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Portrait Photography<br />

As far as doing s<strong>of</strong>t focus in other formats, Rodenstock makes an Imagon lens for 4x5 view cameras. It has<br />

perforated disks that you shove into the middle <strong>of</strong> the lens. Unfortunately, different s<strong>of</strong>tness and aperture settings<br />

affect the focus so you have to focus with the lens stopped down. In medium format, people like the old Zeiss<br />

150 lens for Hasselblad because it simply isn't all that sharp.<br />

Film<br />

Most people probably look better in black and white. If you want the sharpest results,<br />

you'll get them with Agfapan 25, Kodak TMAX-100, and Kodak TMAX 400 CN.<br />

Kodak's ancient Tri-X emulsion has enough grain that it may flatter certain subjects. I<br />

don't really like Tri-X in the 35mm format; the grain is simply too obtrusive. Tri-X<br />

works for me in 120 or 4x5 size, though.<br />

If you're doing color, you'll want subtle tones, low color saturation, and low-ish<br />

contrast. My favorite films are Fuji Astia, Kodak 100SW (ISO 100 slide) and Fuji NPS<br />

(ISO 160 color negative).<br />

See my film article for more on this subject.<br />

At right: my grandmother Shirley on Tri-X.<br />

Camera<br />

Any 35mm single-lens-reflex will work fine. The snob 35mm rangefinders are<br />

probably great, e.g., the Contax G2 or Leica M6 with a 90mm lens. The standard<br />

medium format approach would be a Hasselblad and a 150mm lens. If you have a<br />

flotilla <strong>of</strong> assistants like Annie Liebowitz, you could use the camera she uses: Mamiya<br />

RZ67. If you have a lot <strong>of</strong> patience, a 4x5 view camera with 270mm lens isn't a bad<br />

option.<br />

The worst possible camera is a zoom point and shoot. Their lenses are far too slow at<br />

the telephoto end. So you get f/10 instead <strong>of</strong> f/2.8 and your background is sharp<br />

instead <strong>of</strong> blurry. Or you have to use the on-camera flash instead <strong>of</strong> natural light. It<br />

really is a waste <strong>of</strong> film. See my point and shoot article for more on these otherwise<br />

remarkable cameras.<br />

Among the digital cameras, it is tough to do good work unless you have a true single-lens-reflex. The photo at<br />

right was taken with a Nikon D1. As <strong>of</strong> April 2001, an excellent digital choice for portraiture is Olympus E-10.<br />

[If you're in the market for a new camera, check the photo.net recommended retailers.]<br />

Environmental Portrait<br />

http://www.photo.net/portraits/intro (5 <strong>of</strong> 37)7/3/2005 2:16:41 AM

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