luxury<br />

<strong>of</strong> saying this line,"I'm sorry, I cannot shoot it like your scam" transalated to the client, it simply<br />

means... "Sorry, I'm stupid, please find someone else.BYE"<br />

more to ask? e-mail me @ second_jedi@yahoo.com<br />

I'm outta here.<br />

Michael Chick<br />

http://www.photo.net/making-photographs/light (16 <strong>of</strong> 22)7/3/2005 2:22:38 AM

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