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Portrait Photography<br />

before i learned how to do anything other than put camera in auto and click... and they can certainly could have<br />

been better (and i choose not to post-shoot-alter my pictures with what i feel to be artistic merit, so i have to do<br />

my learning)...<br />

another comment is on the oddity <strong>of</strong> one person who commented that artists don't get together and discuss<br />

brushes, they just paint, but wouldn't it make sense that a person with an artistic eye who lacks the how-to<br />

knowledge ends up putting together a mediocre result? I have taken many pictures that are great scenes, but lame<br />

2D reproductions <strong>of</strong> that moment... the art is in the heart, but the expression <strong>of</strong> it is in the method... for an<br />

example, look at the comment by keki unwalla... an excellent example <strong>of</strong> someone who has a great eye, but<br />

admittedly knows little about the working <strong>of</strong> the equipment... now, when more powerful equipment must be used,<br />

keki has to start to learn how to use the equipment a little more to correct for the failing <strong>of</strong> the physical eye... in<br />

the end, it is true that the eye makes the picture, but there is still a place for the technical discussion... if you don't<br />

believe that, try painting a ceiling mural with a stick and mud... at some point, you have to move forward... and<br />

when you do, you will need to learn how to do that in an informed and educated way.<br />

-- Keiran Earl, October 31, 2003<br />

definetly visible blurring with big zoom lenses 420mm/2.8<br />

-- Orlin Stoilov, February 4, 2004<br />

I photograph children predominantly and find a prime 50mm 1.7 lens a godsend. Some children are quite<br />

intimidated by the long lens - even when you sit back and I have snapped some <strong>of</strong> my best shots with the tiny<br />

http://www.photo.net/portraits/intro (26 <strong>of</strong> 37)7/3/2005 2:16:41 AM

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