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Lens<br />

A teleconverter is a small lightweight intermediate optic that will increase the magnification <strong>of</strong> a lens,<br />

while reducing its effective aperture. So a 2X teleconverter turns a 300/2.8 into a 600/5.6. A lot <strong>of</strong> times<br />

new photographers ask me if they can save money by buying a teleconverter and sticking it onto their 28-<br />

70 zoom to get a 140mm lens. Sadly, good teleconverters cost $400 or $500 and they only work<br />

optically on expensive lenses. With a typical zoom lens, you'll get vignetting (darkening <strong>of</strong> the corners)<br />

when using a teleconverter.<br />

Teleconverters are for pr<strong>of</strong>essionals who own expensive lenses and want to save weight by not carrying<br />

two lenses. They are also useful sometimes with specialized tilt-shift lenses so that you don't have to buy<br />

these in lots <strong>of</strong> different focal lengths.<br />

Zoom lenses<br />

Why carry around a whole bag <strong>of</strong> fixed focal length ("prime") lenses when you could just buy a Tamron<br />

28-200 zoom lens for $300? With a twist <strong>of</strong> a ring, the Tamron will give you any focal length from<br />

28mm to 200mm. The only problem with this idea is that, sadly, the laws <strong>of</strong> physics and common sense<br />

have not been repealed.<br />

Photographic lenses in general are not very good. They only appear to be good because people very<br />

seldom enlarge or closely inspect images. Lenses are subject to many kinds <strong>of</strong> distortion, all <strong>of</strong> which<br />

are more difficult to engineer around in a zoom lens. Furthermore, zoom lenses tend to be slower (admit<br />

less light) than prime lenses. This forces the photographer into using flash and/or a tripod.<br />

Does that mean you shouldn't buy a zoom lens? Absolutely not. I own three beautiful zoom lenses for<br />

my Canon EOS system: 20-35/2.8L, 28-70/2.8L, and 70-200/2.8L. These are a great convenience for the<br />

lazy and/or pressed-for-time photographer. However, none <strong>of</strong> these are as good as prime lenses in their<br />

focal length range. Each <strong>of</strong> these zooms costs about $1500 so they won't help you out if you don't like<br />

the prices <strong>of</strong> the prime lenses.<br />

Personally I'd rather have my 28-70/2.8L than a 50/1.8. But I'd rather have the 50/1.8 than Canon's<br />

cheaper mid-range zooms. And I'd rather have a Yashica T4 point-and-shoot than a bottom-priced<br />

Tokina mid-range zoom.<br />

Weird Lens #1: The Fisheye<br />

See my review <strong>of</strong> the Canon 15mm fisheye lens.<br />

Weird Lens #2: The Beyond 1:1 Macro lens<br />

As far as I know, Canon is the only company in the world that makes a lens intended for convenient<br />

photography <strong>of</strong> objects smaller than a 35mm frame. See the photo.net review <strong>of</strong> the Canon MP-E 65mm<br />

http://www.photo.net/making-photographs/lens (6 <strong>of</strong> 9)7/3/2005 2:22:04 AM

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