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Tips for Using a Point & Shoot Camera<br />

as long as the photograph had a perfect image. Cartier-Bresson is arguably a much better<br />

photographer than Ansel Adams (I'm sorry but the amount <strong>of</strong> people who have your print<br />

in their downtown <strong>of</strong>fice building does not determine your greatness). When that<br />

'decisive moment' does occur, I'd much rather have my instant point and shoot than<br />

fumble with exposure and focus and miss that moment. No, matter how good you are<br />

with an SLR, you'll never be faster than a point and shoot.<br />

I've discovered that my subjects react differently to a point and shoot than to an SLR. It's<br />

nice to still see the face <strong>of</strong> the person photographing you and with my T4, I've gotten<br />

much more intimate portraits. There's just less <strong>of</strong> a barrier between you and the person<br />

you're photographing. I can carry my T4 everywhere, even to the beach where I wouldn't<br />

trust my Nikon. Sand has actually gotten into my T4 and I've been OK. I've run around in<br />

the rain in it, waded in pools with water inches below my camera, I've dropped the T4 on<br />

the ground once when I was drunk, and it still works like a charm. The unbelievably low<br />

price also allows me to not worry about it as much. I carry it around in my backpack or<br />

pocket without fear and literally have it everywhere I go. You never know when a perfect<br />

photographic moment can come. I actually own two T4s now so I can have two different<br />

slides films available at all times, an ASA 50 or 100 Fujichrome or Agfachrome for<br />

outdoor stuff, and a 200 ASA Kodachrome for indoor lighting... this way I don't have to<br />

run through a roll before switching films (I'll never be forced to use Velvia 50 inside in<br />

low light now).<br />

I'll still use my SLR once in awhile but getting good at a point and shoot is what every<br />

photographer should learn how to do before they really consider themselves good. It just<br />

adds such a different level to their photography skills. I'm sure some <strong>of</strong> Nan Goldin's<br />

photographs that are hanging up in the Whitney right now or selling at Matthew Marks<br />

for thousand <strong>of</strong> dollars were taken with her T4. When you can take a museum-worthy<br />

photograph with a $150 point and shoot, that's when you know you're really good.<br />

My two cents, Jeff<br />

-- Jeff Sheng, May 22, 2000<br />

Pretty heady stuff here, especially considering the subject <strong>of</strong> "point & shoot." For me,<br />

one <strong>of</strong> the great joys <strong>of</strong> photography is the ability to "capture and record" the moment.<br />

Something you can look back on a few years from now and enjoy.<br />

Currently, I own a Pentax ZX-10, which takes great pictures for me. I recently purchased<br />

an Olympus Stylus Epic and have been both pleased and frustrated with the results. (In<br />

other words, still learning its capabilities and limitations.) But I learned basic<br />

photography on a "gasp" Olympus focus-free Trip MD camera (about 40 bucks in 1987).<br />

This was/is a true "point & shoot" camera.<br />

http://www.photo.net/learn/point-and-shoot-tips (25 <strong>of</strong> 35) [5/15/2002 7:15:46 PM]

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