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Reader's Comments - Index of - Free

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Light<br />

Studio Flash<br />

On-camera flash at its most horrifying: as the primary light. But if<br />

you've got a Yashica T4 in your pocket and you are in a dark<br />

theater, this might be the best you can do. Note how the<br />

background has become 100% black. Note also the ruddy flesh<br />

tones, courtesy <strong>of</strong> Fuji Velvia. (from Travels with Samantha,<br />

Chapter III)<br />

Another success for the Sto-Fen diffuser. Note that this was done<br />

in a bathroom with white tile and white walls.<br />

Canon EOS-5, 70-200/2.8L lens, 540EZ flash<br />

For now, I think I'm just going to refer you to my studio photography primer.<br />

Studio Hot Lights<br />

For now, I think I'm just going to refer you to my studio photography primer.<br />

Final thought<br />

"Contrast" by Emily Dickinson:<br />

More<br />

A door just opened on a street--<br />

I, lost, was passing by--<br />

And instant's width <strong>of</strong> warmth disclosed,<br />

And wealth, and company.<br />

The door as sudden shut, and I,<br />

I, lost, was passing by,--<br />

Lost doubly, but by contrast most,<br />

Enlightening misery.<br />

http://www.photo.net/making-photographs/light (12 <strong>of</strong> 22)7/3/2005 2:22:38 AM

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