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Street Photography<br />

It would have been nice if some black and white street pictures had been included as well. B&W has<br />

been the aesthetic (and practical) choice <strong>of</strong> many street (as opposed to reportage) photographers, because<br />

especially in a street setting with random colors everywhere, B&W clarifies the intent <strong>of</strong> the image. This<br />

is not to say powerful color street photography is not possible. There are many who practice it-but the<br />

novice reading these pages might do well to give B&W a try as well.<br />

-- Mani Sitaraman, November 23, 2000<br />

"careful use <strong>of</strong> on-camera flash"? Excuse me, but the flash is extremely visible in the photogrpah.<br />

-- Jan Mattsson, November 24, 2000<br />

The flash light is reflected in two <strong>of</strong> the windows - the upper window <strong>of</strong> the door in the left, and the one<br />

above the [right hand side] girl's head. It is also reflected in the man's spectacle frames, in his watch's<br />

strap and bracelet, and on his shoe. The man in the foreground is significantly more exposed than the<br />

two women, and is rather flat due to the shadow less nature <strong>of</strong> on-camera flash. There is considerable<br />

glare on both the doorframe and the post supporting the rear window. I don't think flash was appropriate<br />

here; it was certainly not used carefully.<br />

When I saw "Street Photography" I jumped for the link immediately. I was rather disappointed, like<br />

others, that there are no black and white photographs. B&W, to me, epitomizes street photography. I<br />

could only spot one photograph (the first one, girl on steps) in which the subject was actually the person<br />

for that person’s own intrinsic worth - a street portrait, if you know what I mean. Preferably candid. The<br />

one <strong>of</strong> the girl on the steps is good, although the sunglasses detract from it. Eyes always hold expression.<br />

Of course, asking the girl to take the glasses <strong>of</strong>f may not have went down well. Posed street photographs<br />

can be good, but I have yet to see one that doesn’t appear obviously posed. Pics <strong>of</strong> many different<br />

people, in different countries, all chatting on phones, are interesting for documentation, but to list them<br />

as teaching examples on "street photography"? The Venice Beach photo is interesting, in a different<br />

way. There is nothing candid about it - six people are staring directly at the camera lens. Nevertheless, it<br />

has got tremendous detail, and showcases a wide variety <strong>of</strong> human beings, young and old, male and<br />

female, black and white, fit and fat, introspective and out-going, and even a good ole dog (looking rather<br />

bored with it all). Colour was appropriate here. Well done with this one!<br />

-- Samuel Dilworth, November 25, 2000<br />

If flash had not been used in that photo, the interior <strong>of</strong> the c<strong>of</strong>fee shop would probably have been<br />

underexposed. Maybe a bounce flash should have been used.<br />

-- Andrew Grant, November 26, 2000<br />

Actually, myself I like the way the flash is visible in that photograph: the flash reflection makes you<br />

http://www.photo.net/photo/street-photography (8 <strong>of</strong> 31)7/3/2005 2:18:44 AM

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