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Exposure<br />

Help in Setting Aperture and Shutter Speed<br />

A few seconds at the amusement park.<br />

A 6-hour exposure in the Sierra.<br />

Given the information and examples above you ought to have some idea <strong>of</strong> the aesthetic results you're trying to<br />

achieve. If you're interested in the blurring or stopping <strong>of</strong> motion on film, set the shutter speed first. If you're<br />

interested in what will be in focus, set the aperture first. If you can't get a combination that suits you, look for a<br />

different speed <strong>of</strong> film or put a neutral density filter over the lens to reduce the amount <strong>of</strong> light coming through<br />

without changing what is in focus.<br />

How do you know that you're send the right number <strong>of</strong> photons through to the film so that your result won't be<br />

completely black (underexposed slide) or completely white (overexposed slide)? Old-timers using negative film<br />

would simply estimate the exposure from their experience, then fix up any minor errors in the darkroom. A<br />

somewhat more accurate technique is to RTFM. Here are the instructions included with Kodak Tri-X, a name<br />

shared by two confusingly different films (Tri-X Pan is ISO 400 and has good midtone separation; Tri-X Pan<br />

Pr<strong>of</strong>essional is ISO 320 and has more highlight separation):<br />

"Use the exposures in the table below for frontlighted subjects from 2 hours after sunrise to 2 hours<br />

before sunset."<br />

http://www.photo.net/making-photographs/exposure (8 <strong>of</strong> 13)7/3/2005 2:22:14 AM

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